All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Who would have thought that a trip up a goat path would lead to the Museum’s acquisition of a 19th-century lampworking table that was part of the 2007 Botanical Wonders exhibition? In October 2006, Steve Gibbs, the Museum’s manager of events marketing, embarked on a mission to find a lampworking
Illustrator Peter Sís describes working at GlassLab during a design session at The Corning Museum of Glass, June 12- 13, 2012.
Designer Wendell Castle describes working at GlassLab during a design session at The Corning Museum of Glass, June 19- 20, 2012.
Designer Marc Thorpe describes working at GlassLab during a design session at The Corning Museum of Glass, July 10- 11, 2012.
Designer Tom Scott describes working at GlassLab during a design session at The Corning Museum of Glass, July 24 and 25, 2012.
Designer Josh Owen describes working at GlassLab during a design session at The Corning Museum of Glass, May 29 and 30, 2012.
Designers Constantin and Laurene Boym describe working at GlassLab during a design session at The Corning Museum of Glass, August 7 and 8, 2012.
Designer Jason Miller describes working at GlassLab during a design session at The Corning Museum of Glass, June 5 and 6, 2012.
Designer Jon Otis describes working at GlassLab during a design session at The Corning Museum of Glass, July 17 and 18, 2012.
Designer Michele Oka Doner describes working at GlassLab during a design session at The Corning Museum of Glass, July 31 through August 1, 2012.
From their first commission for glass marine invertebrate models in 1863, to their later production of glass flowers for Harvard University’s well-known Ware Collection of Blaschka Glass Models of Plants, Leopold Blaschka (1822 – 1895) and his son Rudolf (1857 – 1939) masterfully captured in glass
The Botanical Wonders exhibition celebrates the singular triumph of glassmakers Leopold Blaschka (1822-1895) and his son Rudolf (1857-1939) and offers close-ups of the people and the craft process behind the Glass Flowers. David Whitehouse narrates. "Botanical Wonders: The Story of the Harvard
One of the most noteworthy contributors to the development of the first paperweight was the 19th century Venetian glassmaker Pietro Bigaglia. Bigaglia’s family owned glassmaking shops in Venice as early as 1674. He made mirrors as well as lamps and window panes decorated with filigree and
Since ancient times, perfume bottles have served to contain the most subtle of mysteries: delightful, seductive scents. Before glassblowing, ancient Egyptian artisans fashioned exquisite containers from alabaster, metals, precious stones, and core-formed glass to hold their highly valued perfumes.
At the time that [studio glassworking] began, not one of us involved was aware of the speed with which it would spread. Not only nationally, but internationally. — Dominick Labino, undated manuscript Dominick Labino’s contributions to 20th-century glassmaking were wide-ranging and innovative.
Do you know the difference between the Czech Republic and Bohemia? The short answer is that there is practically none. Both names refer to nearly the same region, and they are used for historical reasons. From the Middle Ages to 1918, Bohemia was the name of what is today the major part of the
In Renaissance Europe, the compulsion to copy Venetian glassmaking styles and techniques was no simple fashion fad. The glass was clearly superior in almost every way. The glass was called “cristallo” because it was clear and colorless, a quality the Venetians achieved as early as 1440 by making it
Louis Comfort Tiffany, the son of Charles Lewis Tiffany, was born in 1848. At the time of Tiffany’s birth his father owned one of the most prestigious jewelry and silver stores in America. Tiffany grew up around the decorative arts and decided to become a painter in 1866 rather than attend
Drawings for American %%Stained Glass%%, a 2010 exhibition at the Museum’s Rakow Research Library, showcased 19th- and 20th-century designs from studios and artists across the United States. These designs illustrated the great diversity in style and subject matter in modern American stained glass,
Compagnie des Cristalleries de Saint-Louis Compagnie des Cristalleries de Saint-Louis, which is named after the sainted King Louis IX, was founded in Lorraine, France in 1767 and still exists today. Along with Baccarat, it nearly monopolized the French luxury glass industry for many years. In late
In 1979, the Museum’s landmark exhibition, New Glass: A Worldwide Survey, introduced to the American public the work of a Czechoslovak glassmaker, František Vízner. Nearly 30 years later, the Museum presented Vizner once again at Corning as a studio glass master. Masters of %%Studio Glass%%:
"It was only a few months ago that plans were drawn for a house to be built of compressed opalescent glass bricks to be erected at Beechhurst; L.I. The house will be built, as regards material, very similar to some small one and two story office buildings which have been erected in Des Moines,
Here’s the ultimate jigsaw puzzle: take 40 pieces of shattered glass in varying sizes, and hundreds of tiny chips of glass, and put them together to restore a rare Tiffany Peacock Eye Lamp base to its full glory. That’s just what the Museum’s conservator, Stephen Koob, has done. Unless you examine
The ever-evolving work of American artist Richard Craig Meitner, distinguished by its wit and poetry, reflects a variety of influences and ideas, ranging from Japanese textiles, Italian painting, and German Expressionist graphics, to science and the natural world. A new survey of his work, Masters
The Tradition of Glass Furniture The tradition of glass furniture began in the early nineteenth century when the Russian Imperial Glass Works created several tables for members of the imperial family. But it was the opening of the 1851 Great Exhibition of the Works of Industry of All Nations in
In the late 17th century, European glassmakers scored two major successes. In Bohemia, the British Isles, and Germany, they produced crystal glass vessels that resembled natural rock crystal. And in Brandenburg, Germany, they also manufactured red vessels—from gold ruby glass—that looked as if they
An Interview with Tina Oldknow, Curator of Modern Glass This interview was conducted in December 2001 in preparation for the opening of the 2002 summer exhibition at The Corning Museum of Glass: Glass Behind the Iron Curtain: Czech Design, 1948-1978. The Corning Museum of Glass is known for the
René Roubícek is another Czech artist who disguised his obvious interest in abstract art in glass design. Like Jirí Harcuba, Roubícek used glass as expressively as possible. While Harcuba focused on engraved decoration, Roubícek experimented with the actual form of the glass, creating shapes that
The earliest paperweights appeared in Europe in the mid-1840s. Venetian glassmaker Pietro Bigaglia created and exhibited the first signed and dated weights at the Vienna Industrial Exposition in 1845. He, like other paperweight makers of the time, revived many ancient glassworking techniques to
Glass in Ancient Rome In the fourth and fifth centuries AD, the glassmakers of the Roman world were in a class of their own. Glassmaking and glassworking were separate activities. Glassmakers used tank furnaces to melt several tons of raw materials in one operation, and glass workers employed many