All About Glass

All About Glass

This is your resource for exploring various topics in glass: delve deeper  with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.

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East Meets West: Cross-Cultural Influences in Glassmaking in the 18th and 19th Centuries
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Beginning in the 13th century, the philosophies, scientific discoveries, and artistic achievements of East Asia gradually became known in Europe. The Chinese began large-scale international trade during the Southern Song dynasty (1127–1279), exchanging goods with Western merchant travelers. 1 The

Mt. Washington and Pairpoint: Cut Rose Globe
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play pause stop mute unmute max volume repeat repeat off Cro Magnon Man--> Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Mt. Washington Glass Company United States, New Bedford, MA 1889–1900 Glass, blown, cut,

East Meets West: Cross-Cultural Influences in Glassmaking in the 18th & 19th Centuries
Video

East Meets West: Cross-Cultural Influences in Glassmaking in the 18th & 19th Centuries at The Corning Museum of Glass November 18, 2010- October 30, 2011, explored the cultural exchanges of glassmaking between the East and West and documents stylistic developments in Western Europe and East

Mt. Washington and Pairpoint Glass: From the Gilded Age to the Roaring Twenties (Revised)
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Mt. Washington and its successor, the Pairpoint Corporation, was one of America's longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture,

Museum Under Water: The Corning Flood of 1972
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On June 23, 1972, Corning, New York and the surrounding communities were devastated by a major flood, as a result of the tropical storm Agnes. At The Corning Museum of Glass, hundreds of objects were broken, more than half of the Library's materials were saturated with flood water, and the

Medieval Glassmaking in the Levant
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In 1973, a sponge diver reported the discovery of an underwater shipwreck at Serçe Limani on the south coast of Turkey, opposite Rhodes. The wreck was investigated by Professor George Bass, of the Institute of Nautical Archaeology, between 1977 and 1979. His investigation revealed that part of the

Beyond Venice: Glass in Venetian Style, 1500-1750
Article

In Renaissance Europe, the compulsion to copy Venetian glassmaking styles and techniques was no simple fashion fad. The glass was clearly superior in almost every way. The glass was called “cristallo” because it was clear and colorless, a quality the Venetians achieved as early as 1440 by making it

19th Century French Paperweight Makers
Article

Compagnie des Cristalleries de Saint-Louis Compagnie des Cristalleries de Saint-Louis, which is named after the sainted King Louis IX, was founded in Lorraine, France, in 1767 and still exists today. Along with Baccarat, it nearly monopolized the French luxury glass industry for many years. In late

Mt. Washington and Pairpoint Glass
Article

Mt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture,

Lino Tagliapietra- Voices of Contemporary Glass
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Artist Lino Tagliapietra shares his love of working with glass. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.

Tom Patti- Voices of Contemporary Glass
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Tom Patti explains his unique approach to working with glass. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.

Reflecting Antiquity: Modern Glass Inspired by Ancient Rome
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A groundbreaking exhibition produced by the J. Paul Getty Museum and The Corning Museum of Glass, Reflecting Antiquity: Modern Glass Inspired by Ancient Rome opened on October 18, 2007 at the Getty Villa in Los Angeles, and ran through January 14, 2008. Then it traveled to The Corning Museum of

Fragile Legacy
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From their first commission for glass marine invertebrate models in 1863, to their later production of glass flowers for Harvard University’s well-known Ware Collection of Blaschka Glass Models of Plants, Leopold Blaschka (1822 – 1895) and his son Rudolf (1857 – 1939) masterfully captured in glass

Masters of Studio Glass: Toots Zynsky
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Toots Zynsky's distinctive filet de verre (glass thread) vessels enjoy a widespread popularity and deserved acclaim for their often extraordinary and always unique explorations in color. Defying categorization, her pieces inhabit a region all their own, interweaving the traditions of painting,

(No sound) Façon de Venise Goblet
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This video shows the technique of making a Façon de Venise (a French term meaning "manner, or style, of Venice") goblet, an object in the exhibition Beyond Venice: Glass in Venetian Style 1500-1750, which was on view at The Corning Museum of Glass from May 20, 2004, to January 2, 2005.

(No sound) Spanish Wine Glass
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This video shows the technique of making a Spanish wine glass, an object in the exhibition Beyond Venice: Glass in Venetian Style 1500-1750, which was on view at The Corning Museum of Glass from May 20, 2004, to January 2, 2005.

(No sound) St. Augustin (Rouen) Goblet
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This video shows the technique of making a St. Augustin (Rouen) Goblet, an object in the exhibition Beyond Venice: Glass in Venetian Style 1500-1750, which was on view at The Corning Museum of Glass from May 20, 2004, to January 2, 2005.

Reticello
Video

Watch as William Gudenrath demonstrates the Reticello technique. Reticello (Italian, "glass with a small network"), is a type of blown glass made with canes organized in a crisscross pattern to form a fine net, which may contain tiny air traps.

Sicilian Glass
Video

In the second half of the 19th century, many glass firms used experimental techniques to create decorative art glass. In 1878, the Mt. Washington glass company introduced Sicilian glass. As part of their marketing, the company claimed to have used lava, that is, molten rock spewed out by volcanoes,

Twist Glass
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In the 1930s, the Pairpoint Glass Corporation introduced a bold new design called "twist glass," consisting of swirled stripes of ruby or deep blue glass and clear crystal. The complicated technique, already used in Sweden, required many stages including cold working. Watch as William

(No sound) Nuremburg Goblet
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This video shows the technique of making a Nuremburg goblet, an object in the exhibition Beyond Venice: Glass in Venetian Style 1500--1750, which was on view at The Corning Museum of Glass from May 20, 2004, to January 2, 2005.

Artist-in-Residence: Min Jeong Song (October 2011)
Video

"I want the viewer to expereince the process of blurring boundaries between cultures by looking at my work." Min Jeong Song studies ornamental styles across time periods and geography, and her work explores how certain attributes of glass can be used to create ambivalent objects: objects

Glass of the Maharajahs
Article

The Tradition of Glass Furniture The tradition of glass furniture began in the early nineteenth century when the Russian Imperial Glass Works created several tables for members of the imperial family. But it was the opening of the 1851 Great Exhibition of the Works of Industry of All Nations in

The Tradition of the Avant-Garde: Bohemian Glass, 1820–1935
Article

What is your first association with the term “bohemian”? Does it evoke a fine beer-brewing tradition, or connote unpronounceable town names? Germans have a saying: “lauter böhmische Dörfer” (nothing but Bohemian villages), referring to something completely incomprehensible, because of the odd

GlassLab Design Session: Sigi Moeslinger & Masamichi Udagawa
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Designers Sigi Moeslinger and Masamichi Udagawa describe working at GlassLab during a design session at The Corning Museum of Glass, June 26- 27, 2012.

Prunted Beaker Restoration- Part Two
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Watch as our conservator, Stephen Koob, restores a 13th or 14th-century prunted beaker for the 2010 exhibition, Medieval Glass for Popes, Princes, and Peasants. This piece was on loan from the Museum zu Allerheiligen, Shaffhausen, in Switzerland. With painstaking care and precision Koob

Prunted Beaker Restoration- Part One
Video

Watch as our conservator, Stephen Koob, restores a 13th or 14th-century prunted beaker for the 2010 exhibition, Medieval Glass for Popes, Princes, and Peasants. This piece was on loan from the Museum zu Allerheiligen, Shaffhausen, in Switzerland. With painstaking care and precision Koob

GlassLab Design Session: Dan Ipp & Tom Zogas
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RIT Metaproject students Dan Ipp and Tom Zogas describe working at GlassLab during a design session at The Corning Museum of Glass, July 3- 4, 2012.

Harvey K. Littleton and the American Studio Glass Movement
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Harvey Littleton is internationally acclaimed and recognized for his tireless work in  %%founding%% and promoting the American Studio Glass movement.  The movement was “born” in 1962, during two seminal glassblowing workshops at The Toledo Museum of Art.  The workshops were led by Littleton, a

A Trip Up a Goat Path Unearths Blaschka-Era Lampworking Table
Article

Who would have thought that a trip up a goat path would lead to the Museum’s acquisition of a 19th-century lampworking table that was part of the 2007 Botanical Wonders exhibition? In October 2006, Steve Gibbs, the Museum’s manager of events marketing, embarked on a mission to find a lampworking

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