All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Viewers follow the celebrated glassmaker Lino Tagliapietra as he makes canes(delicately patterned rods of glass) and uses them to decorate one of his intricate blown vessels at The Studio. Along the way, he notes the importance of the gather in cane-pulling, offers some observations on the state of
Rudi Gritsch, the Austrian kiln forming artist and instructor takes viewers through many of his processes involving the kiln. We follow Mr. Gritsch as he takes his work from the initial phases of design through the detailed setups, firings, and finishing processes, to completed works of art. Master
This DVD focuses on glass artists from Japan who use the pate de verre technique to form intimate glass sculptures that express a love of nature. Kimiake Higuchi demonstrates the making of a cabbage leaf, while her husband, Shin-ichi, produces a mosaic piece. Although they have no formal training
Pâte de verre is a kiln-casting process in which colored powdered glass is packed into a plaster mold, then fired at a high temperature. The result is a rela...
Watch Tim Drier demonstrate for his class, Introduction to Flameworking, in which students will embark on an evolution through glassmaking, beginning with marbles (single cell), through fungus, aquatics, and small land mammals, ending with the human form.
April 2010 Artist-in-Residence Eliza Au used the lost wax casting method to create a delicate glass prayer rug, meant to reflect the fragility of religion and belief. Much of her work is influenced by Gothic wrought-iron fences or Islamic tile and textile patterns.
"My initial relationship to the arts would probably be observation. Watching things change, watching things grow." Amie Laird McNeel came to The Studio of The Corning Museum of Glass as part of the joint Artists-in-Residence partnership with the John Michael Kohler Arts Center. A
"I want the viewer to expereince the process of blurring boundaries between cultures by looking at my work." Min Jeong Song studies ornamental styles across time periods and geography, and her work explores how certain attributes of glass can be used to create ambivalent objects: objects
"In my work, very often, it is good to take a second look." A Berlin-based artist, Veronika Beckh has exhibited extensively in the United States and Europe. Her work invites viewers to disconnect from the noise and chaos of everyday life and to find light, tranquility, and contemplation.
Mielle Riggie works with both the strength and fragility of glass to illustrate the dynamics of human emotion or conditions. During her residency at The Studio, Riggie created cast-glass sculpture amplifying elements in nature, such as leaves and roots, and recombined disparate parts in ways that
April 2010 Artist-in-Residence Marie Retpen was hot working large pieces that would eventually become part of a large installation. She finds inspiration for her surreal works from the novels Alice in Wonderland and Alice Through the Looking Glass, and the movie The Terminator.
In her May 2012 Residency at The Studio, Marta Ramírez interpreted the works of Shinichi Maruyama, a Japanese artist and photographer who has developed an artistic body of work called Water Sculptures.
Watch as glass artist Martin Janecky demonstrates blown sculpting as he creates one of his signature pieces.
In this video, Cesare Toffolo makes both a simple footed bowl and an intricate historical goblet. He hosts a brief tour of flameworked objects in the collection of The Corning Museum of Glass, and he shares his philosophy of teaching, learning, and creating. Cesare Toffolo is considered to be the
Beth Lipman, artist-in-residence at The Studio, discusses her work.
The Studio, which opened in 1996, is an internationally renowned teaching facility that offers classes in a variety of glassmaking techniques to students of all ages and skill levels. Artists and students come from all over the world to teach, to learn, and to create their own work in glass. The
Make sure you watch this in HQ! Take 70 pounds of molten glass on the end of a blowpipe, lots of trial-and-error glassblowing sessions, and a team of highly-skilled glassmakers, and see what they come up with! At the Corning Museum of Glass in The Studio, a team of gaffers, led by George Kennard,
Drawn to functional forms more than abstract designs, and inspired by makers such as Boyd Sugiki and The Studio's own resident artist Bill Gudenrath, Lauren Hunt gets motivation from her surroundings at The Studio. The skill of these masters is "what you strive for," and Lauren
In Portland, Oregon, when he was just 10 years old, Brandyn Callahan learned from his mother how to make fused glass. His interest in glass led him to flameworking and glassblowing classes and, after high school, a glassblowing apprenticeship. Brandyn now lives in Seattle, Washington, where he
John Miller, known for his large-scale pop art glass, creates a giant cupcake in celebration of The Studio's 20th birthday, including a not-to-be-missed ending!
Kristina Logan is internationally recognized for her precisely patterned, delicate glass beads, which she combines with metalwork to create jewelry and functional objects. In the Master Class video, Logan demonstrates her process of beadmaking at the torch, finishing the glass by cold-working, and
Davide Salvadore speaks of his profound love and respect for glass, and his family. He demonstrates working with murrine. Master Class VIII: Working with Murrine with Davide Salvadore (30 minute DVD presented by The Studio of The Corning Museum of Glass).
At The Studio, Davide Salvadore instructed on how to apply murrine to blown glass vessels and a Muranese technique called tociar piere. Salvadore comes from a tradition of glassworkers in Murano, and enjoys sharing his knowledge and passion for glass. Davide Salvadore led a week-long workshop in
Watch Loren Stump demonstrate for his Studio course, Advanced Floral Murrine, how to use to use a variety of complex murrine components to achieve high detail in miniature floral design. January 11, 2012, at The Studio of The Corning Museum of Glass.
Watch Paul Stankard and Lucio Bubacco demonstrate for their Studio course, Fiore e Angeli (Flowers and Angels), in which they share their signature flameworking styles and techniques in a celebration of flowers and angels.
Gianni Toso: Glassmaking as a Language, a live flameworking demonstration at The Studio on July 20, 2011.
William Gudenrath, resident advisor of The Studio, provides instruction in the basics of Venetian glassblowing and creates his own Venetian-inspired glass pieces. The portrait of the artist focuses on his passion for glassblowing, teaching and music. Master Class Series, Vol. II: Introduction to
Watch William Gudenrath demonstrate for his Refining and Solidifying Your Techniques class at The Studio. Gudenrath's class focuses on advanced Venetian techniques: well-formed and thinly blown vessel bodies, excellent necks, delicate mereses, and blown feet and stems.
William Gudenrath is a glassblower, scholar, lecturer, and teacher. He is an authority on historical hot glassworking techniques from ancient Egypt through through the Renaissance, and has presented lectures and demonstrations throughout the world. As resident adviser for The Studio, Bill ensures
Watch as Kristina Logan demonstrates beadmaking during her Beadmaking: Expanding Your Skills class at The Studio. Logan's week-long course focuses on a broad spectrum of techniques: surface decorations, dots galore, clear casing, working large beads, and troubleshooting common mistakes and