The technique of forming objects from rods and tubes of glass that, when heated in a flame, become soft and can be manipulated into the desired shape. Formerly, the source of the flame was an oil or paraffin lamp used in conjunction with foot-powered bellows; today, gas-fueled torches are used.

Calcined limestone, which, added to batch in small quantities, gives stability. Before the 17th century, when its beneficial effects became known, lime was introduced fortuitously as an impurity in the raw materials. The addition of insufficient lime can cause crizzling.

Sodium carbonate. Soda (or alternatively potash) is commonly used as the alkali ingredient of glass. It serves as a flux to reduce the fusion point of the silica when the batch is melted.

Historically, the most common form of glass. It contains three major compounds in varying proportions, but usually silica (about 60-75 percent), soda (12-18 percent), and lime (5-12 percent). Soda-lime glasses are relatively light, and upon heating, they remain plastic and workable over a wide range of temperatures. They lend themselves, therefore, to elaborate manipulative techniques.

The technique of forming an object by inflating a gather or gob of molten glass on the end of a blowpipe. Traditionally and in modern furnace working, the gaffer blows through the tube, slightly inflating the gob, which is then manipulated into the required form by swinging it, rolling it on a marver, or shaping it with tools or in a mold. It is then inflated to the desired size. In flameworking, one end of the glass tube is heated and closed immediately, after which the worker blows into the other end and manipulates the hot glass.