All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
A dragon-stem goblet has many parts, including a bowl, a foot, and a dragon. Dip molding is used to create the dragon, and the parts are attached with glue bits. This goblet has pincered bits, a merese, an avolio, wings, and eyes. See 360˚ photography and learn more about this object in The
Glass artist William Gudenrath shares his love of one of his favorite pieces in the Corning Museum of Glass, Anthem of Joy by Vera Liskova (79.3.14).
William Gudenrath, resident advisor of The Studio, provides instruction in the basics of Venetian glassblowing and creates his own Venetian-inspired glass pieces. The portrait of the artist focuses on his passion for glassblowing, teaching and music. Master Class Series, Vol. II: Introduction to
Watch William Gudenrath demonstrate for his Refining and Solidifying Your Techniques class at The Studio. Gudenrath's class focuses on advanced Venetian techniques: well-formed and thinly blown vessel bodies, excellent necks, delicate mereses, and blown feet and stems.
Experience the genius of master glassmaker William Gudenrath in the latest installment of the Glass Masters at Work series. Like the others in the series, this film was shot at The Studio of The Corning Museum of Glass by award-winning documentary filmmaker Robin Lehman.
William Gudenrath is a glassblower, scholar, lecturer, and teacher. He is an authority on historical hot glassworking techniques from ancient Egypt through through the Renaissance, and has presented lectures and demonstrations throughout the world. As resident adviser for The Studio, Bill ensures
Watch as William Gudenrath demonstrates for his class, Refining and Solidifying Your Technique, in which students who have previously studied with Gudenrath are invited to review and refresh their Venetian techniques: well-formed and thinly blown vessel bodies, excellent necks, delicate mereses,
Watch as William Gudenrath demonstrates for his class, An In-depth Introduction to Venetian Techniques, which focuses on creating a firm foundation in the basic movements of Venetian-style glassblowing.
William Gudenrath demonstrates a second time this summer, again showing an introduction to Venetian-style glassblowing. From 13:45 to 22:14 take a behind-the-scenes look at what happens the morning of our live-streamed demos. Meet the AV team who sets up and runs the show, and learn more about the
The technique of glassblowing appeared in Jerusalem in the middle of the first century B.C., and over the course of the next century, this discovery led to additional extraordinary technological developments. Shortly after the discovery of glassblowing, the glassmaker Ennion established the
See photos of the finished pieces from this demo. Watch as Bill Gudenrath demonstrates for his class, An In-Depth Introduction to Venetian Techniques, which provides students with a firm foundation in the basic movements of Venetian-style glassblowing. William Gudenrath is a glassblower, scholar,
The earliest glass vessel decorated with enameling dates from about 1425 B.C.E. 1 It successfully combines one of humankind’s oldest creative urges (the desire to draw on things) with one of the most advanced technologies of the ancient world (glassmaking). Today, essentially the same process
Glass that gradually shades from one color to another has ingredients such as uranium and gold, which are sensitive to heat. When part of the object is reheated, it "strikes" or changes color. Heat-sensitive glass became very popular in the late 19th century. Many companies used heat
The Studio, which opened in 1996, is an internationally renowned teaching facility that offers classes in a variety of glassmaking techniques to students of all ages and skill levels. Artists and students come from all over the world to teach, to learn, and to create their own work in glass. The