Includes bibliographical references and index.
"String, Felt, Thread presents an unconventional history of the American art world, chronicling the advance of thread, rope, string, felt, and fabric from the "low" world of craft to the "high" world of art in the 1960s and 1970s and the emergence today of a craft counterculture. In this full-color illustrated volume, Elissa Auther discusses the work of American artists using fiber, considering provocative questions of material, process, and intention that bridge the art-craft divide. Drawn to the aesthetic possibilities and symbolic power of fiber, the artists whose work is explored here-Eva Hesse, Robert Morris, Claire Zeisler, Miriam Shapiro, Faith Ringgold, and others-experimented with materials that previously had been dismissed for their associations with the merely decorative, with "arts and crafts," and with "women's work." In analyzing this shift and these exceptional artists' works, Auther engages far-reaching debates in the art world: What accounts for the distinction between art and craft? Who assigns value to these categories, and who polices the boundaries distinguishing them? String, Felt, Thread not only illuminates the centrality of fiber to contemporary artistic practice but also uncovers the social dynamics-including the roles of race and gender-that determine how art has historically been defined and valued."--pub. desc.
Purchase; Amazon; 2013; 1000132955
1: Fiber art and the struggle for legitimacy: The category of fiber art --
Cultural definitions of textiles and the bauhaus weavers --
Fiber and women's work --
Fiber art, the craft revival of the 1960s and 1970s, and popular craft --
The critical reception of fiber art in the 1960s and 1970s --
Mildred Constantine and the battle for fiber art --
2: Process art, postminimalism, and materiality: Felt in the work of Robert Morris --
The critical reception of the felts --
String, rope, and cord in the work of Eva Hesse --
The reception of Hesse's work in fiber --
Fiber, tactility, and the boundary between art and non-art --
3: The feminist politicization of the art/craft divide: Promises and problems of the feminist critique of the hierarchy of art and craft --
Faith Ringgold: "A painter who works in the quilt medium" --
Miriam Schapiro: "The quiet revolution" --
Ringgold, Schapiro, and the art world's appropriation of quilting --
Harmony Hammond: the mythic space of the "feminine stitch" --
Judy Chicago: the vitality of embroidery --
Conclusion: fiber, craft, and contemporary art.