Vase with the Royal Arms of France

Vase with the Royal Arms of France

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Object Name: 
Vase with the Royal Arms of France
Department
European
Place Made: 
France
Date: 
about 1828
Color
AAT
colorless
Technique
AAT
enameling
Dimensions: 
Overall: H: 32.3 cm, W: 14.5 cm, D: 13.6 cm
Accession Number: 
2005.3.38
Location: 
Not on Display
Description
Colorless glass: cut with incrustated multicolored enameling and gilded bronze mounting. Vase has a square foot, ovoid-shaped body, and flared top rim. Plinth base, applied handles and wrap around lip are made of gilded bronze and a decorated with repeating patterns and designs. Central multicolored enameled design of the Royal Arms of France.
Label Text
In 1828, King Charles X of France made an official visit to Lorraine . He toured an industrial exposition in Metz, in which the glass factory of Saint-Louis took part, and he arrived in Baccarat on September 12. There, the royal family was reportedly presented with a ewer, two large Medici vases, and two services for tea and water. This visit took place fewer than ten years after the Cristalleries de Baccarat had been substantially reformed to produce the type of products for which it is famous today: heavy, clear, cut crystal. Our vase, which was probably made in connection with the king's visit, or soon thereafter, is cut in a variety of shapes, and mounted in a formidable set of ormolu handles, rim, and foot, which still reflect the Empire style of the Napoleonic era. Most formidable, however, is the brilliantly enameled coat of arms of the Bourbon kings of France on the center of the vase, as it was restored in 1814: the arms of France (three lilies) and Navarre (chain) encircled with the combined royal orders of Saint-Michael (angel) and of the Holy Spirit (dove), crowned with the closed royal crown and adorned with a wreath of white lilies. This enamel work must have been accomplished by jeweler and goldsmith Jean-Alexandre Paris (1781 – 1850), who specialized in producing enameled medals and decorations, and who invented, in about 1816, the method of incrustating his enamels in colorless glass.
Provenance
Jeremy LTD, Former Collection
The Corning Museum of Glass Annual Report 2005 (2006) illustrated, Cover, p. [1];
The Gather (2006) illustrated, p. 11;

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