Corning Museum of Glass

A movement that began in the United States in the 1960s and has spread all over the world. It is characterized by the proliferation of glass artists who are not affiliated with factories, but work with hot glass in their own studios. The emergence of independent glass artists was made possible by Harvey Littleton and Dominick Labino’s development in 1962 of a small furnace and easy-to-melt glass.

A term popularized in the 1960s for unique or limited-edition objects designed and made in a studio rather than a factory, often, but not necessarily, by the same person.

The collective term for the many techniques (such as copper-wheel engraving and cutting) used to alter or decorate glass when it is cold.

The generic term for glass that is manipulated while it is hot.

An iron or steel tube, usually four to five feet long, for blowing glass. Blowpipes have a mouthpiece at one end and are usually fitted at the other end with a metal ring that helps to retain the gather.

The pontil, or punty, is a solid metal rod that is usually tipped with a wad of hot glass, then applied to the base of a vessel to hold it during manufacture. It often leaves an irregular or ring-shaped scar on the base when removed. This is called the “pontil mark.”

The pontil, or punty, is a solid metal rod that is usually tipped with a wad of hot glass, then applied to the base of a vessel to hold it during manufacture. It often leaves an irregular or ring-shaped scar on the base when removed. This is called the “pontil mark.”

The technique of forming an object by inflating a gather or gob of molten glass on the end of a blowpipe. Traditionally and in modern furnace working, the gaffer blows through the tube, slightly inflating the gob, which is then manipulated into the required form by swinging it, rolling it on a marver, or shaping it with tools or in a mold. It is then inflated to the desired size. In flameworking, one end of the glass tube is heated and closed immediately, after which the worker blows into the other end and manipulates the hot glass.

The technique whereby glass is removed from the surface of an object by grinding it with rotating wheels made of stone, wood, and cork. The first stage of the process employs a stone wheel under a continuous stream of water. Later, wheels of fine-grained stone and wood, fed with various abrasives, are used to grind and polish the surface.

A mass of molten glass, usually small and freshly gathered from the furnace. In a team of glassworkers, the bit gatherer removes bits from the furnace, using a bit iron. Bits are also known as gobs.