All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
In 1968, a one room working glass factory with a mud-brick furnace was discovered in Western Afghanistan. This factory is owned by cousins, Saifullah and Sai...
The Museum's glass conservators care for a collection of more than 45000 objects spanning 35 centuries. In addition to addressing issues such as crizzling (glass deterioration), they restore damaged pieces. One example is the Tiffany lamp shown here. It came to the Museum in many pieces of
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Fire and Wine (Jan. 19, 2012), including music by The Weber Brothers,
Listen as curator Tina Oldknow, describes "Endeavor" by Italian artist Lino Tagliapietra. A sense of weightlessness characterizes this instillation of 18 boatlike forms. Inspired by the sight of the many gondolas that gather at the entrance of the Venetian lagoon on the feast day of the
Designer Jon Otis describes working at GlassLab during a design session at The Corning Museum of Glass, July 17- 18, 2012.
Listen as Joe Maio and William Warmus talk about the clean up efforts after the flood. The Flood of '72: Community, Collections, and Conservation chronicles the determination of Museum staff and the community to rebuild, and sheds light on the unique conservation techniques that were used to
Designer Tim Dubitsky describes working at GlassLab during a design session at The Corning Museum of Glass, August 14- 15, 2012.
Watch Karina Guévin & Cédric Ginart demonstrate for their Studio course, Flameworking Cocktail, in which the focus will be on providing beginners with a solid foundation in basic technical skills. Students will be introduced to various techniques using both soft (soda lime) and hard
Designer Josh Owen describes working at GlassLab during a design session at The Corning Museum of Glass, May 29- 30, 2012.
Designers Sigi Moeslinger and Masamichi Udagawa describe working at GlassLab during a design session at The Corning Museum of Glass, June 26- 27, 2012.
Watch Ethan Stern demonstrate for his Studio course, Form and Surface: An Anatomy Lesson, in which focus will be placed on investigating glassblowing through a sculptural lens, focusing on form, scale, layering, and color application techniques.
Seattle artist Jen Elek's Hot Glass Roadshow demo at the Glass Art Society Conference in Seattle, June 1-5, 2011.
At The Studio, Davide Salvadore instructed on how to apply murrine to blown glass vessels and a Muranese technique called tociar piere. Salvadore comes from a tradition of glassworkers in Murano, and enjoys sharing his knowledge and passion for glass. Davide Salvadore held a week-long workshop May
Watch Davide Salvadore demonstrate for his Studio course, Creating and Using Murrine, in which the focus is based on a Muranese technique called tociar piere—the roll-up technique. It consists of putting a composition of canes, murrine, tesserae, etc., on an iron plate, fusing them together in the
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Mardi Gras Snow Day (Feb. 16, 2012), including music by Curley Taylor &
Designer Alex Hochstrasser describes working at GlassLab at the Vitra Design Museum in June 2011 during Art Basel. GlassLab is a program from The Corning Museum of Glass that introduces designers to the material of glass.
Watch Max Erlacher demonstrate for his Studio course, Engraving and Cold Working Techniques, in which this master engraver shares his knowledge of copper, stone, and diamond engraving, and cold working techniques. Max Erlacher has more than 40 years of experience with copper, stone, diamond
Listen as curator Tina Oldknow describes Snake Vase created by glass artist Rene Lalique. This vase in the form of a coiled snake, one of René Lalique's iconic designs, expresses the energy and elegance of the Art Deco style. Lalique's first and very successful career was as a jeweler. In
Listen as curator Tina Oldknow, describes the object "West Sky" by artist Alessandro Diaz de Santillana. De Santillana uses color and form to interpret the four elements of the exterior world—air, earth, fire, and water—and the five senses of the interior world—sight, sound, smell, taste,
Guido Gerlitz's Hot Glass Roadshow demo at the Glass Art Society Conference in Seattle, June 1-5, 2011.
Illustrator Peter Sís describes working at GlassLab during a design session at The Corning Museum of Glass, June 12- 13, 2012.
Listen as curator, Tina Oldknow, describes "Chartreuse Pair" by American artist Dante Marioni.
This image of a man sitting in an airplane and gazing out of the window evokes feelings of sadness and loss. Who or what did he leave behind? What does the future hold at his destination?
Designer Marc Thorpe describes working at GlassLab during a design session at The Corning Museum of Glass, July 10- 11, 2012.
Listen as curator, Tina Oldknow, describes the object "Family Matter" by American artist Jill Reynolds.
Listen as curator, Tina Oldknow describes "Libertà" by American artist Toots Zynsky. In Toots Zynsky's vessels, color reflects and defines emotion, mood, and experience. Her color choices are subjective, instinctual, and grounded in the natural world. Zynsky began to develop her
See the glass top spin an oil and vinegar salad dressing. This video is on view in the exhibition Making Ideas: Experiments in Design at GlassLab, learn more: www.cmog.org
In this video, Cesare Toffolo makes both a simple footed bowl and an intricate historical goblet. He hosts a brief tour of flameworked objects in the collection of The Corning Museum of Glass, and he shares his philosophy of teaching, learning, and creating. Cesare Toffolo is considered to be the
Listen as curator Tina Oldknow, describes the object "Untitled (White)" by American artist Josiah McElhany. Josiah McElheny is an accomplished glassblower who creates installations inspired by art or glass history, often using a specific historical or literary anecdote as a point of
Watch William Gudenrath demonstrate for his Refining and Solidifying Your Techniques class at The Studio. Gudenrath's class focuses on advanced Venetian techniques: well-formed and thinly blown vessel bodies, excellent necks, delicate mereses, and blown feet and stems. William Gudenrath,