All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Artists have proven that glass as a medium for sculpture is virtually without limits. Among hot-working processes, flameworking allows the greatest detail and the smallest scale. Surprisingly though, it can also be used to create sculpture large enough to fill rooms.
Vittorio Costantini is a Venetian glass master known for his precisely rendered small flameworked sculptures. He is inspired by nature, and he works with a range of subjects, including multi-colored insects, butterflies, birds, fish, and flowers. Costantini's pieces are celebrated for their
Gianni Toso: Glassmaking as a Language, a live flameworking demonstration at The Studio on July 20, 2011.
In this video, Cesare Toffolo makes both a simple footed bowl and an intricate historical goblet. He hosts a brief tour of flameworked objects in the collection of The Corning Museum of Glass, and he shares his philosophy of teaching, learning, and creating. Cesare Toffolo is considered to be the
Listen as curator Tina Oldknow, describes the object Woven Heaven, Tangled Earth by artist Susan Plum. For Susan Plum, glass is a metaphor for light. She works with it as a way, she says, to "concretize the invisible." Plum prefers borosilicate glass for its high silica content and its
Glass Maestro, Gianni Toso shares what inspires and influences his work, specifically about his piece "Chess Set."
Listen as glass artist William Gudenrath describes flameworking (or lampworking), the technique used by the Blaschka's to create the objects in this case at the Museum. The display tells the story of two remarkable lampworkers, Leopold Blaschka and his son Rudolf, who created in glass
Before the development of high-speed moving image media, or fiberglass, naturalists and educators faced a quandary: it was often impossible to demonstrate exactly what an invertebrate looked like without a live specimen, because the spine collapses and color leaches out of one preserved in alcohol.
Who would have thought that a trip up a goat path would lead to the Museum’s acquisition of a 19th-century lampworking table that was part of the 2007 Botanical Wonders exhibition? In October 2006, Steve Gibbs, the Museum’s manager of events marketing, embarked on a mission to find a lampworking
The Botanical Wonders exhibition celebrates the singular triumph of glassmakers Leopold Blaschka (1822-1895) and his son Rudolf (1857-1939) and offers close-ups of the people and the craft process behind the Glass Flowers. David Whitehouse narrates. "Botanical Wonders: The Story of the Harvard