All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Designers Sigi Moeslinger and Masamichi Udagawa describe working at GlassLab during a design session at The Corning Museum of Glass, June 26- 27, 2012.
The Studio, which opened in 1996, is an internationally renowned teaching facility that offers classes in a variety of glassmaking techniques to students of all ages and skill levels. Artists and students come from all over the world to teach, to learn, and to create their own work in glass. The
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Finger Lakes Finest (January 17, 2013), including music by The Blind Spots,
2300°: Hot Blues featured visiting glass artist Sam Drumgoole who currently lives and works in Columbus, Ohio. Hailing from Rochester, New York, Sam has worked with Dale Chihuly in Seattle and studied at Pilchuck and Alfred University before opening his own studio. For 2300°, Sam worked with Museum
Glassmaker Jeff Mack raises a toast to glass! At the January 2300° event, Mack put his years of experience and knowledge of historic glassmaking techniques to work making amazing goblets at the Hot Glass Show.
RIT Metaproject students Dan Ipp and Tom Zogas describe working at GlassLab during a design session at The Corning Museum of Glass, July 3- 4, 2012.
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Hot Blues (February 21, 2013), including music by the Kelly Bell Band, and
Jordana Korsen has been working with hot glass for more than 20 years, focusing on functional work with a sculptural touch. As a glassblower, she creates clean forms with a sense of humor. Korsen has been running the glass program at Franklin Pierce University since 1995. Her architectural
Emilio Santini speaks about his favorite Livio Seguso pieces within the Voices of Contemporary Glass exhibit at The Corning Museum of Glass.
At 2300°: Finger Lakes Finest in January 2013, glassblower Eric Meek and flameworker Eric Goldschmidt collaborated to make an amphora with flameworked figures and grapes. See what they had to say about the experience.
Norwood Viviano uses digital 3D modeling and printing technology in combination with the casting process to create his sculptural works. During his March 2012 Residency at The Studio, Viviano created urban and industrial landscapes out of kiln-cast glass as an extension of his previous
Designer Wendell Castle describes working at GlassLab during a design session at The Corning Museum of Glass, June 19- 20, 2012.
Designer Marc Thorpe describes working at GlassLab during a design session at The Corning Museum of Glass, July 10- 11, 2012.
Designer Tom Scott describes working at GlassLab during a design session at The Corning Museum of Glass, July 24 and 25, 2012.
Designer Jon Otis describes working at GlassLab during a design session at The Corning Museum of Glass, July 17 and 18, 2012.
In a typical glass factory in earlier times, most workers would work as unskilled laborers. An unskilled laborer was usually called "boy," a term which did not refer to the age of the individual. Although girls were known to perform other work, they often worked as inspectors and packers
Denis Diderot and Jean Le Rond d’Alembert published their much acclaimed Encyclopédie in Paris from 1751 to 1765. To illustrate their entries, they commissioned several hundred engraved images depicting artistic crafts and common trades in preindustrial France. Since pictorial representations of
At 2300° in December, the master minds behind Elements Glass of Portland, OR, created a colorful Caribbean sculpture live on the Hot Glass Show stage. http:/...
The artwork of Andrew Erdos is pop, sarcastic, and humorous, with a hint of social commentary. His over-the-top installations create a situation of sensory o...
Paul Stankard's Demo at 2011 GlassFest in Corning, NY.
Richard Marquis, glassblower and collector of beat-up, vintage objects, has had an extraordinary influence on the development of contemporary studio glass in America and around the world. His work is humorous, ironic, smart, and beautifully—some might say obsessively—made. As an artist, Marquis is
The 2012 Rakow Commission honors the Danish artist Steffen Dam, a consummate glass craftsman, who will give an illustrated talk on his work. Although inspire...
Swedish artist Ingalena Klenell has been working with glass since 1976. Her work explores the ideas of fragility and vulnerability, both in the material of g...
Elizabeth Fortunato began studying glassblowing at the Pittsburgh Glass Center through a high school program. She continued working with glass through colleg...
Glassworkers made ring-shaped decanters as early as the Roman period. Due to their novel shape, much like buoys, the personal flotation devices carried on ships, decanters in the early 20th century were called "lifebuoy decanters." Watch as William Gudenrath demonstrates the technique.
Glass makers throughout history have gone to great lengths to eliminate all bubbles from glass. But here, we see bubbles purposefully put into the glass for their decorative effect. In this paperweight, the bubbles surround another gather of glass with twisted canes of colored glass. Watch as
In the 1930s, the Pairpoint Glass Corporation introduced a bold new design called "twist glass," consisting of swirled stripes of ruby or deep blue glass and clear crystal. The complicated technique, already used in Sweden, required many stages including cold working. Watch as William
In the second half of the 19th century, many glass firms used experimental techniques to create decorative art glass. In 1878, the Mt. Washington glass company introduced Sicilian glass. As part of their marketing, the company claimed to have used lava, that is, molten rock spewed out by volcanoes,
Watch as William Gudenrath demonstrates the Reticello technique. Reticello (Italian, "glass with a small network"), is a type of blown glass made with canes organized in a crisscross pattern to form a fine net, which may contain tiny air traps.
Glass that gradually shades from one color to another has ingredients such as uranium and gold, which are sensitive to heat. When part of the object is reheated, it "strikes" or changes color. Heat-sensitive glass became very popular in the late 19th century. Many companies used heat