Donor Profile: Micki and Jay Doros

Micki and Jay Doros

Micki and Jay Doros

Fifty years ago, Micki and Jay Doros were vacationing on Cape Cod. With not much else to do, they spent some time casually browsing an antique shop, where they became fascinated with the glass on display. Since that day, they have been avid collectors.

Says Jay, “We were both interested in glass and it was something we could do together. Although our collecting interests have changed over the years, we’ve both remained engaged.”

“During that same vacation, we were reading an antiques magazine and we saw an advertisement for The Corning Museum of Glass Seminar,” says Micki. “We thought we should go. We largely owe Corning for educating us about glass. We purchased a lot of books, and we became good friends with Rakow librarians Norma Jenkins and Virginia Wright. They were a great help to us. The Seminar lectures are wonderful and we always come home having learned something.” The 2012 Annual Seminar on Glass (held annually in October) marks the 49th Corning Museum Seminar the Doroses have attended.

During their first 20 years of collecting, Micki and Jay focused on cut glass. Micki then became interested in art glass. Minna Rosenblatt, an art glass dealer on Madison Avenue, advised them, as did their son, Paul Doros, then curator of glass at the Chrysler Museum of Art. Paul suggested they specialize in one maker, and they chose Louis Comfort Tiffany.

Favrile Kerosene Lamp with Morning Glory Shade and Peacock Feather Base by Louis Comfort Tiffany

Favrile Kerosene Lamp with Morning Glory Shade and Peacock Feather Base, Louis Comfort Tiffany, Corona, NY, about 1895-1905. (Gift of Micki and Jay Doros, 2006.4.287)

One of the Doroses’ Tiffany objects was displayed in the 2009 exhibition Tiffany Treasures: Favrile Glass from Special Collections. “We bought a lamp at auction. How can you let a (Tiffany) Peacock Eye Lamp Base go?” says Micki. “Then, when we redecorated the house, the lamp got broken. It lay in a box for a year, broken, because we couldn’t bear to look at it. We eventually gave it to the Museum, and conservator, Steve Koob, fixed it.” Learn more about the restoration of the lamp base in the article Restoring Tiffany.

Jay and Micki are active supporters of the Museum. Jay is a Museum Fellow, and both are founding members of the Ennion Society. The Ennion Society is an honorary group for donors who make annual gifts to the Museum of $1,200 or more. Donations are used for acquisitions to the Museum’s glass collection, the world’s most important collection of glass, including the finest examples of glassmaking spanning 3,500 years. Members of the Ennion Society play a critical role in ensuring the Museum’s stature as the international leader in the pursuit and dissemination of knowledge about the art, history, science, and technology of glass and glassmaking.

After all these years, the Doros’ interest in glass in only growing. “The Rakow Library has always been our favorite spot at the Museum,” says Jay. “We spend five days at Seminar, and we spend time at the Library doing research. No matter how much you know, you never know enough.”

Making Ideas: Peter Sís

This past summer, we invited designers featured in Making Ideas: Experiments in Design at GlassLab to come to the Museum for public design performances. Illustrator Peter Sís had never worked in glass when he arrived in Corning for his June design session. “I did animation but I never was able to create things in space, and here, it’s fascinating to see that these things are working in the third dimension. Somehow you feel the object and it’s completely inspiring – and magic – I would say.”

Peter Sis at GlassLab in Corning, June 12 - 13

Peter Sís works with gaffers Chris Rochelle and Aaron Jack at GlassLab in Corning, June 12 - 13

Sís chose to use illustrations from his most recent book project, The Conference of the Birds, to create 3D vessels. The result was a series of whimsical birds, cats, and flying fish that reflect the recurring characters in his work.

Creating a design in hot glass by Peter Sis at GlassLab

Creating a design by Peter Sis in hot glass

“I like the idea that the Museum is forward-thinking and inspirational,” Sís said of his experience. Embracing the concept of prototyping ideas, Sís already has inspiration for future projects. “I wish I had had more time to integrate more complicated techniques such as graphic elements… I was just touching the surface of possibilities and connection to my two dimensional work.”

Design sketch and finished prototypes by Peter Sis for GlassLab

Design sketch and finished prototypes by Peter Sís for GlassLab

“Glasslab was an interesting experience,” Sís said. “It was fun to see how quickly they could take my sketches and decide how to proceed and how to translate my ideas into glass.” More images from this summer’s design performances, as well as designer bios, process videos, design drawings, prototypes and more are available on the web-based GlassLab app at cmog.org/glasslab. 

Making Ideas: Experiments in Design at GlassLab is on view at the Museum through January 6, 2013.

Uniting the worlds of glass and racing: Corning Museum crafts trophy for Watkins Glen International

This morning, the Museum announced an exciting partnership with Watkins Glen International and unveiled the trophy for the 2012 NASCAR Sprint Cup Series race.

Created by Museum glassmaker Eric Meek, the trophy both references the raceway and captures the nature of the Finger Lakes region.

“When you look at the side of the trophy, it almost looks like a waterfall,” says Meek, “That’s an important part of our region, going into the Finger Lakes there are many beautiful glens, gorges and waterfalls.”

Viewed from the top, you can see the trophy’s core which was hand sculpted to the outline of the racetrack. The blue is a match to the color of the racetrack’s guardrails.

2012 NASCAR Sprint Cup Series trophy for Watkins Glen International

2012 NASCAR Sprint Cup trophy

“The Corning Museum of Glass has provided Watkins Glen International a truly unique and beautiful trophy for our NASCAR Sprint Cup Series race in August,” Watkins Glen International President Michael Printup said. “This one-of-a-kind work of art captures the essence of our partnership, uniting the world of art and speed. I cannot wait to see it held high in Gatorade Victory Lane by 2012 Sprint Cup Series race winner for the world to see!”

Eric Meek, Michael Printup, George Kennard, and Ryan Mosher at the unveiling of the NASCAR Sprint Cup trophy

Eric Meek, Michael Printup, George Kennard, and Ryan Mosher

Watch the making of the trophy in this behind the scenes video on the process of creating this one-of-a kind glass trophy.

A Passion for Glass

This great video, featuring an interview with Rob Cassetti, senior director of creative services, was recently posted by Smithsonian magazine. It’s a great behind-the-scenes glimpse of just one of our staff member’s  intense passion for glass and its many amazing properties and mysteries. (And shows beautiful footage of the Museum!)

Photographing Glass at the Museum

  

Andy Fortune Photographing Venetian Object

 

You may think taking a picture is easy, but when glass is involved, every little detail counts. 

We need pictures of our objects for many uses, including promotion, publications, lectures, and archival documentation. When the Museum acquires a new piece of glass or when someone notes a need for an image of a particular piece, the Registrar’s department carefully delivers the object to the Photography department. 

Our photographers then closely examine it to determine if it is something that they can safely clean (no finger prints–all objects need to be squeaky clean for their photo ops!). If it needs extensive cleaning or more serious attention, it is shipped back to the Museum for some TLC from one of our conservators. 

Nick Williams Photographing Venetian Object

Once it is sparkling clean, the photographers decide on the type of background to use in order to best display the piece. Most of our object images have a transmitted white or solid black background, but some have different colors to effectively show any subtle nuances. At this point, they also decide what type of lighting to use to achieve the best result, reflecting the light just so to play off the glass’ natural properties. All of this is then fine-tuned based on what they see on the monitor throughout the digital capture process. 

Search our Collections Browser to find your favorite object image!