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Yellow heart bonnechance basket [picture].
 
 
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Author/Artist: 
Eliott, Mark, 1957-
Other Authors: 
McGrath, Jack, artist
McGrath, Jack, photographer
White, Vanessa, photographer
Oldknow, Tina. juror
Charbonneau, Diane. juror
Harned, Richard Spencer. juror
Publisher: 
[Sydney, NSW, Australia], 2010.
Technique: 
Flameworking
Juror: 
Oldknow, Tina.
Charbonneau, Diane.
Harned, Richard Spencer.
Series: 
New Glass Review 32; entry no. 879.3.10
New Glass Review winner ; NGR 32 no. 19.
Subjects: 
Glass art Australia 21st century Pictorial works.
Glass sculpture Australia 21st century Pictorial works.
Record Number
Bib ID: 
120444
View Full Record and Availability
 
Description
glass ; variable dimensions.
Notes
Nationality: New Zealander, Australian
Published in: New Glass Review 32, p. 14, no. 19.
Image is property of The Corning Museum of Glass. License for image use is held by The Corning Museum of Glass: “I am aware that the U.S. Copyright Act, effective January 1, 1978 requires that I sign this document to permit The Corning Museum of Glass to reproduce in any form images of my objects submitted to NGR 32, to sell those reproductions in any form on the Museum's behalf and without compensation to me, and to use those reproductions in Museum publicity. This permission is granted on a non-exclusive basis to protect the artist's right of use. I also understand that all images submitted become the property of The Corning Museum of Glass.” Rights and Reproductions Manager
Description in New Glass Review: Animation still (flameworked glass).
Description from entry form: Flameworked glass (still from animation).
Object discussed in Jury Statement by Diane Charbonneau.
Technique: Flameworking.
Type: Sculpture. Stained glass panel. Flat glass panel. Vessel. Vase. Installation.
Image from CD-ROM supplied by artist.
Image orientation: landscape.
Object/Material Note: 
Published in New Glass Review Jury Statement: AI85467, p. 65
Copyright/License Note: 
Image is property of The Corning Museum of Glass. License for image use is held by The Corning Museum of Glass: “I am aware that the U.S. Copyright Act, effective January 1, 1978 requires that I sign this document to permit The Corning Museum of Glass to reproduce in any form images of my objects submitted to NGR 32, to sell those reproductions in any form on the Museum's behalf and without compensation to me, and to use those reproductions in Museum publicity. This permission is granted on a non-exclusive basis to protect the artist's right of use. I also understand that all images submitted become the property of The Corning Museum of Glass.” Rights and Reproductions Manager