The process of reheating glass after it has cooled, in order to develop color or an opacifying agent that appears only within a limited range of temperatures.

A movement that began in the United States in the 1960s and has spread all over the world. It is characterized by the proliferation of glass artists who are not affiliated with factories, but work with hot glass in their own studios. The emergence of independent glass artists was made possible by Harvey Littleton and Dominick Labino’s development in 1962 of a small furnace and easy-to-melt glass.

A term popularized in the 1960s for unique or limited-edition objects designed and made in a studio rather than a factory, often, but not necessarily, by the same person.

The process of slowly cooling a completed object in an auxiliary part of the glass furnace, or in a separate furnace. This is an integral part of glassmaking because if a hot glass object is allowed to cool too quickly, it will be highly strained by the time it reaches room temperature; indeed, it may break, either as it cools or at some later date. Highly strained glasses break easily if subjected to mechanical or thermal shock.

An enclosed structure for the production and application of heat. In glassmaking, furnaces are used for melting the batch, maintaining pots of glass in a molten state, and reheating partly formed objects at the glory hole.