Textured colorless, transparent shades of green, amber, opaque and translucent white, opaque pink lead and non-lead various types of flat glasses, lead, copper foil, Kodalith film; cut, sandblasted, assembled with copper foil and lead, photographic lamination. Horizontal panel with complex imagery, materials and textures; design includes at top edge self-portrait transparency of artist looking through upper window into a room with three leaded cows with enamel detailing (hunters, farm machinery) facing left towards figure (head is cropped out) laying in traction on a bed whose covers are patterned with maps of the United States and the "little Dutch girl" logo, in foreground is a table topped with a mounted open book of mirror depicting a figure (with head facing into a bucket) bathing outdoors; unsigned.

In this panel, Posner’s photographic image peers through a window at an image of a person lying in traction on a bed, who also represents the artist. This work documents Posner’s experience in alternative service during the Vietnam War: a conscientious objector, he sustained a back injury while working as a dishwasher in a civilian hospital. The materials used in this panel include handmade Vietnamese glass.