Making Ideas: Harry Allen

 

This past summer, we invited designers featured in Making Ideas: Experiments in Design at GlassLab to come to the Museum for public design performances. Industrial designer Harry Allen’s work includes a line of products cast from real life, including a piggy bank and roller skate. He explored casting glass in antique waffle irons at the Museum last year, and came to his GlassLab sessions with fresh ideas to try.

Allen has worked with GlassLab previously at Cooper-Hewitt, National Design Museum and Design Miami in 2008. At the Glass Art Society Conference in Toledo, Ohio, in June, Allen and a full team of glassblowers explored new ideas including three-part vases, stacking rocket ship containers, exploding bowls, a fern coil vase, and narrow standing circular vases. Allen also continued his design of blown glass bowls with the molded imprint of the designer’s hands.

Hot glass is blown onto a mold of the designer’s hands to create a bowl at GlassLab at the Glass Pavilion in Toledo, June 2012.

Hot glass is blown onto a mold of the designer’s hands to create a bowl at GlassLab at the Glass Pavilion in Toledo, June 2012.

In August, Allen returned to the Museum for his fifth GlassLab design session, a collaboration with Chris Hacker, chief design officer for Johnson & Johnson.

Chris Hacker and Harry Allen at GlassLab in Corning, NY, August 21-22, 2012.

Chris Hacker and Harry Allen at GlassLab in Corning, NY, August 21-22, 2012.

“I’m excited to be here,” said Hacker, “Harry and I have worked together for most of our careers, although we’ve never collaborated quite in this way.” The designers explored making color bands and texture bands that were joined together to form cylindrical vases.

Prototypes and design drawings by Harry Allen and Chris Hacker for their GlassLab design session.

Prototypes and design drawings by Harry Allen and Chris Hacker for their GlassLab design session.

Allen and Hacker also created a series of vessels using blocks molded with the texture of carpet squares. These objects were included in a charity auction to support the Design Industry Foundation Fighting Aids (DIFFA).

Currently, Allen is working with the Museum on the exhibition design for Life on a String: 35 Centuries of the Glass Bead, opening in May 2012. Before then, be sure to check out his design prototypes on view in Making Ideas: Experiments in Design at GlassLab at the Museum through January 6, 2013.

Harry Allen for GlassLabMore images from this summer’s design performances, as well as designer bios, process videos, design drawings, prototypes and more are available on the web-based GlassLab app at cmog.org/glasslab.

Making Ideas: Dan Ipp and Tom Zogas

This past summer we invited designers to come to the Museum for public GlassLab design performances.  Dan Ipp and Tom Zogas are the winners of Metaproject 02, a Rochester Institute of Technology student design competition, in collaboration with The Corning Museum of Glass.  The two designers share their experience:

The start of our design process for GlassLab was a late night in the studio. We found tiny cardboard tubes, which are meant to be put on the end of the jack tool, and clustered them into a bundle, varying the heights of each tube to create a more dynamic form, and then placed the bundle in a bucket of sand to hold it in place. After forming a blown vessel, we dropped the hot form directly on top of the cardboard cluster. The result of the experiment was a uniquely organic indent in the bottom of the vessel.

Tom Zogas and Dan Ipp at GlassLab at The Corning Museum of Glass, summer 2012

Tom Zogas and Dan Ipp at their GlassLab design session.

From this first experiment, we decided to propose the theme of “kicks” in different vessels, and our GlassLab theme was born. The kick is the indent on the bottom of a cup or bottle. It is typically added to a vessel for structural purposes and additionally to make the bottom of the vessel more stable when set down. We decided to push the “kick” idea to an extreme and make it a focus of our designs.

Design drawings for GlassLab, Corning Museum of Glass Summer 2012

Tom Zogas and Dan Ipp's design drawings explore kicks in glass.

We arrived on our first morning, excited to get started with our design session. Some excellent pieces were created; most notably a big bulbous bottle, where the kick went up into the neck of the bottle. Another interesting piece was a small cup where the kick goes up and then back out the bottom. This makes the cup unusable and very impractical. We went into the GlassLab design sessions with certain expectations, but the outcome was different than we had expected. It was a great experience to have expert gaffers execute our designs. It’s truly a unique experience to see the object being made in-front of your eyes and being able to change the design as it is made. Glass is an excellent material for prototyping and its rapid production process shows that. The natural properties of glass make it such a great material to be used for everyday objects. Glass is a material of the past, but more importantly, a material for the future.

The final objects from RIT Metaproject students Dan Ipp and Tom Zogas' design session

The final objects from RIT Metaproject students Dan Ipp and Tom Zogas' design session

Making Ideas: Experiments in Design at GlassLabMore images from this summer’s design performances, as well as designer bios, process videos, design drawings, prototypes and more are available on the web-based GlassLab app at cmog.org/glasslab.

Making Ideas: Experiments in Design at GlassLab is on view at the Museum through January 6, 2013.

 

Making Ideas: Wendell Castle

This past summer, we invited designers featured in Making Ideas: Experiments in Design at GlassLab to come to the Museum for public design performances. Designer Wendell Castle lives in New York State, but the first time he worked with GlassLab was actually in Germany. “My first session with Glasslab was at Vitra Design Museum in Germany, which I found quite enjoyable and I thought was successful from a design perspective,” said Castle. “This second time, my hope was to build upon what I had learned before. The studio sessions went even better than I had anticipated and I came out with a wealth of new knowledge about the process.”

Corning Museum Of Glass - CMoG GlassLab Designer, Wendell Castle

Designer Wendell Castle at GlassLab

Castle decided to continue focusing on his designs for martini glassware. “My designs for martini glasses were basically simple: Utilize a traditional glass shape at the top to hold the beverage and allow the base or stem to serve as the sculptural element.  However, this proved not so simple to implement in glass.  My GlassLab team, G Brian Juk and Chris Rochelle, were up to the task.”

Drawing and model for Wendell Castle's design at GlassLab in Corning NY, June 19-20, 2012

Drawing and model for Wendell Castle's design at GlassLab in Corning NY, June 19-20, 2012.

“The results were fantastic, amounting in 4 working prototypes.  Being part of the Museum’s design sessions has been a wonderful experience and I hope to have the opportunity again soon.”

Gaffer Chris Rochelle and designer Wendell Castle confer on the elipsoid martini glass at GlassLab

Gaffer Chris Rochelle and designer Wendell Castle discuss the ellipsoid martini glass design at GlassLab.

Screenshot of Wendell Castle's bio on cmog.org/glasslabMore images from this summer’s design performances, as well as designer bios, process videos, design drawings, prototypes and more are available on the web-based GlassLab app at cmog.org/glasslab.

Making Ideas: Experiments in Design at GlassLab is on view at the Museum through January 6, 2013.

Making Ideas: Peter Sís

This past summer, we invited designers featured in Making Ideas: Experiments in Design at GlassLab to come to the Museum for public design performances. Illustrator Peter Sís had never worked in glass when he arrived in Corning for his June design session. “I did animation but I never was able to create things in space, and here, it’s fascinating to see that these things are working in the third dimension. Somehow you feel the object and it’s completely inspiring – and magic – I would say.”

Peter Sis at GlassLab in Corning, June 12 - 13

Peter Sís works with gaffers Chris Rochelle and Aaron Jack at GlassLab in Corning, June 12 - 13

Sís chose to use illustrations from his most recent book project, The Conference of the Birds, to create 3D vessels. The result was a series of whimsical birds, cats, and flying fish that reflect the recurring characters in his work.

Creating a design in hot glass by Peter Sis at GlassLab

Creating a design by Peter Sis in hot glass

“I like the idea that the Museum is forward-thinking and inspirational,” Sís said of his experience. Embracing the concept of prototyping ideas, Sís already has inspiration for future projects. “I wish I had had more time to integrate more complicated techniques such as graphic elements… I was just touching the surface of possibilities and connection to my two dimensional work.”

Design sketch and finished prototypes by Peter Sis for GlassLab

Design sketch and finished prototypes by Peter Sís for GlassLab

“Glasslab was an interesting experience,” Sís said. “It was fun to see how quickly they could take my sketches and decide how to proceed and how to translate my ideas into glass.” More images from this summer’s design performances, as well as designer bios, process videos, design drawings, prototypes and more are available on the web-based GlassLab app at cmog.org/glasslab. 

Making Ideas: Experiments in Design at GlassLab is on view at the Museum through January 6, 2013.

My Senior Project at the Museum by Alexandria Aldinger

My name is Alexandria Aldinger.  I am currently a student of Liberty Jr. Sr. High school of Tioga County, Pennsylvania.  As a senior at Liberty, I was given the task of creating a senior project about my future occupation; a project required for me to graduate.   In addition, we must also shadow someone for 20 hours in or related to the field we are pursuing, and document our experiences.

The future occupation I have chosen is museum studies and art history (with a curatorial focus).  I chose to pursue this career because I have an interest in both art and history.  I love art.  Learning the history behind art pieces makes it so much more interesting to me; which is why I think the field of museum studies and art history would make be a good fit for me.  I was given the opportunity to be able to shadow two different employees at The Corning Museum of Glass; gallery educator Bonnie Wright, and curatorial assistant Kelley Elliott.  This was very helpful for me because I was able to see two different jobs that make it possible for the Museum to operate successfully.

Part of Bonnie’s job in the Educational Department is to prepare educational material for different uses and audiences.  Bonnie explained to me a bit about marketing, editing, and advertising for the Museum.  I observed Bonnie while she edited a page of the Museum’s website.  I also was able to attend a Hot Glass Show which helped me understand how glass is formed and fashioned.  During the Hot Glass Show there was a drawing to win a vase that was made by the gaffers, and just my luck, I won it!  It was very interesting to watch and I would recommend that anyone who visits the Museum should attend a show.

Bonnie also organizes some of the educational events for the Museum.  For example, she organizes an event called Glass Camp.  Glass Camp is a five day summer camp for children ages 9 through 11.  I was able to help Bonnie go over the schedule for Glass Camp. Some of the activities for the children include gallery hunts, themed crafts, and attending Little Gather.  Little Gather is a themed performance for children ages 3 and up that explores different types of glass through storytelling, puppet shows, music, and singing.  Additionally, I observed Bonnie conducting one of several 3-hour training sessions for the Museum’s Explainer program.  Explainers are teens and college students who are stationed throughout the Museum during the busy summer months, sharing information about the glass collection with visitors, and conducting youth tours.  Bonnie was so helpful and full of information that I now am strongly considering becoming a museum educator.

I also learned a lot while shadowing Kelley.  I was able to visit the Museum’s warehouse where collection items not on display in the galleries are stored.  While there, I helped Kelley and the registrars unpack a large shipment of Pyrex glass that was donated to the Museum.  I also helped do some research for a public inquiry about a Pyrex glass hurricane lamp.

A table full of Pyrex glass at the warehouse waiting to be cataloged.

A table full of Pyrex glass at the warehouse waiting to be cataloged.

Shelves full of glass in The Corning Museum of Glass’ warehouse.

Shelves full of glass in The Corning Museum of Glass’ warehouse.

Also while shadowing Kelley I was able to attend a meeting with designer Jon Otis at GlassLab, a design program at The Corning Museum of Glass.  On July 17 and 18, Jon Otis created some design prototypes for the Museum. During our meeting we talked about which designs were successful, and we discussed the inspirations behind the designs.

Some of Jon Otis’ design protoypes made at GlassLab.

Some of Jon Otis’ design protoypes made at GlassLab.

Image caption: From right to left is GlassLab designer Jon Otis, me, G. Brian Juk (gaffer), Hot Glass Show supervisor Eric Meek, and hot glass programs manager Steve Gibbs, at The Corning Museum of Glass.

From right to left is GlassLab designer Jon Otis, me, G. Brian Juk (gaffer), Hot Glass Show supervisor Eric Meek, and hot glass programs manager Steve Gibbs, at The Corning Museum of Glass.

I also helped Kelley with a research project on a glass vase by the famous French artist Émile Gallé (1846─1904).  The vase, made sometime between 1890 and 1904, is called Vase with Tomatoes, but when looking at the vase it looks as though the tomatoes might be pumpkins because they are orange.   We did research to find out if they were tomatoes or pumpkins.

Vase with Tomatoes, Émile Gallé (1846─1904), Nancy, France, about 1890─1904 (Anonymous gift, 82.3.55)

Vase with Tomatoes, Émile Gallé (1846─1904), Nancy, France, about 1890─1904 (Anonymous gift, 82.3.55)

We researched the archives related to Gallé in the Museum’s Rakow Research Library.  We found a photograph of a vase that looked very similar to the Vase with Tomatoes but there was no title on the photograph to indicate whether these were  tomatoes or pumpkins.

So we continued our research online by comparing pictures of the leaves of tomato plants to the leaves on pumpkin plants. We decided that the leaves looked more like those found on a tomato plant. We also saw images of yellow and orange tomatoes with shapes very similar to what was on the vase. So we concluded that the piece by Gallé, Vase with Tomatoes, should keep its name based on what we found in our research.

Photograph of a vase by Émile Gallé (1846─1904) similar to the Vase with Tomatoes.

Photograph of a vase by Émile Gallé (1846─1904) similar to the Vase with Tomatoes.

Orange colored Kellogg Beefsteak tomatoes.  Source: Urban Farmer

Orange colored Kellogg Beefsteak tomatoes. Source: Urban Farmer



While at The Corning Museum of Glass I was also able to explore the Museum for myself.  My favorite part was the Contemporary Gallery of the Museum.  The word “contemporary” simply means of the present time (specifically it means made in the last 30 years).  I am a huge fan of contemporary art.

Overall my experience at The Corning Museum of Glass was amazing.  The staff is wonderful and without them the Museum wouldn’t be as successful as it is.  It was such a pleasure visiting the Museum for 20 hours and shadowing Kelley and Bonnie.  It was definitely a great experience for me and I have memories I will never forget.  I am looking forward to sharing my experiences and new knowledge of the field to my classmates and teachers this fall.  I recommend The Corning Museum of Glass as a must visit on anyone’s vacation list.

GlassLab on Governors Island: Glass buoys, flaming found objects, Tower of Oh-Oh, and more

The weather was unusually mild, with an amazing breeze and lots of sunshine. New Yorkers, inspired by the weather, made their way to Governors Island to watch as designers Peter Buchanan-Smith, Inna Alesina, and Paul Sahre worked with our glassmakers to realize their sketches in glass.

Bouy in the reheating furnace

Bouy in the reheating furnace

Giant glass buoys inspired by eyes, flaming molds filled with found objects, and funky typography entertained an enraptured audience. Through most of the weekend, there was standing room only!

Peter Buchanan-Smith testing the glass buoy for buoyancy

Designer Peter Buchanan-Smith tests the glass buoy for buoyancy

Peter Buchanan-Smith was determined to create a giant glass buoy that he could actually float in the water. The buoy resembles an eye, and the rope that tethers it to the bottom represents an optic nerve. Our gaffers experimented with shape, color, size, and technique. As with all great experiments sometimes it takes a few attempts to get the right piece. Everyone held their breath, and stared in amazement as glassmaker Chris Rochelle cracked off a successful buoy Sunday afternoon.

Inna Alesina with her Erector Set prototype

Designer Inna Alesina with her erector set prototype

Inna Alesina prepared a special plaster mold filled with found objects from her childhood and life in the Ukraine. As the glass gob was dropped into the mold, the flames engulfed the wooden pieces, and left a fossilized imprint behind. Alesina was also interested in creating the joints of an erector set, with the hope of using paper tubing to combine several into a large-scale piece.

Hot glass blown into the found objects mold

Hot glass blown into the found objects mold

Designer Paul Sahre created a font that found national recognition. Many of you might remember the fun bubbly letters of Dr. Scholl’s “Gellin’” inserts. This funky font was the inspiration for Sahre’s Tower of Oh-Oh, a precarious stack of “o” and “h” letters in a color I can only describe as Kryptonite green.

Designer Paul Sahre and the "O" from his Tower of Oh-Oh

Designer Paul Sahre and the "O" from his Tower of Oh-Oh

Gaffer Adam Holtzinger with the letter "H"

Gaffer Adam Holtzinger with the letter "H"

Read more about the designer’s concepts and see photos from past Governors Island GlassLab design sessions at http://www.cmog.org/glasslab/designers.

Don’t miss GlassLab on Governors Island for the final design sessions this weekend with Abbott Miller, David Weeks, and Georgie Stout!

GlassLab on Governors Island: A trailer hitch, fusing wood and glass, geometric shapes and more

It was a busy weekend at GlassLab on Governors Island, with design sessions featuring Keetra Dean Dixon and JK Keller, Chris and Dominic Leong, Leon Ransmeier, Jon Otis, and Judy Smilow.

Unfortunately, we can’t say that the third weekend of GlassLab on Governors Island went off without a hitch! Designers Keetra Dean Dixon and JK Keller came to GlassLab with a new idea for a common trailer ball hitch. The concept was to take something strong and industrial and make it out of glass, a material often perceived to be fragile.

Designers Keetra Dean Dixon and JK Keller

The first section of the hitch was made on Saturday, and the two came prepared with a wooden mold shaped with the ball to make the second half of the hitch on Sunday.

Keetra Dean Dixon and JK Keller make a glass trailer ball hitch at GlassLab

Keetra Dean Dixon and JK Keller make a glass trailer ball hitch at GlassLab

Chris and Dominic Leong returned for a second GlassLab design session, adding color to their design concepts. In their first GlassLab design session, Chris and Dominic explored geometric shapes in glass vessels.

Chris and Dominic Leong with geometric glass shapes

Chris and Dominic Leong with geometric glass shapes

Leon Ransmeier continued his series of glass pitchers.

Leon Ransmeier continued his series of glass pitchers at GlassLab on Governors Island

Leon Ransmeier continued his series of glass pitchers at GlassLab on Governors Island

Designer Jon Otis’ concept was a fusion of wood and glass. The glassblowers pushed hot glass into wooden blocks made by Jon, resulting in unique interactions.

Fusing wood and glass at GlassLab

Glass is blown into a wooden mold for Jon Otis' design concept

Hot glass and combustible materials do not often mix well together, and Jon was open to the variety of forms that could result from the fusing of burning wood and molten glass. Judy Smilow’s design concept incorporated copper wire frames wrapped around hot glass, in the form of bowls. Read more about the designer’s concepts and see photos from past Governors Island GlassLab design sessions at http://www.cmog.org/glasslab/designers.

See the full GlassLab on Governors Island schedule for upcoming designer sessions with Peter Buchanan-Smith, Inna Alesina, Paul Sahre, Abbott Miller, David Weeks, and Georgie Stout.

GlassLab on Governors Island: Typography in glass, more drunken vessels and variations on the common glass pitcher

Things started heating up at the second weekend of GlassLab on Governors Island, with designers Helen Lee, James Victore, Leon Ransmeier, and Mike Perry forming their ideas in 2300 degree hot glass, despite the near triple digit temperatures in New York City.

Helen Lee works on a glass vessel at GlassLab on Governors Island

Designer Helen Lee works on her design for a vessel with typographical character form with gaffer Chris Rochelle

Designer and glassblower Helen Lee’s design session was a blend of glass and typography. Using the shape of parentheses and brackets as a starting point, Helen and the GlassLab team formed glass vessels that if cut in half, would show the form of the 2D characters.

Designer Helen Lee sketches her design for GlassLab

Helen Lee sketches her design

Helen’s unique ideas for approaching the material included creating vessels with cursive script forms. On Saturday, the glassmakers created a clear glass vessel with cursive forms spelling out the word “man.” Two additional vessels in Sunday’s follow up session, “pen” and “ship,” completing the three-part “penmanship” series in glass.

James Victore with a drunken vessel made at GlassLab on Governors Island

James Victore with one of his drunken vessels

James Victore returned to GlassLab to continue working on his design for drunken vessels. James’ design concept pushed what he considered to be a “perfect” vessel. Playing with form, including a vase that he noted could resemble a sitting gopher, James took the opportunity to experiment and “seek the organic, imperfect, and dangerous in glass.”

Leon Ransmeier's design for a pitcher is blown into a plaster mold

Leon Ransmeier watches the gaffers blow hot glass into a plaster mold for his pitcher design

Leon Ransmeier came to GlassLab prepared and ready to make a series of nine glass pitchers using a plaster mold. For this series, he wanted to investigate the various ways of interacting with a common object, attaching the handle a different way on each clear glass pitcher.

Eric Meek, Adam Holtzinger and Chris Rochelle attach a handle to designer Leon Ransmeier's pitcher design

Eric Meek, Adam Holtzinger and Chris Rochelle attach a handle to designer Leon Ransmeier's pitcher design

After some trial and error, the glassmakers abandoned the mold in favor of shaping the hot glass by hand. Leon took it all in stride and was amazed at the process. “It’s about experimentation, not production,” he said.

Mike Perry continued to explore color in glass on Sunday, designing a vessel with two halves of bright green and yellow.

Designer Mike Perry documents Eric Meek working on his glass design at GlassLab

Designer Mike Perry snaps a photo of his colorful vessel design

See the full GlassLab on Governors Island schedule for upcoming designer sessions with Peter Buchanan-Smith, Inna Alesina, Paul Sahre, Abbott Miller, David Weeks, and Georgie Stout.

GlassLab on Governors Island: Soap bubbles, drunken vessels, glass buoys, ice cream cones and more

GlassLab, the Museum’s design program, began on Governors Island last weekend. It was hot, but that didn’t keep the crowds, or the good ideas, away.

Crowds watch GlassLab at Governors Island

Crowds watch GlassLab at Governors Island

The first weekend featured mostly graphic and exhibit designers who are represented in the Cooper-Hewitt’s exhibition, Graphic Design: Now in Production, which is showing on Governors Island all summer. It really is a rich experience to see the designers’ work in the show and then see how they are challenging (and being challenged by) the material of glass at GlassLab.

Peter Buchanan-Smith worked in a private design session on Friday for the media and some invited guests. His design concept was a buoy made of glass. You can read more about his design session on the NY Times T Magazine blog.

Glass Buoy designed by Peter Buchanan-Smith

Glass Buoy designed by Peter Buchanan-Smith

Designer Eric Ku was inspired by the idea of glass bubbles, designing a whimsical piece which looks like a bubble blown on a child’s bubble wand. It looks as if it could float away on a beautiful summer’s day.

Eric Ku holds up his glass bubble

Eric Ku holds up his glass bubble

James Victore says he is “a student of chance” and admitted to being challenged by the idea that he could not make the work himself (like many designers he likes working with his hands to explore a material). However, he embraced the opportunity and played with the way glass can capture movement and flowing shapes. His “Drunken Vessels” barely stand up… the way someone who drinks wine from them may feel.

Glassmakers Chris Rochelle and Adam Holtzinger prepare to anneal James Victore's Drunken Vessel

Glassmakers Chris Rochelle and Adam Holtzinger prepare to anneal James Victore's Drunken Vessel

Mike Perry designed a hollow lobed-vessel and explored both shape and color. The second piece was a vibrant, impactful taxi-cab yellow, with four symmetrical lobes, topped by an asymmetrical, slightly curved top.

Designer Mike Perry observes Eric Meek and Adam Holtzinger working on his design

Designer Mike Perry observes Eric Meek and Adam Holtzinger working on his design

Mike and James will be back this weekend, and we’re excited to see what they want to explore next.

The designers who worked on the Cooper-Hewitt’s Graphic Design show, Chris and Dominic Leong, and often design spaces for exhibits and other installations, played with the idea of project geometric figures in glass.

Chris and Dominic Leong explored geometric shapes in a glass vessel

Chris and Dominic Leong explored geometric shapes in a glass vessel

Finally, the weekend ended on a fun note with illustrate and graphic designer Q Cassetti (designer of the GlassLab logo and many Corning Museum graphics), who played with the idea of ice cream cones and cupcakes in glass. On a hot day, on any island that is shaped like an ice cream cone, it seemed a fitting way to wrap up the weekend.

An ice cream cone made in hot glass seemed an appropriate way to end the weekend

An ice cream cone made in hot glass seemed an appropriate way to end the weekend

GlassLab Travels to Governors Island in New York City

Corning Museum of Glass mobile hot shop GlassLab passes the Statue of Liberty

GlassLab passes the Statue of Liberty

Blow glass on an island? No problem.

The Museum’s portable glassmaking units can go almost anywhere. Last week, our Hot Glass Roadshow unit took an early morning trip on a barge from Staten Island to Governors Island, a 172-acre island in the heart of New York Harbor.

Every weekend in July, the Museum’s portable stage will host GlassLab design sessions, featuring designers from the Cooper-Hewitt, National Design Museum’s exhibition Graphic Design: Now in Production.

So, just how do you transport a 28-foot-long, 35,000-lb. fully equipped glassmaking studio and stage to an island off the shores of Manhattan and Brooklyn?

Mobile glassblowing hot shop GlassLab container at Millers Launch on Staten Island

The GlassLab container ready to launch

Our Hot Glass Roadshow, which was built in 2001, can be easily pulled by an 18-wheeled tractor trailer (yes, that’s our very own tractor trailer with the CMoG logo on it pulling the hotshop behind it). Our local trucking company, Dimon and Bacorn, drove the Roadshow from Corning, NY, to Millers Launch on Staten Island, where it was carefully driven onto a barge and secured.

The mobile GlassLab glassblowing hot shop is pushed by the tugboat Susan Miller

The mobile GlassLab glassblowing hot shop is pushed by the tugboat Susan Miller

Pushed by the tugboat Susan Miller, it made its way past the Staten Island ferries, the Statue of Liberty, Ellis Island and downtown Manhattan, to the dock of beautiful Governors Island.

Corning Museum of Glass mobile hot shop GlassLab passes Manhattan in New York harbor

The GlassLab mobile hot shop making its way to Governors Island off Manhattan

From there, it was driven to the plaza of Pershing Hall on Governors Island, and our crew went to work to unpack, hook up gas and electric and finally to fire up the furnaces. The furnaces take 36-48 hours to come up to 2100° – hot enough to begin blowing glass!

This is the first time anyone has blown glass on Governors Island, and certainly our first experience loading the Roadshow and its truck on a barge and sailing through New York Harbor. This is the first of two islands we’ll be working on this summer. If you can’t make it to Governors Island, you can also find us on Nantucket Island in August.

It also is a reminder of how glassmaking came to Corning, NY. In 1868, Brooklyn Flint Glass loaded up a barge with glassmaking equipment, sailed up the Hudson River and through the canal system to relocate the company to Corning, NY, which was a developing young town. The company changed its name to Corning Flint Works, and thus began the legacy that makes the Crystal City what it is today.

It’s likely that the barge sailed past this very spot on its way to Corning (although it would not have passed the Statue of Liberty, which was not in place until 1886).

Nearly 150 years later, direct descendants of that Corning glassmaking tradition are bringing glassmaking back through New York Harbor.

The GlassLab mobile hot shop making its way to Governors Island off Manhattan

A view from the boat as GlassLab makes its way to Governors Island