All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Watch Paul Stankard and Lucio Bubacco demonstrate for their Studio course, Fiore e Angeli (Flowers and Angels), in which they share their signature flameworking styles and techniques in a celebration of flowers and angels.
Gianni Toso: Glassmaking as a Language, a live flameworking demonstration at The Studio on July 20, 2011.
William Gudenrath, resident advisor of The Studio, provides instruction in the basics of Venetian glassblowing and creates his own Venetian-inspired glass pieces. The portrait of the artist focuses on his passion for glassblowing, teaching and music. Master Class Series, Vol. II: Introduction to
Watch William Gudenrath demonstrate for his Refining and Solidifying Your Techniques class at The Studio. Gudenrath's class focuses on advanced Venetian techniques: well-formed and thinly blown vessel bodies, excellent necks, delicate mereses, and blown feet and stems.
William Gudenrath is a glassblower, scholar, lecturer, and teacher. He is an authority on historical hot glassworking techniques from ancient Egypt through through the Renaissance, and has presented lectures and demonstrations throughout the world. As resident adviser for The Studio, Bill ensures
Watch as Kristina Logan demonstrates beadmaking during her Beadmaking: Expanding Your Skills class at The Studio. Logan's week-long course focuses on a broad spectrum of techniques: surface decorations, dots galore, clear casing, working large beads, and troubleshooting common mistakes and
Kristina Logan is internationally recognized for her precisely patterned, delicate glass beads, which she combines with metalwork to create jewelry and functional objects. In the Master Class video, Logan demonstrates her process of beadmaking at the torch, finishing the glass by cold-working, and
Watch Studio instructor, Martin Janecky, demonstrate hot sculpting for his class, Blowing and Sculpting Inside the Bubble in June 2011.
Make sure you watch this in HQ!! Take 70 pounds of molten glass on the end of a blowpipe, lots of trial-and-error glassblowing sessions, and a team of highly skilled glassmakers, and see what they come up with! At the Corning Museum of Glass in The Studio, a team of gaffers, led by George Kennard,
Pâte de verre is a kiln-casting process in which colored powdered glass is packed into a plaster mold, then fired at a high temperature. The result is a rela...
Marta Ramírez is a glass artist and industrial designer who teaches at the Los Andes University in Bogotá, Colombia. Her work is clearly inspired by water, a...
Watch Tim Drier demonstrate for his class, Introduction to Flameworking, in which students will embark on an evolution through glassmaking, beginning with marbles (single cell), through fungus, aquatics, and small land mammals, ending with the human form.
Elizabeth Fortunato began studying glassblowing at the Pittsburgh Glass Center through a high school program. She continued working with glass through colleg...
Watch Loren Stump demonstrate for his Studio course, Advanced Floral Murrine, which teaches students to use a variety of complex murrine components to achieve high detail in miniature floral design. January 11, 2012, at The Studio of The Corning Museum of Glass
Watch Jim Byrnes demonstrate for his Studio course, Beginning Flameworking, that will focus on the means more than the end. Students will be guided through s...
"I want the viewer to expereince the process of blurring boundaries between cultures by looking at my work." Song studies ornamental styles across time periods and geography, and her work explores how certain attributes of glass can be used to create ambivalent objects: objects that don&
Gayla Lee was first entranced by glass at the age of eight when she encountered a glassblower at a Renaissance festival. Her fascination with the material eventually led her to an apprenticeship in a Baltimore glass studio at the age of 20. Lee took Davide Salvadore's class, Creating and Using
In Portland, Oregon, when he was just ten years old, Brandyn Callahan began learning how to make fused glass from his mother. His interest in glass led him t...
At The Studio, Davide Salvadore instructed on how to apply murrine to blown glass vessels and a Muranese technique called tociar piere. Salvadore comes from a tradition of glassworkers in Murano, and enjoys sharing his knowledge and passion for glass. Davide Salvadore held a week-long workshop May
Watch Max Erlacher demonstrate for his Studio course, Engraving and Cold Working Techniques, in which this master engraver shares his knowledge of copper, stone, and diamond engraving, and cold working techniques. Max Erlacher has more than 40 years of experience with copper, stone, diamond
In this video, Cesare Toffolo makes both a simple footed bowl and an intricate historical goblet. He hosts a brief tour of flameworked objects in the collection of The Corning Museum of Glass, and he shares his philosophy of teaching, learning, and creating. Cesare Toffolo is considered to be the
Rudi Gritsch, the Austrian kiln forming artist and instructor takes viewers through many of his processes involving the kiln. We follow Mr. Gritsch as he takes his work from the initial phases of design through the detailed setups, firings, and finishing processes, to completed works of art. Master
Drawn to functional forms more than abstract designs, and inspired by makers such as Boyd Sugiki and The Studio's own resident artist Bill Gudenrath, Lauren Hunt gets motivation from her surroundings at The Studio. The skill of these masters is "what you strive for," and Lauren
John Shoemaker, a Philadelphia resident and 2012 graduate of Tyler School of Art, came to The Studio this summer upon a recommendation from one of his profes...
"In my work, very often, it is good to take a second look." A Berlin-based artist, Beckh has exhibited extensively in the United States and Europe. Her work invites viewers to disconnect from the noise and chaos of everyday life and to find light, tranquility, and contemplation. Beckh
The Studio, which opened in 1996, is an internationally renowned teaching facility that offers classes in a variety of glassmaking techniques to students of all ages and skill levels. Artists and students come from all over the world to teach, to learn, and to create their own work in glass. The
Mielle Riggie works with both the strength and fragility of glass to illustrate the dynamics of human emotion or conditions. In her residency at The Studio, Riggie is creating cast-glass sculpture amplifying elements in nature, such as leaves or roots, and recombining disparate parts in ways that
"My initial relationship to the arts would probably be observation. Watching things change, watching things grow." Amie Laird McNeel came to The Studio of The Corning Museum of Glass as part of the joint Artists-in-Residence partnership with the John Michael Kohler Arts Center. A
The Czech artist Jiří Harcuba shows how he engraves with diamond, stone, and copper wheels, creating innovative portraiture on glass with the highest level of craftsmanship. He talks about his life, his work, and his interest in philosophy and psychological studies of major figures. He also
Viewers follow the celebrated glassmaker Lino Tagliapietra as he makes canes(delicately patterned rods of glass) and uses them to decorate one of his intricate blown vessels at The Studio. Along the way, he notes the importance of the gather in cane-pulling, offers some observations on the state of