Hot Glass Roadshow heats up SOFA Chicago 2012

Museum gaffer George Kennard walking down Navy Pier on his way to SOFA to light up the Roadshow stage.

The windy city of Chicago was swept into a frenzy of creative synergy as the 19th Annual Exposition of Sculpture Objects & Functional Art (SOFA) Fair once again graced historic Navy Pier.

SOFA Chicago 2012.

In a matter of days, an empty warehouse pavilion was transformed into a warren of world-renowned galleries displaying an impressive and inspirational display of contemporary sculpture, design and fine art.  A surprising amount of the work shown was from both emerging and well-known glass artists.

An artist meticulously installing his work.

At the far end of the exhibit space, the CMOG Hot Glass Roadshow trailer was driven in and unfolded Transformer-style to be set up for glassblowing fun. The opening night gala was teeming with excitement because it was the public’s first chance to see the crème de le crème of modern art and design.  The next day saw the beginning of a dynamite three days of hot glass demonstrations by local and international glass artists who all had work showing in their respective gallery’s exhibits at the Fair.

Shelly Muzylowski-Allen adding an ear bit to the mustang head with the help of Davide Salvadore, Lisa Piaskowy and George Kennard.

It seemed to be the year of collaborations on our stage, beginning with our very first demo. Shelley Muzylowski-Allen and Davide Salvadore had just recently worked together in Murano, Italy for two weeks to create the sculpted animal and instrument fusions that were their stunning additions to Habatat Gallery’s booth. I was thrilled to have the opportunity to assist these artists, who I have long considered my glass heroes.

Shelley and Davide's seahorse, shown in Habatat Gallery's exhibit space.

Shelley’s affinity for sculpting realistic animals that may as well be breathing, plus Davide’s beautiful murrine that is patterned and surface cut to a textured exquisiteness, is a combination that effortlessly captures and holds the viewer.

Needless to say, this was a tough demo to follow but we had yet another collaboration that I found quite enchanting. Canadian artist Laura Donefer, well known for her eclectic and exuberant style and joy, was once again working with Jeff Mack, a phenomenal glass artist.

Laura Donefer and Jeff Mack putting the finishing touches on the ewer handle.

This pair has just recently worked together in an Instructor Residency at The Studio, and they are without a doubt quite a dynamic duo. For our Hot Glass Roadshow demo, Jeff blew a beautiful transparent purple classic ewer vessel with a separately made foot. Then Laura jumped in and slathered the surface of the ewer with fresh hot glass that she stamped or “bizzeled” with a variety of texture imparting tools. The end result was just the right mix of bizarre and traditional, since the transformed surface of this classic form had created something completely new.

George Kennard and Ryan Doolittle, the CMOG Roadshow crew, after the last scoop of hot glass has been ladled from the furnace at the triumphant end of an amazing weekend of demos.

There were too many amazing artists demonstrating on our stage to cover in one blog so please stay tuned for part two of the Roadshow at SOFA Chicago.
Until next time,

Ryan

More Hot Glass Show Atlanta

During the Hot Glass Roadshow’s five-day visit at The High Museum of Art in Atlanta, GA, we had three very different visiting artists come and work with us on our stage. The first was Richard Jolley, a renowned Tennessean glass sculptor whose technique and body of work is a true embodiment of the American Studio Glass Movement.

Richard Jolley getting started while I shield him from the heat. Photo credit: Abel Klainbaum

The ease and familiarity that Richard displayed while quickly sculpting this difficult molten material into figurative form was humbling to me and it reminded me that without him and other glass pioneers I wouldn’t be working with this material today. He helped pave the glass way for me and a multitude of other aspiring glass artists. It’s not a bad day of glassblowing at all when you get to work with one of your glass heroes.

Richard's sculpted bust with some flaming hair. Photo credit: Abel Klainbaum

Another in our visiting artist series was architect and furniture designer Johanna Grawunder. It was a sheer delight to work with her since the combination of her design aesthetic and excitement to see what could be translated into hot glass was a essentially a glassblower’s dream.

Johanna Grawunder looking on as Eric Meek creates her vision in glass. Photo credit: Abel Klainbaum

The focus of her design was the contrast between nature and man; organic and streamlined, and how that dichotomy could be uniquely showcased using hot glass.

One of Johanna's pieces being made. Photo credit: Abel Klainbaum

The highlight for me was her enthusiasm and our lead gaffer, Eric Meek, having to challenge himself by making a vessel really off center to stay true to Johanna’s design. As he was intentionally distorting his perfect bubble we were both laughing because we knew it went against his fine-tuned glassmaking grain, so to speak.

Eric Meek spinning out the top portion of Johanna's encalmo design. The bottom section is square while the top is organically formed. Photo credit: Abel Klainbaum

I was reminded of my first glassblowing instructor’s early mandate that you have to learn to make a perfect cylinder before you can make something organic and get away with it. Well, Eric managed just fine as expected and the result was stunning glass.

Johanna bravely giving the sweaty glassblower (me) a hug after a great collaboration. Photo credit: Abel Klainbaum

Johanna Grawunder's final pieces.

Gyun Hur, a local Korean 2D and performance artist was our last designer and she brought a whole new conceptual portrayal to our endeavors. Her motivation was to display the sensuousness, strength, and fragility inherent to glass by comparing it to the Korean Gisaeng or courtesans, similar to Japanese Geishas. She depicted an elegant and simple long neck bottle shape with a beautiful color fade. The top piece was an ornate hair creation that Eric crafted into a cork for the bottle.

Gyun Hur's Gisaeng inspired bottle, gaffed by Eric Meek.

The second vessel was another bottle that showcased a Korean wedding blanket design that Gyun has spent a lot of time recreating in her own work. Her and her family spent 3 months chopping silk flowers to fabricate a huge installation depicting her mother’s wedding blanket design using techniques similar to Buddhist sand mandalas.

Gyun Hur's Korean wedding blanket piece, gaffed by Eric Meek.

All in all we had a wonderful time in Atlanta at the High Museum of Art. In our downtime we explored the city and delighted in some out of this world culinary adventures. To top off our visit we journeyed to the Georgia Aquarium, so I was able to assuage my pangs of longing for ocean travels. It was nice to get my land glassblowing legs back under me for a time, especially since I was fortunate to work with a great team on the stage and at the High Museum.

Hot glass team extraordinaire at the aquarium. Ian Schmidt, Ryan Doolittle, and Eric Meek.

Until the next glass adventure,

Ryan

Hot Glass Show Atlanta Style

The sleek and modern High Museum of Art

As I’m settling back into the swing of things in Seattle after my last ship contract, I am still spinning around like a top from the fabulous whirlwind that was The Corning Museum of Glass Hot Glass Roadshow’s visit to Atlanta. The High Museum of Art welcomed us with open arms into their arts- and culture-rich Midtown abode as we trucked and rolled our Hot Glass Show equipment right to their Sifly Piazza.

The Sifly Piazza with our hot shop set up under the tent

It took three days to set everything up and forklift a brand new beaut of a furnace onto our portable stilted stage. Fellow glassblowers, Eric Meek, Ian Schmidt and I were asked by passersby if we were setting up for a BBQ and we replied after laughing that no food would be cooking on this stage but that we’d be opening up everyone’s eyes to the wonderful possibilities of hot glass with five days of demonstrations. Then we asked if they knew of a good BBQ place in the area.

Eric Meek putting the finishing touches on the elephant holding a taco.

The High invited the Hot Glass Roadshow to help commemorate the 50th anniversary of the American Studio Glass Movement. Our show was free to the public and one of the absolute highlights was the field trip visit that many local schools took to come and visit us. It was wonderful to look out at the 300-plus sea of young faces day after day and see the delight and curiosity on their faces as we made various You Design It; We Make It pieces such as a penguin holding a candy cane, an owl, octopus, goldfish, etc. My favorite question to ask them was “Now, who wants to grow up and be a glassblower?” I always got a plethora of hands raised and waving wildly in response, which always makes me happy.

You Design It pieces: Penguin by Ian Schmidt, Owl by Eric Meek.

Check back soon for more from the Hot Glass Roadshow’s visit at The High, including photos from sessions with visiting artists Richard Jolley, Johanna Grawunder and Gyun Hur.

Until next time,

Ryan

GlassLab Travels to Governors Island in New York City

Corning Museum of Glass mobile hot shop GlassLab passes the Statue of Liberty

GlassLab passes the Statue of Liberty

Blow glass on an island? No problem.

The Museum’s portable glassmaking units can go almost anywhere. Last week, our Hot Glass Roadshow unit took an early morning trip on a barge from Staten Island to Governors Island, a 172-acre island in the heart of New York Harbor.

Every weekend in July, the Museum’s portable stage will host GlassLab design sessions, featuring designers from the Cooper-Hewitt, National Design Museum’s exhibition Graphic Design: Now in Production.

So, just how do you transport a 28-foot-long, 35,000-lb. fully equipped glassmaking studio and stage to an island off the shores of Manhattan and Brooklyn?

Mobile glassblowing hot shop GlassLab container at Millers Launch on Staten Island

The GlassLab container ready to launch

Our Hot Glass Roadshow, which was built in 2001, can be easily pulled by an 18-wheeled tractor trailer (yes, that’s our very own tractor trailer with the CMoG logo on it pulling the hotshop behind it). Our local trucking company, Dimon and Bacorn, drove the Roadshow from Corning, NY, to Millers Launch on Staten Island, where it was carefully driven onto a barge and secured.

The mobile GlassLab glassblowing hot shop is pushed by the tugboat Susan Miller

The mobile GlassLab glassblowing hot shop is pushed by the tugboat Susan Miller

Pushed by the tugboat Susan Miller, it made its way past the Staten Island ferries, the Statue of Liberty, Ellis Island and downtown Manhattan, to the dock of beautiful Governors Island.

Corning Museum of Glass mobile hot shop GlassLab passes Manhattan in New York harbor

The GlassLab mobile hot shop making its way to Governors Island off Manhattan

From there, it was driven to the plaza of Pershing Hall on Governors Island, and our crew went to work to unpack, hook up gas and electric and finally to fire up the furnaces. The furnaces take 36-48 hours to come up to 2100° – hot enough to begin blowing glass!

This is the first time anyone has blown glass on Governors Island, and certainly our first experience loading the Roadshow and its truck on a barge and sailing through New York Harbor. This is the first of two islands we’ll be working on this summer. If you can’t make it to Governors Island, you can also find us on Nantucket Island in August.

It also is a reminder of how glassmaking came to Corning, NY. In 1868, Brooklyn Flint Glass loaded up a barge with glassmaking equipment, sailed up the Hudson River and through the canal system to relocate the company to Corning, NY, which was a developing young town. The company changed its name to Corning Flint Works, and thus began the legacy that makes the Crystal City what it is today.

It’s likely that the barge sailed past this very spot on its way to Corning (although it would not have passed the Statue of Liberty, which was not in place until 1886).

Nearly 150 years later, direct descendants of that Corning glassmaking tradition are bringing glassmaking back through New York Harbor.

The GlassLab mobile hot shop making its way to Governors Island off Manhattan

A view from the boat as GlassLab makes its way to Governors Island

Making History in Glass: Bee, Fifinella, Women Airforce Service Pilots and the Hot Glass Roadshow

Every once in a while the opportunity comes along to meet someone truly inspirational.

The Hot Glass Roadshow travels around the globe and I have been lucky enough to accompany it a smattering of times. We get to meet a plethora of different people, a host of different characters with stories and histories as varying the places we visit. If we are lucky, sometimes we are able to spend some time with these amazing people, listening, laughing and learning from them first hand. One of those amazing people whom I was extremely fortunate to have met is Bernice “Bee” Falk-Haydu.

Everett, Chris and I met Bee while the Hot Glass Roadshow temporarily resided in the courtyard of the Norton Museum of Art in West Palm Beach, FL.  Every Thursday night, the Norton hosts an “Art After Dark” event.   Keeping its doors open a bit later than usual, the Norton welcomes the community to enjoy art and our shows in a lively, festive atmosphere.

Bernice “Bee” Falk-Haydu with Fifenella "You Design it; We Make it" drawing for The Corning Museum of Glass Hot Glass Roadshow

Bernice “Bee” Falk-Haydu with her "You Design it; We Make it" drawing of Fifinella

It was at one of these events where I spied a keen eyed woman with a gold medal around her neck.  She was paying particularly close attention and I guessed she wasn’t a day over 18.   Accurately guessing ages not being high on my list of skills, it was not surprising to find she was a few days older than 18; 91, in fact.  Regardless, she was sharp as a tack.

She spoke with Chris and they connected right away over a mutual love of flying.  Bee’s love and dedication to flying, however, runs a bit deeper than most.  She was a member of WASP.  What is WASP, you might ask? In case it doesn’t ring a bell, it stands for Women Airforce Service Pilots. There were 1,074 female service pilots flying every type of plane in the US Airforce’s arsenal during WWII, and Bee had flown all of them.  However, after the war ended, the real fight began.

The women pilots were denied veterans benefits.  Bee began a fight she continues to this day to have these amazing women’s accomplishments and contributions to the country recognized.  It took until 1977 before veterans benefits were granted to the WASPs.  The gold medal Bee wore is the Congressional Gold Medal awarded to her by President Obama himself.

Fifenella (Image courtesy of the National Museum of the USAF)

Fifinella (Image courtesy of the National Museum of the USAF)

It turns out the WASPs have a mascot.  Walt Disney designed and drew Fifinella, a little sprite in a flying suit complete with goggles, helmet, and wings, to represent the WASPs.  Bee had a pin with her likeness and asked if it would be possible for Fifinella to be made in glass.

Unfortunately, Fifinella is really complicated.  I knew she would take at least an hour or more to make. Even then, there is no way to know how well she would turn out.  Human figures are extremely difficult to accurately sculpt.  Everyone is intimately familiar with the human form, making any minor transgression glaringly visible.  That, coupled with the scale (it would have to be fairly small), a lack of torches and the fact that we were confined by a set schedule… I thought it would be practically impossible.  Bee, Chris and I all traded contact information and I let her know that maybe, in the future, we might try.

About a week later Bee returned, just to see a few more shows.  I talked to Chris and Everett, asking if they were up for some running around.  This piece would require teamwork, timing, and over 20 separate bits of added glass.   For Everett, it would require running bits while assisting me; simultaneously holding a conversation with the audience while listening to me give directions on one of the most complicated pieces I’ve ever made for a “You Design It.” What’s more, he’d have to keep this up for an entire hour. Figuring it was as good a time as any, we decided to take the allotted hour and make an attempt at Fifinella.

Annette and Everett work on making Fifenella at The Norton Museum of Art for The Corning Museum of Glass Hot Glass Roadshow

Annette and Everett work on making Fifinella

Fifty nine minutes later we finished.  While the colors were muted because of the heat, the form didn’t look too bad for a first try.  We wouldn’t know till the next day whether or not she turned out.

Fiffy turned out better than I could have hoped.

Fifenella mascot of the WASPs - Women Air Force Service Pilots, made in glass at The Hot Glass Roadshow

Travelling and demonstrating glass with the Roadshow sometimes provides me with hidden, unexpectedly rewarding benefits, most importantly the chance to have unexpected encounters with incredibly inspiring people such as Bee. What’s more, every now and again, I have the chance to give back. It may not be in my power as a glassmaker to give medals, accolades, or veteran’s benefits, but I was given the opportunity to use my glassmaking skills to say thank you to an unsung American hero.

Bernice “Bee” Falk-Haydu with Fifenella, Chris Rochelle, and Annette Sheppard

Bernice “Bee” Falk-Haydu with Fifinella and glassmakers Chris Rochelle and Annette Sheppard

For me, making Fifinella was more than a glass demonstration. It was the chance to honor Bee for a lifetime of hard work, commitment and perseverance, not only to our country, but for ALL the female pilots overlooked, unrecognized and forgotten to history.

Every once and a while you get to meet someone truly inspirational. More importantly, every once in a while, you get to say thanks.

The Hot Glass Roadshow team and Bee

The Hot Glass Roadshow team and Bee


Visit Operation Fifinella to learn more about Bee and the WASPs.

Beth Lipman at The Norton Museum of Art

Beth Lipman Hot Glass Roadshow glass pineapple

Beth Lipman creates a pineapple out of hot glass at the Norton Museum of Art.

For the opening of her exhibition, Beth Lipman: A Still Life Installation, at The Norton Museum of Art, contemporary glass artist Beth Lipman joined The Corning Museum of Glass team on the Hot Glass Roadshow stage for a special glassblowing event. Lipman worked with the team to make one of the objects included in her large blown glass sculpture One and Others, commissioned by The Norton Museum. A somber piece, the group of blown glass objects jumbled together refers to still life paintings in the museum’s collection. Gazing balls, pineapples, glasses, a rabbit and more all sit atop a black coffin, made to the measurements of the artist herself.

Beth Lipman and the Hot Glass Roadshow team discuss what they will make

Beth Lipman and the Hot Glass Roadshow team discuss what they will make

Traditionally, the pineapple is a sign of hospitality and welcome. It seemed fitting then that Lipman chose to make a glass version at the opening event. However, another story of the fruit’s significance surfaced during our visit to the museum.

 Beth Lipman Creating the stem of the pineapple

Creating the stem of the pineapple

Woodlawn Cemetery sits directly across the street from The Norton, located on South Olive Avenue in West Palm Beach, FL. Supposedly, as we were told, there are still graves that were never relocated from under the museum. One of these secret graves is reported to be Richard Hone, the owner of a pineapple plantation in West Palm Beach who was murdered in 1902.

beth lipman adding detail to the glass pineapple on the hot glass roadshow stage

Beth Lipman works the hot glass to the shape of a pineapple

Was the pineapple then a symbol of hospitality or homage to the murdered pineapple grower? As Lipman’s work addresses themes of material culture, life and death – it could be both.

Beth Lipman on the Hot Glass Roadshow stage

Finishing touches

The Hot Glass Roadshow is providing daily glassmaking demonstrations at The Norton Museum of Art, in West Palm Beach, FL through March 25.


For more information and photos of the Roadshow setting up in West Palm Beach: http://www.cmog.org/event/norton-museum-art

See Beth Lipman at The Studio: http://www.cmog.org/video/artist-residence-beth-lipman-april-2011

2011 Hot Glass Roadshow: Glass Art Society, Seattle – Guido Gerlitz

For his first time on the Roadshow stage, Bay Area artist Guido Gerlitz demonstrated sculpting a femur bone.  Noting its symbolism of strength, power and rejuvenation, he was interested in working with the form of the object in glass.  Guido was assisted by his studio partner Luca Rattazzi and Theron Hanks, a twelve year-old rising star who has been a student of Guido’s.

Rob Swidergal and Guido Gerlitz at the Hot Glass Roadshow at GAS Conference 2011

Rob Swidergal and Guido Gerlitz

See more photos from GAS in Seattle: http://flic.kr/s/aHsjv39EuW

2011 Hot Glass Roadshow: Glass Art Society, Seattle – Jim Mongrain

Jim Mongrain demonstrates a variety of Venetian goblet techniques using the help of assistants Sarah Gilbert, Nick Fruin, Jason Christian, and twelve year-old Theron Hanks.  He prefers focusing on showing the technical side of the Italian technique. “I’ve always enjoyed making [them], and it’s always challenging as well.”

Twelve year-old Theron Hanks assists Jim Mongrain at the Hot Glass Roadshow.

GAS Seattle

 

2011 Hot Glass Roadshow: Glass Art Society, Seattle – Keke Cribbs and Ross Richmond

In a method she calls “hot printing,” Keke Cribbs brings her background in print to this collaboration with sculptor Ross Richmond.  Keke drew a pattern in colored fine glass powder while Ross began working the glass.  Ross then carefully rolled the hot glass over the design, blending the two artists’ work to create this vibrant piece.

Ross Richmond gaffs a Keke Cribbs design

Keke-Cribbs

Rik Allen with Keke Cribbs.

2011 Hot Glass Roadshow: Glass Art Society, Seattle – Rodman Miller

With a bachelor’s degree in Neuroscience and a Ph.D in Biology, you’d think that Rodman Miller would be conducting research as a university professor.  Instead, Rodman prefers the hot shop.  “Yes,” he says, “this is much more fun.”  The great-grandson of Louis Comfort Tiffany, Rodman left academia after taking a glass blowing course, but he still uses his background in microbiology – Rodman draws inspiration for his glass pieces from the shapes that he used to see under a microscope.