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Behaim Beaker

Behaim Beaker

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Object Name: 
Behaim Beaker
Department
European
Category
Renaissance
Place Made: 
Italy, Venice
Date: 
probably 1495
Color
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colorless
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gold
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red
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yellow
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white
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green
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black
Technique
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glassblowing
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enameling
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gilding
Material
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soda lime glass
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gold
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enamel
Dimensions: 
Overall H: 10.7 cm; Rim Diam: 7.8 cm; Foot Diam: 6.4 cm
Accession Number: 
84.3.24
Credit Line: 
Purchased with funds from the Houghton Endowment Fund
Location: 
On Display
Description
Behaim Beaker. Colorless. Blown; enameled, gilded. Beaker: barrel shaped, with fire-polished rim; integral foot with articulated foot-ring and pontil mark. Below rim, gilded band with scratched design of scales, with rounded side up, between lines and denticular frieze below. Light blue dots adorn scales, red dots decorate denticular frieze, and dense row of white dots and scattered row of blue dots appear below gilding. Above foot, gilded band is scratched into circlets that hold, alternately, blue dot and red dot. Between bands, continuous green ground with black sprigs and white enamel dots; three gold trees, with green and blue enamel dots enlivened with white enamel dots, subdivide surface for large coat of arms and two cusped white and yellow frames with representations of archangel Michael and Saint Catherine. Targe per pale of gules and argent, overall a bend wavy sinister sable; crest a bird argent, gorged with crown sable; helmet mantlings red, lined with white.
Label Text
The Behaim Beaker is a fine example of Venetian cristallo, and it demonstrates how glass from Venice commanded attention abroad. The beaker bears a coat of arms and two panels, each of which contains a figure. The coat of arms belongs to the Behaim family of Nuremberg. One panel depicts the archangel Michael killing a dragon; the other shows Saint Catherine of Alexandria. The unusual combination of Michael and Catherine requires an explanation. It is thought that the beaker was made for the wedding, on July 7, 1495, of a Nuremberg patrician, Michael Behaim, and Katerina Lochnerin, the daughter of a rich merchant whose firm controlled trade between Nuremberg and Venice. If this explanation is correct, the Behaim Beaker is an outstanding illustration of fine Venetian glassware custom-made for export to Germany. It also demonstrates two of the features of Venetian glass that attracted widespread attention: the excellence of cristallo and the brilliance of the gilded and enameled ornament. The Behaim Beaker appears to be the earliest Venetian gilded and enameled glass that can be dated precisely.
Provenance
Biemann, Fritz, Former Collection to 1984
von Hirsch, Robert, Former Collection to 1978
Venue(s)
Corning Museum of Glass
Changing Exhibitions Gallery
Art and Love in Renaissance Italy
Venue(s)
Metropolitan Museum of Art 2008-11-17 through 2009-02-15
Kimbell Art Museum 2009-03-15 through 2009-06-14
 
Venue(s)
Corning Museum of Glass 2004-05-13 through 2004-10-17
The Art of Glass: Masterpieces from The Corning Museum of Glass
Venue(s)
IBM Gallery 1989-12-12 through 1990-02-03
National Gallery of Art 1990-12 through 1991-04
 
Glass: A Short History (Smithsonian Books edition) (2012) illustrated, pp. 64-65; BIB# 130360
Glass: A Short History (The British Museum edition) (2012) illustrated, pp. 64-65;
Medieval Glass for Popes, Princes, and Peasants (2010) illustrated, pp. 242-243, #121; BIB# 115588
Richard La Londe and Friends (2009) illustrated, p. 29, right; BIB# 112312
Art and Love in Renaissance Italy (2008) illustrated, p. 96, cat. 28, view 1 & 2, Fig. 61; BIB# 106342
European Glass in the Venetian Style 1500-1750 (2004-08) illustrated, p. 71;
Beyond Venice: Glass in Venetian Style, 1500-1750 (2004) illustrated, preface, fig. 1; BIB# 79761
L'Histoire du Verre: A Travers Les Tresors du Musee de Corning (1990) illustrated, p. 60;
Recent Important Acquisitions, 27 (1985) illustrated, p. 98, #5;
The Corning Museum of Glass Annual Report 1984 (1985) illustrated, cover; p. 6;
Mille Anni di Arte del Vetro a Venezia (1982) pp. 88-89, #82;
Recent Important Acquisitions, 21 (1979) illustrated, cover, frontispiece;
The Robert von Hirsch Collection, volume 2: Works of Art (1978-06-22) #258, pp. 80-81;
Title Unknown (Weltkunst) (1978-05-15) p. 1193;

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