All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Pictured below are the basic tools used by glassblowers working "at the furnace" (as opposed to those working "at the lamp"- "flameworking" or "lampworking"). They are pretty much unchanged since the first century AD. Incredibly, a Roman-period worker could
See glass scholar and artist William Gudenrath demonstrate historical glassmaking techniques. Façon de Venise Goblet Although in the 16th century the maximum penalty for a glassblower leaving Murano, the “glass island” of Venice, to work elsewhere was death, many did. The Low Countries became home
2300°: Girlfriends featured visiting Rochester, NY glass artist and RIT professor Robin Cass, and a team of her students. Watch as she works with her team to...
http://www.cmog.org/programs/live-streaming Watch Tim Drier demonstrate for his class, Introduction to Flameworking, in which students will embark on an evol...
Danish artist Maria Bang Espersen seeks to expand the viewer's perspective through her work in glass. By stretching and bending the molten material, her scul...
Hear from artist Michael Glancy, whose abstract vessels explore nature, science, and metaphysics. Glancy's pieces begin as cell-like patterns and arcane notations jotted down on paper. The objects slowly acquire form and texture, shaped and revealed by cutting, sandblasting, and the
Watch Mark Matthews demonstrate for his Graphic and Color Systems in Glass class at The Studio. This class will use colored rods, powders, frits, and techniques such as color overlaying and cane making, students will create combinations of graphic patterns and will experiment with color schemes.
Andrew Erdos' work is pop, sarcastic, and humorous, with a hint of social commentary. He says, "I like taking objects that we are comfortable with—like a hum...
Joanna Manousis holds an M.F.A. in Sculpture from Alfred University, NY, and a B.F.A. in Glass from The University of Wolverhampton, England. She has worked,...
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. T...
Swedish artist Ingalena Klenell has been working with glass since 1976. Her work explores the ideas of fragility and vulnerability, both in the material of g...
Watch Erica Rosenfeld & Leo Tecosky demonstrate for their Studio course, Cross Pollination, which will focus on combining hot, warm, and cold techniques to c...
Glassworkers made ring-shaped decanters as early as the Roman period. Due to their novel shape, much like buoys, the personal flotation devices carried on ships, decanters in the early 20th century were called "lifebuoy decanters." Watch as William Gudenrath demonstrates the technique.
Glass makers throughout history have gone to great lengths to eliminate all bubbles from glass. But here, we see bubbles purposefully put into the glass for their decorative effect. In this paperweight, the bubbles surround another gather of glass with twisted canes of colored glass. Watch as
In the 1930s, the Pairpoint Glass Corporation introduced a bold new design called "twist glass," consisting of swirled stripes of ruby or deep blue glass and clear crystal. The complicated technique, already used in Sweden, required many stages including cold working. Watch as William
In the second half of the 19th century, many glass firms used experimental techniques to create decorative art glass. In 1878, the Mt. Washington glass company introduced Sicilian glass. As part of their marketing, the company claimed to have used lava, that is, molten rock spewed out by volcanoes,
Watch as William Gudenrath demonstrates the Reticello technique. Reticello (Italian, "glass with a small network"), is a type of blown glass made with canes organized in a crisscross pattern to form a fine net, which may contain tiny air traps.
Glass that gradually shades from one color to another has ingredients such as uranium and gold, which are sensitive to heat. When part of the object is reheated, it "strikes" or changes color. Heat-sensitive glass became very popular in the late 19th century. Many companies used heat
This video shows the technique of making a St. Augustin (Rouen) Goblet, an object in the exhibition Beyond Venice: Glass in Venetian Style 1500--1750, which was on view at The Corning Museum of Glass from May 20, 2004, to January 2, 2005.
By about AD 20, Roman workers had discovered that a bubble of molten glass could be lowered into a mold and then further inflated to fill the mold. In this way, the full-size vessel, complete with elaborate decoration, was made almost instantly.
This video shows the technique of making a Façon de Venise (a French term meaning "manner, or style, of Venice") goblet, an object in the exhibition Beyond Venice: Glass in Venetian Style 1500--1750, which was on view at The Corning Museum of Glass from May 20, 2004, to January 2, 2005.
This video shows the technique of making a Nuremburg goblet, an object in the exhibition Beyond Venice: Glass in Venetian Style 1500--1750, which was on view at The Corning Museum of Glass from May 20, 2004, to January 2, 2005.
This video shows the technique of making a Spanish wine glass, an object in the exhibition Beyond Venice: Glass in Venetian Style 1500--1750, which was on view at The Corning Museum of Glass from May 20, 2004, to January 2, 2005.
Watch Martin Janecky demonstrate for his class, Blowing and Sculpting Inside the Bubble, which will focus on unique techniques and approaches to solid and blown sculpting, emphasizing the freedom to explore process, as well as the potential of the material.
Anne Gant is one of the few glass artists to work on paper. Watch as she uses hot glass to make prints and drawings in a fascinating combination of glassblowing and printing or drawing with glass. First, two glassmakers sculpt hot glass into shapes and lines. While the glass is still scorching hot
"I want the viewer to expereince the process of blurring boundaries between cultures by looking at my work." Song studies ornamental styles across time periods and geography, and her work explores how certain attributes of glass can be used to create ambivalent objects: objects that don&
Designer Alex Hochstrasser describes working at GlassLab at the Vitra Design Museum in June 2011 during Art Basel. GlassLab is a program from The Corning Museum of Glass that introduces designers to the material of glass.
Designer Moritz Waldemeyer describes working at GlassLab at the Vitra Design Museum in June 2011 during Art Basel. GlassLab is a program from The Corning Museum of Glass that introduces designers to the material of glass.
Philadelphia-based artist Christopher Lydon makes organically inspired sculptural and vessel forms as well as works with intense color contrasts that reference street art and anime. At 2300°: Blues in March 2012, he made a glass guitar modeled on BB King's signature guitar, Lucille.
Emerging artist DH McNabb's work has been shaped by his experiences working with many studio glass artists. At 2300°, he explored folding "paper" airplanes out of sheet glass, and took advantage of the camera inside the glory hole to expose the usually secluded space. Hear from DH