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The Corning Museum of Glass Brings the History of the Microscope Into Focus for Spring Exhibition

Press Center

February 3, 2016
Revealing the Invisible: The History of Glass and the Microscope: April 23, 2016 through March 18, 2017

On April 23, The Corning Museum of Glass (CMoG) will present Revealing the Invisible: The History of Glass and the Microscope, tracing the invention and evolution of the microscope from the 17th century through the early 20th century, revealing scientists’ and artists’ explorations of the microscopic world. On view in the Museum’s Juliette K. and Leonard S. Rakow Research Library until March 18, 2017, the exhibition will feature rare books and materials from the Rakow Library, interactive elements designed especially for the show, and historically significant microscopes—including a rare original Antoni van Leeuwenhoek microscope, lent by the Museum Boerhaave in the Netherlands, that has never before been exhibited in the United States.

Revealing the Invisible will explore how the evolution of the microscope motivated the development of modern glass science, and will look at the impact of microscopy on science, medicine, and popular culture. The exhibition will enable visitors to experience the process of scientific discovery from the time when the microscopic world was unimagined, to important scientific breakthroughs that expanded the known world, to examples of modern inventions that have put microscope technology within everyone’s reach.

“CMoG is the world’s premier institution for the study of glass, so we’re excited to present this exhibition that will illuminate a fascinating and surprising story about the history of science and of glassmaking,” said Dr. Marvin Bolt, CMoG’s curator of science and technology. “Revealing the Invisible will lead visitors through nearly 400 years of discovery that helped transform the way we see the world.”

15 historic microscopes will be on display, including a rare original example by Antoni van Leeuwenhoek, the 17th-century cloth merchant who created the first microscopes that could reveal blood cells, bacteria, and sperm. The van Leeuwenhoek microscope, made 300 years ago, is one of fewer than a dozen of his instruments that have survived to the present day. The secrets of van Leeuwenhoek’s lens-making techniques are still not fully known. Alongside the original van Leeuwenhoek example, meticulously crafted replicas will enable visitors to handle the devices and experience this groundbreaking invention firsthand.

A rare first edition of Robert Hooke’s illustrated 1665 book Micrographia, which inspired van Leeuwenhoek and instilled widespread interest in the emerging science of microscopy, will show the start of microscopy’s role in popular culture. A digital version of the Rakow’s copy of Micrographia, created for the exhibition, helps visitors experience Hooke’s remarkable illustrated work in its entirety. In addition, 18th- and 19th-century broadsides (posters) that advertise concert-like microscopy lectures will be on display alongside novelty microscopes featured in such shows, including an 18th-century solar microscope that projects an image of a microscopic object onto a wall.

The exhibition will also feature an original copy of Antonio Neri’s 1612 work, L’Arte Vetraria (or The Art of Glass), an explanatory manual on glassmaking techniques that took on new importance in the context of the Scientific Revolution and its emphasis on experimental investigation. The exhibition will illustrate how microscope technology developed in concert with improvements in scientific glassmaking including landmark inventions like Joseph Lister’s achromatic lenses from the early 1800s and a late-1800s German microscope with lenses incorporating the results of some of the earliest scientifically engineered glass made by Otto Schott, Carl Zeiss, and Ernst Abbe.

Revealing the Invisible will also investigate connections between the microscope and public health, showing the tool’s importance for understanding microscopic creatures responsible for many deaths and diseases in the 19th century. The exhibition will include programming that features select examples of modern microscope technologies, such as giving visitors the opportunity to use an iPhone microscope—a simple but powerful device created by attaching a standard laser-pointer lens to an iPhone camera. Stanford University’s inexpensive Foldscope—a paper “print-and-fold” microscope that has great potential to revolutionize global health, field-based citizen science, and science education, will also be featured.

Additional highlights from Revealing the Invisible include:

  • An edition of Francesco Stelluti’s Persio tradotto in verso sciolto e dichiarato from 1630, featuring illustrations of insects and other organisms viewed under a microscope alongside fantastical explanations grounded in classical mythology.
  • A late-17th-century compound microscope by Giuseppe Campani, the leading optical instrument maker of the time.
  • A 1685 edition of Francisco Redi’s Experimenta circa generationem insectorum, which used microscopy to disprove the widely held belief that parasites were capable of spontaneous generation.
  • A 1704 edition of Isaac Newton’s Opticks, considered one of the world’s most important scientific treatises.
  • A 1740 volume by Abraham Trembley, whose illustrations introduced the world to the extraordinary hydra that appears to live forever.
  • A mid-19th-century binocular microscope designed by Henry Crouch, which gave users the ability to see specimens with three-dimensional depth.
  • A late-19th-century microscope by Zeiss optics, one of the earliest examples of scientific instruments with carefully engineered glass.

 

Captions for Images (top to bottom):

Binocular microscope, Henry Crouch, London, England, c. 1850-1875. Lent by Museum Boerhaave, Leiden, the Netherlands. Image Courtesy of Museum Boerhaave.

Simple microscope, Antoni van Leeuwenhoek, Delft, the Netherlands, c. 1675 – 1723. Lent by Museum Boerhaave, Leiden, the Netherlands. Image Courtesy of Museum Boerhaave.

Plate 7A from Volume 2 of Essays on the Microscope by George Adams; 2nd ed. with additions by Frederick Kanmacher. Printed by Dillon and Keating in London for the editor, 1798. CMGL 110118

Plate XVIII from Volume 2 of Essays on the Microscope by George Adams; 2nd ed. with additions by Frederick Kanmacher. Printed by Dillon and Keating in London for the editor, 1798. CMGL 110118

About The Corning Museum of Glass

The Corning Museum of Glass is home to the world’s most important collection of glass, including the finest examples of glassmaking spanning 3,500 years. Live glassblowing demonstrations (offered at the Museum, on the road, and at sea on Celebrity Cruises) bring the material to life. Daily Make Your Own Glass experiences at the Museum enable visitors to create work in a state-of-the-art glassmaking studio. The campus in Corning includes a year-round glassmaking school, The Studio, and the Rakow Research Library, the world’s preeminent collection of materials on the art and history of glass. Located in the heart of the Finger Lakes Wine Country of New York State, the Museum is open daily, year-round. Kids and teens, 17 and under, receive free admission. www.cmog.org.

The Museum recently opened a 100,000-square-foot Contemporary Art + Design Wing, designed by Thomas Phifer. The new wing includes a new 26,000-square-foot contemporary art gallery building, as well as one of the world’s largest facilities for glassblowing demonstrations and live glass design sessions.