All About Glass

All About Glass

This is your resource for exploring various topics in glass: delve deeper  with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.

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Louis Comfort Tiffany Paperweights
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Louis Comfort Tiffany, the son of Charles Lewis Tiffany, was born in 1848. At the time of Tiffany’s birth his father owned one of the most prestigious jewelry and silver stores in America. Tiffany grew up around the decorative arts and decided to become a painter in 1866 rather than attend

Beyond Venice: Glass in Venetian Style, 1500-1750
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In Renaissance Europe, the compulsion to copy Venetian glassmaking styles and techniques was no simple fashion fad. The glass was clearly superior in almost every way. The glass was called “cristallo” because it was clear and colorless, a quality the Venetians achieved as early as 1440 by making it

Czech Glass vs. Bohemian Glass
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Do you know the difference between the Czech Republic and Bohemia? The short answer is that there is practically none. Both names refer to nearly the same region, and they are used for historical reasons. From the Middle Ages to 1918, Bohemia was the name of what is today the major part of the

Founders of American Studio Glass: Dominick Labino
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At the time that [studio glassworking] began, not one of us involved was aware of the speed with which it would spread. Not only nationally, but internationally. — Dominick Labino, undated manuscript Dominick Labino’s contributions to 20th-century glassmaking were wide-ranging and innovative.

Perfume Bottles: From Design Table to Dressing Table
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Since ancient times, perfume bottles have served to contain the most subtle of mysteries: delightful, seductive scents. Before glassblowing, ancient Egyptian artisans fashioned exquisite containers from alabaster, metals, precious stones, and core-formed glass to hold their highly valued perfumes.

Pietro Bigaglia
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One of the most noteworthy contributors to the development of the first paperweight was the 19th century Venetian glassmaker Pietro Bigaglia. Bigaglia’s family owned glassmaking shops in Venice as early as 1674. He made mirrors as well as lamps and window panes decorated with filigree and

19th Century French Paperweight Makers
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Compagnie des Cristalleries de Saint-Louis Compagnie des Cristalleries de Saint-Louis, which is named after the sainted King Louis IX, was founded in Lorraine, France in 1767 and still exists today. Along with Baccarat, it nearly monopolized the French luxury glass industry for many years. In late

A Trip Up a Goat Path Unearths Blaschka-Era Lampworking Table
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Who would have thought that a trip up a goat path would lead to the Museum’s acquisition of a 19th-century lampworking table that was part of the 2007 Botanical Wonders exhibition? In October 2006, Steve Gibbs, the Museum’s manager of events marketing, embarked on a mission to find a lampworking

Master of Studio Glass: František Vízner
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In 1979, the Museum’s landmark exhibition, New Glass: A Worldwide Survey, introduced to the American public the work of a Czechoslovak glassmaker, František Vízner. Nearly 30 years later, the Museum presented Vizner once again at Corning as a studio glass master. Masters of %%Studio Glass%%:

Tom Patti: Investigations into a Complicated Universe
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Artist Tom Patti was drawn to glass in the 1960s, while designing houses of inflatable plastic for the developing world. “I wanted to work with materials that I could open up and look at,” he says. Sheet glass, readily available and affordable, attracted him as a means to expand his vocabulary of

Chemistry of Glass
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Thousands of different chemical compositions can be made into glass. Different formulas affect the mechanical, electrical, chemical, optical, and thermal properties of the glasses that are produced. There is no single chemical composition that characterizes all glass. Typical glass contains formers

From the 1908 Ornamental Glass Bulletin: "Odd Uses of Glass"
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"It was only a few months ago that plans were drawn for a house to be built of compressed opalescent glass bricks to be erected at Beechhurst; L.I. The house will be built, as regards material, very similar to some small one and two story office buildings which have been erected in Des Moines,

Restoring Tiffany
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Here’s the ultimate jigsaw puzzle: take 40 pieces of shattered glass in varying sizes, and hundreds of tiny chips of glass, and put them together to restore a rare Tiffany Peacock Eye Lamp base to its full glory. That’s just what the Museum’s conservator, Stephen Koob, has done. Unless you examine

Master of Studio Glass: Richard Craig Meitner
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The ever-evolving work of American artist Richard Craig Meitner, distinguished by its wit and poetry, reflects a variety of influences and ideas, ranging from Japanese textiles, Italian painting, and German Expressionist graphics, to science and the natural world. A new survey of his work, Masters

Glass of the Maharajahs
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The Tradition of Glass Furniture The tradition of glass furniture began in the early nineteenth century when the Russian Imperial Glass Works created several tables for members of the imperial family. But it was the opening of the 1851 Great Exhibition of the Works of Industry of All Nations in

Glass of the Alchemists
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In the late 17th century, European glassmakers scored two major successes. In Bohemia, the British Isles, and Germany, they produced crystal glass vessels that resembled natural rock crystal. And in Brandenburg, Germany, they also manufactured red vessels—from gold ruby glass—that looked as if they

Glass Behind the Iron Curtain: Czech Design, 1948-1978
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An Interview with Tina Oldknow, Curator of Modern Glass This interview was conducted in December 2001 in preparation for the opening of the 2002 summer exhibition at The Corning Museum of Glass: Glass Behind the Iron Curtain: Czech Design, 1948-1978. The Corning Museum of Glass is known for the

René Roubícek
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René Roubícek is another Czech artist who disguised his obvious interest in abstract art in glass design. Like Jirí Harcuba, Roubícek used glass as expressively as possible. While Harcuba focused on engraved decoration, Roubícek experimented with the actual form of the glass, creating shapes that

Jaroslava Brychtová and Stanislav Libenský
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In 1950, Jaroslava Brychtová joined the design studio of the glassworks at Železný Brod, directing the architectural glass department. Working with her father, the sculptor Jaroslav Brychta, she began to experiment with casting, molding, and melting glass during the 1940s. In 1954, Stanislav

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