Corning Museum of Glass

A movement that began in the United States in the 1960s and has spread all over the world. It is characterized by the proliferation of glass artists who are not affiliated with factories, but work with hot glass in their own studios. The emergence of independent glass artists was made possible by Harvey Littleton and Dominick Labino’s development in 1962 of a small furnace and easy-to-melt glass.

A term popularized in the 1960s for unique or limited-edition objects designed and made in a studio rather than a factory, often, but not necessarily, by the same person.

The reservoir for oil in a lamp.

A small, heavy object designed to hold down loose papers. The first glass paperweights were made in the early 1840s in Venice and France, and their manufacture spread rapidly to other parts of Europe and the United States. Glass paperweights ceased to be fashionable in the early 20th century, but the craft of making them revived in the 1950s.

An enclosed structure for the production and application of heat. In glassmaking, furnaces are used for melting the batch, maintaining pots of glass in a molten state, and reheating partly formed objects at the glory hole.

(1) A rounded, hollow vessel; (2) the uppermost part of a goblet, tazza, or wineglass.

(from French, “candlestick”) A lighting fixture suspended from the ceiling, with two or more arms bearing lights (originally, candles) or two or more pendent lights. Many chandeliers have faceted lead glass arms, candle cups, shafts, and prisms, which reflect the light and sparkle like tiny mirrors.

(1) Several types of glass with newly developed surface textures, shaded colors, or casing, made in the United States from about 1870 and in Europe between about 1880 and 1900; (2) more generally, especially when written “art glass,” any ornamental glassware made since the mid-19th century.

The technique whereby glass is removed from the surface of an object by grinding it with rotating wheels made of stone, wood, and cork. The first stage of the process employs a stone wheel under a continuous stream of water. Later, wheels of fine-grained stone and wood, fed with various abrasives, are used to grind and polish the surface.

Glass that is colored by (1) impurities in the basic ingredients in the batch or (2) techniques of coloring glass by one of three main processes: (a) using a dissolved metallic oxide to impart a color throughout, (b) forming a dispersion of some substance in a colloidal state, and (c) suspending particles of pigments to form opaque colors.

Flat glass of high quality, formed by rolling molten glass on a metal plate and later grinding and polishing it until the surfaces are parallel and completely smooth.

The process of fusing or shaping glass (usually in or over a mold) by heating it in a kiln.

The process of reheating a blank until it becomes soft and gradually flows under its own weight over or into a former mold and eventually assumes the shape of the mold. Soda-lime glass becomes soft at about 1110°F (600°C). Slumping is also known as sagging.

An oven used to process a substance by burning, drying, or heating. In contemporary glassworking, kilns are used to fuse enamel and for kiln-forming processes such as slumping.

The process of slowly cooling a completed object in an auxiliary part of the glass furnace, or in a separate furnace. This is an integral part of glassmaking because if a hot glass object is allowed to cool too quickly, it will be highly strained by the time it reaches room temperature; indeed, it may break, either as it cools or at some later date. Highly strained glasses break easily if subjected to mechanical or thermal shock.

Smoothing the surface of an object when it is cold by holding it against a rotating wheel fed with a fine abrasive such as pumice or cerium oxide. Glass can also be polished with hand-held tools.

The technique of removing the surface of an object with a rotating wheel fed with an abrasive, or by some other means.

The generic name for a wide variety of techniques used to form glass in a mold.

Any cooled glass object that requires further forming or decoration to be finished.

A type of borosilicate glass perfected in 1915 by W. C. Taylor and Eugene Sullivan of Corning Glass Works in Corning, New York. Pyrex rods can be used in flameworking.

A tool made from a block of wood hollowed out to form a hemispherical recess. After it has been dipped in water to reduce charring and to create a “cushion” of steam, the block is used to form the gather into a sphere before it is inflated.

A form used for shaping and/ or decorating molten glass. Some molds (e.g., dip molds) impart a pattern to the parison, which is then withdrawn, and blown and tooled to the desired shape and size; other molds (sometimes known as full-size molds) are used to give the object its final form, with or without decoration. Dip molds consist of a single part and are usually shaped like beakers. Full-size molds usually have two or more parts and can be opened to extract the object. Nowadays, most molds are made of metal, but stone, wood, plaster, and earthenware molds were used in the past and are still occasionally employed today.

(from Italian latte, “milk”) Opaque white glass, usually opacified by tin oxide or arsenic.

A vitreous substance made of finely powdered glass colored with metallic oxide and suspended in an oily medium for ease of application with a brush. The medium burns away during firing in a low-temperature muffle kiln (about 965°-1300°F or 500°-700°C). Sometimes, several firings are required to fuse the different colors of an elaborately enameled object.

The generic name for decorative windows made of pieces of colored glass fitted into cames and set in iron frames. Strictly speaking, the term is inaccurate because, in addition to glass colored by staining, glaziers used, and continue to use, glass colored throughout by metallic oxide, glass colored by flashing, and glass decorated with enamel.

The process of cutting into the surface of an annealed glass object either by holding it against a rotating copper wheel fed with an abrasive or by scratching it, usually with a diamond.