GlassLab on Governors Island: Glass buoys, flaming found objects, Tower of Oh-Oh, and more

The weather was unusually mild, with an amazing breeze and lots of sunshine. New Yorkers, inspired by the weather, made their way to Governors Island to watch as designers Peter Buchanan-Smith, Inna Alesina, and Paul Sahre worked with our glassmakers to realize their sketches in glass.

Bouy in the reheating furnace

Bouy in the reheating furnace

Giant glass buoys inspired by eyes, flaming molds filled with found objects, and funky typography entertained an enraptured audience. Through most of the weekend, there was standing room only!

Peter Buchanan-Smith testing the glass buoy for buoyancy

Designer Peter Buchanan-Smith tests the glass buoy for buoyancy

Peter Buchanan-Smith was determined to create a giant glass buoy that he could actually float in the water. The buoy resembles an eye, and the rope that tethers it to the bottom represents an optic nerve. Our gaffers experimented with shape, color, size, and technique. As with all great experiments sometimes it takes a few attempts to get the right piece. Everyone held their breath, and stared in amazement as glassmaker Chris Rochelle cracked off a successful buoy Sunday afternoon.

Inna Alesina with her Erector Set prototype

Designer Inna Alesina with her erector set prototype

Inna Alesina prepared a special plaster mold filled with found objects from her childhood and life in the Ukraine. As the glass gob was dropped into the mold, the flames engulfed the wooden pieces, and left a fossilized imprint behind. Alesina was also interested in creating the joints of an erector set, with the hope of using paper tubing to combine several into a large-scale piece.

Hot glass blown into the found objects mold

Hot glass blown into the found objects mold

Designer Paul Sahre created a font that found national recognition. Many of you might remember the fun bubbly letters of Dr. Scholl’s “Gellin’” inserts. This funky font was the inspiration for Sahre’s Tower of Oh-Oh, a precarious stack of “o” and “h” letters in a color I can only describe as Kryptonite green.

Designer Paul Sahre and the "O" from his Tower of Oh-Oh

Designer Paul Sahre and the "O" from his Tower of Oh-Oh

Gaffer Adam Holtzinger with the letter "H"

Gaffer Adam Holtzinger with the letter "H"

Read more about the designer’s concepts and see photos from past Governors Island GlassLab design sessions at http://www.cmog.org/glasslab/designers.

Don’t miss GlassLab on Governors Island for the final design sessions this weekend with Abbott Miller, David Weeks, and Georgie Stout!

GlassLab on Governors Island: A trailer hitch, fusing wood and glass, geometric shapes and more

It was a busy weekend at GlassLab on Governors Island, with design sessions featuring Keetra Dean Dixon and JK Keller, Chris and Dominic Leong, Leon Ransmeier, Jon Otis, and Judy Smilow.

Unfortunately, we can’t say that the third weekend of GlassLab on Governors Island went off without a hitch! Designers Keetra Dean Dixon and JK Keller came to GlassLab with a new idea for a common trailer ball hitch. The concept was to take something strong and industrial and make it out of glass, a material often perceived to be fragile.

Designers Keetra Dean Dixon and JK Keller

The first section of the hitch was made on Saturday, and the two came prepared with a wooden mold shaped with the ball to make the second half of the hitch on Sunday.

Keetra Dean Dixon and JK Keller make a glass trailer ball hitch at GlassLab

Keetra Dean Dixon and JK Keller make a glass trailer ball hitch at GlassLab

Chris and Dominic Leong returned for a second GlassLab design session, adding color to their design concepts. In their first GlassLab design session, Chris and Dominic explored geometric shapes in glass vessels.

Chris and Dominic Leong with geometric glass shapes

Chris and Dominic Leong with geometric glass shapes

Leon Ransmeier continued his series of glass pitchers.

Leon Ransmeier continued his series of glass pitchers at GlassLab on Governors Island

Leon Ransmeier continued his series of glass pitchers at GlassLab on Governors Island

Designer Jon Otis’ concept was a fusion of wood and glass. The glassblowers pushed hot glass into wooden blocks made by Jon, resulting in unique interactions.

Fusing wood and glass at GlassLab

Glass is blown into a wooden mold for Jon Otis' design concept

Hot glass and combustible materials do not often mix well together, and Jon was open to the variety of forms that could result from the fusing of burning wood and molten glass. Judy Smilow’s design concept incorporated copper wire frames wrapped around hot glass, in the form of bowls. Read more about the designer’s concepts and see photos from past Governors Island GlassLab design sessions at http://www.cmog.org/glasslab/designers.

See the full GlassLab on Governors Island schedule for upcoming designer sessions with Peter Buchanan-Smith, Inna Alesina, Paul Sahre, Abbott Miller, David Weeks, and Georgie Stout.

GlassLab on Governors Island: Typography in glass, more drunken vessels and variations on the common glass pitcher

Things started heating up at the second weekend of GlassLab on Governors Island, with designers Helen Lee, James Victore, Leon Ransmeier, and Mike Perry forming their ideas in 2300 degree hot glass, despite the near triple digit temperatures in New York City.

Helen Lee works on a glass vessel at GlassLab on Governors Island

Designer Helen Lee works on her design for a vessel with typographical character form with gaffer Chris Rochelle

Designer and glassblower Helen Lee’s design session was a blend of glass and typography. Using the shape of parentheses and brackets as a starting point, Helen and the GlassLab team formed glass vessels that if cut in half, would show the form of the 2D characters.

Designer Helen Lee sketches her design for GlassLab

Helen Lee sketches her design

Helen’s unique ideas for approaching the material included creating vessels with cursive script forms. On Saturday, the glassmakers created a clear glass vessel with cursive forms spelling out the word “man.” Two additional vessels in Sunday’s follow up session, “pen” and “ship,” completing the three-part “penmanship” series in glass.

James Victore with a drunken vessel made at GlassLab on Governors Island

James Victore with one of his drunken vessels

James Victore returned to GlassLab to continue working on his design for drunken vessels. James’ design concept pushed what he considered to be a “perfect” vessel. Playing with form, including a vase that he noted could resemble a sitting gopher, James took the opportunity to experiment and “seek the organic, imperfect, and dangerous in glass.”

Leon Ransmeier's design for a pitcher is blown into a plaster mold

Leon Ransmeier watches the gaffers blow hot glass into a plaster mold for his pitcher design

Leon Ransmeier came to GlassLab prepared and ready to make a series of nine glass pitchers using a plaster mold. For this series, he wanted to investigate the various ways of interacting with a common object, attaching the handle a different way on each clear glass pitcher.

Eric Meek, Adam Holtzinger and Chris Rochelle attach a handle to designer Leon Ransmeier's pitcher design

Eric Meek, Adam Holtzinger and Chris Rochelle attach a handle to designer Leon Ransmeier's pitcher design

After some trial and error, the glassmakers abandoned the mold in favor of shaping the hot glass by hand. Leon took it all in stride and was amazed at the process. “It’s about experimentation, not production,” he said.

Mike Perry continued to explore color in glass on Sunday, designing a vessel with two halves of bright green and yellow.

Designer Mike Perry documents Eric Meek working on his glass design at GlassLab

Designer Mike Perry snaps a photo of his colorful vessel design

See the full GlassLab on Governors Island schedule for upcoming designer sessions with Peter Buchanan-Smith, Inna Alesina, Paul Sahre, Abbott Miller, David Weeks, and Georgie Stout.

GlassLab on Governors Island: Soap bubbles, drunken vessels, glass buoys, ice cream cones and more

GlassLab, the Museum’s design program, began on Governors Island last weekend. It was hot, but that didn’t keep the crowds, or the good ideas, away.

Crowds watch GlassLab at Governors Island

Crowds watch GlassLab at Governors Island

The first weekend featured mostly graphic and exhibit designers who are represented in the Cooper-Hewitt’s exhibition, Graphic Design: Now in Production, which is showing on Governors Island all summer. It really is a rich experience to see the designers’ work in the show and then see how they are challenging (and being challenged by) the material of glass at GlassLab.

Peter Buchanan-Smith worked in a private design session on Friday for the media and some invited guests. His design concept was a buoy made of glass. You can read more about his design session on the NY Times T Magazine blog.

Glass Buoy designed by Peter Buchanan-Smith

Glass Buoy designed by Peter Buchanan-Smith

Designer Eric Ku was inspired by the idea of glass bubbles, designing a whimsical piece which looks like a bubble blown on a child’s bubble wand. It looks as if it could float away on a beautiful summer’s day.

Eric Ku holds up his glass bubble

Eric Ku holds up his glass bubble

James Victore says he is “a student of chance” and admitted to being challenged by the idea that he could not make the work himself (like many designers he likes working with his hands to explore a material). However, he embraced the opportunity and played with the way glass can capture movement and flowing shapes. His “Drunken Vessels” barely stand up… the way someone who drinks wine from them may feel.

Glassmakers Chris Rochelle and Adam Holtzinger prepare to anneal James Victore's Drunken Vessel

Glassmakers Chris Rochelle and Adam Holtzinger prepare to anneal James Victore's Drunken Vessel

Mike Perry designed a hollow lobed-vessel and explored both shape and color. The second piece was a vibrant, impactful taxi-cab yellow, with four symmetrical lobes, topped by an asymmetrical, slightly curved top.

Designer Mike Perry observes Eric Meek and Adam Holtzinger working on his design

Designer Mike Perry observes Eric Meek and Adam Holtzinger working on his design

Mike and James will be back this weekend, and we’re excited to see what they want to explore next.

The designers who worked on the Cooper-Hewitt’s Graphic Design show, Chris and Dominic Leong, and often design spaces for exhibits and other installations, played with the idea of project geometric figures in glass.

Chris and Dominic Leong explored geometric shapes in a glass vessel

Chris and Dominic Leong explored geometric shapes in a glass vessel

Finally, the weekend ended on a fun note with illustrate and graphic designer Q Cassetti (designer of the GlassLab logo and many Corning Museum graphics), who played with the idea of ice cream cones and cupcakes in glass. On a hot day, on any island that is shaped like an ice cream cone, it seemed a fitting way to wrap up the weekend.

An ice cream cone made in hot glass seemed an appropriate way to end the weekend

An ice cream cone made in hot glass seemed an appropriate way to end the weekend

GlassLab Travels to Governors Island in New York City

Corning Museum of Glass mobile hot shop GlassLab passes the Statue of Liberty

GlassLab passes the Statue of Liberty

Blow glass on an island? No problem.

The Museum’s portable glassmaking units can go almost anywhere. Last week, our Hot Glass Roadshow unit took an early morning trip on a barge from Staten Island to Governors Island, a 172-acre island in the heart of New York Harbor.

Every weekend in July, the Museum’s portable stage will host GlassLab design sessions, featuring designers from the Cooper-Hewitt, National Design Museum’s exhibition Graphic Design: Now in Production.

So, just how do you transport a 28-foot-long, 35,000-lb. fully equipped glassmaking studio and stage to an island off the shores of Manhattan and Brooklyn?

Mobile glassblowing hot shop GlassLab container at Millers Launch on Staten Island

The GlassLab container ready to launch

Our Hot Glass Roadshow, which was built in 2001, can be easily pulled by an 18-wheeled tractor trailer (yes, that’s our very own tractor trailer with the CMoG logo on it pulling the hotshop behind it). Our local trucking company, Dimon and Bacorn, drove the Roadshow from Corning, NY, to Millers Launch on Staten Island, where it was carefully driven onto a barge and secured.

The mobile GlassLab glassblowing hot shop is pushed by the tugboat Susan Miller

The mobile GlassLab glassblowing hot shop is pushed by the tugboat Susan Miller

Pushed by the tugboat Susan Miller, it made its way past the Staten Island ferries, the Statue of Liberty, Ellis Island and downtown Manhattan, to the dock of beautiful Governors Island.

Corning Museum of Glass mobile hot shop GlassLab passes Manhattan in New York harbor

The GlassLab mobile hot shop making its way to Governors Island off Manhattan

From there, it was driven to the plaza of Pershing Hall on Governors Island, and our crew went to work to unpack, hook up gas and electric and finally to fire up the furnaces. The furnaces take 36-48 hours to come up to 2100° – hot enough to begin blowing glass!

This is the first time anyone has blown glass on Governors Island, and certainly our first experience loading the Roadshow and its truck on a barge and sailing through New York Harbor. This is the first of two islands we’ll be working on this summer. If you can’t make it to Governors Island, you can also find us on Nantucket Island in August.

It also is a reminder of how glassmaking came to Corning, NY. In 1868, Brooklyn Flint Glass loaded up a barge with glassmaking equipment, sailed up the Hudson River and through the canal system to relocate the company to Corning, NY, which was a developing young town. The company changed its name to Corning Flint Works, and thus began the legacy that makes the Crystal City what it is today.

It’s likely that the barge sailed past this very spot on its way to Corning (although it would not have passed the Statue of Liberty, which was not in place until 1886).

Nearly 150 years later, direct descendants of that Corning glassmaking tradition are bringing glassmaking back through New York Harbor.

The GlassLab mobile hot shop making its way to Governors Island off Manhattan

A view from the boat as GlassLab makes its way to Governors Island