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Pre monition [picture].

Pre monition [picture].

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Life lists [picture].
 
 
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Author/Artist: 
Rogers, Michael, 1955-
Other Authors: 
Tesch, Geoff photographer
Oldknow, Tina. juror
Harned, Richard Spencer. juror
Variant Title: 
Premonition [picture].
Publisher: 
[Honeoye Falls, NY], 2010.
Technique: 
fusing
Enameling
Juror: 
Oldknow, Tina.
Harned, Richard Spencer.
Series: 
New Glass Review 32; entry no. 765.2.10
New Glass Review winner ; NGR 32 no. 73.
Subjects: 
Glass art United States 21st century Pictorial works.
Glass sculpture United States 21st century Pictorial works.
Record Number
Bib ID: 
120737
View Full Record and Availability
 
Description
glass ; 48 cm. x 28 cm. x 2.5 cm.
Notes
Nationality: American
Published in: New Glass Review 32, p. 42, no. 73.
Image is property of The Corning Museum of Glass. License for image use is held by The Corning Museum of Glass: “I am aware that the U.S. Copyright Act, effective January 1, 1978 requires that I sign this document to permit The Corning Museum of Glass to reproduce in any form images of my objects submitted to NGR 32, to sell those reproductions in any form on the Museum's behalf and without compensation to me, and to use those reproductions in Museum publicity. This permission is granted on a non-exclusive basis to protect the artist's right of use. I also understand that all images submitted become the property of The Corning Museum of Glass.” Rights and Reproductions Manager
Description in New Glass Review: Fused glass, screen-printed enamels.
Description from entry form: Fused glass, screened enamels.
Object discussed in Jury Statement by Richard Harned.
Technique: Fusing, enameling.
Type: Sculpture.
Image from CD-ROM supplied by artist.
Image orientation: portrait.
Object/Material Note: 
Published in New Glass Review Jury Statement: AI85467, p. 67
Copyright/License Note: 
Image is property of The Corning Museum of Glass. License for image use is held by The Corning Museum of Glass: “I am aware that the U.S. Copyright Act, effective January 1, 1978 requires that I sign this document to permit The Corning Museum of Glass to reproduce in any form images of my objects submitted to NGR 32, to sell those reproductions in any form on the Museum's behalf and without compensation to me, and to use those reproductions in Museum publicity. This permission is granted on a non-exclusive basis to protect the artist's right of use. I also understand that all images submitted become the property of The Corning Museum of Glass.” Rights and Reproductions Manager