New Glass Review
Published by The Corning Museum of Glass, New Glass Review is an annual survey of glass in contemporary art, architecture, craft, and design created in the previous year by emerging and established artists, as well as students.
25 Years of New Glass Review
by Tina Oldknow
with a foreword by Thomas S. Buechner
247 pp., 200 color illustrations $29.95
Published in 2005 by The Corning Museum of Glass
The works are chosen by a changing jury of curators, artists, designers, art dealers, and critics, which, over the past 25 years, has included Dale Chihuly, Clement Greenberg, Stanislav Libenský, Richard Marquis, David McFadden, Yoriko Mizuta, Lois Moran , Jean-Luc Olivié , Tom Patti, Ginny Ruffner, Bertil Vallien, and Toots Zynsky. Museum jurors have included Thomas S. Buechner, the Museum's founding director, and modern glass curators Susanne K. Frantz, Tina Oldknow, and William Warmus.
Call for Entries
Find application and guidelines here.
The Corning Museum of Glass invites artists, craftspeople, designers, and architects worldwide to submit slide images of new works using glass.
The deadline for submissions each year is October 1. In late November or early December, a jury selects 100 images from the submitted slides. This survey of 100 images, which is the core of New Glass Review, is published every spring by The Corning Museum of Glass in conjunction with the German periodical, Neues Glas (New Glass).
The New Glass Review jury changes every year. It is composed of artists, designers, educators, museum directors, curators, and critics. In addition to the survey of art and architecture in glass, New Glass Review contains essays written by its jurors as well as a selection of work in glass ("Jurors’ Choice") that has been chosen by each juror. New Glass Review is intended to keep its audience, which includes museums, artists, educators, libraries, collectors, critics, and art dealers, informed of recent developments in the field. Although the criteria for selection vary from juror to juror, the success of the concept of the object is judged, as well as its aesthetic quality and technical achievement.