All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Industrial designer Harry Allen came to The Corning Museum of Glass to work on ideas for his line of objects cast from real life. In this session at the Museum, Allen made prototypes of glass waffles cast in new and antique waffle irons.
Alex Stisser's Hot Glass Roadshow demo at the Glass Art Society Conference in Seattle, June 1-5, 2011.
Designers Constantin and Laurene Boym describe working at GlassLab during a design session at The Corning Museum of Glass, August 7- 8, 2012.
"In my work, very often, it is good to take a second look." A Berlin-based artist, Beckh has exhibited extensively in the United States and Europe. Her work invites viewers to disconnect from the noise and chaos of everyday life and to find light, tranquility, and contemplation. Beckh
Anthem of Joy was created by the Czech designer Věra Liškova. It was made by softening, inflating, and manipulating tubes of borosilicate glass (like Pyrex) over a torch. The individual parts were assembled by fusing. Gift of Art Centrum.
Watch as our glassblowers build our snowmen out of glass! This glassy couple was created by George Kennard and a team of glassblowers in The Studio at The Corning Museum of Glass.
This clip is from an interview with Bill Anderson, former Corning Glass Works employee, interviewed May 2011. Bill Anderson was born and raised in Corning, NY. He reminisces about growing up in the area, his father's employment as a gaffer at Corning Glass Works, his own employment, and the
In celebration of the 50th anniversary, in 2012, of the "birth" of the American Studio Glass movement, this exhibition features works by one of the founders of the movement, Harvey K. Littleton. The objects on display- 19 vessels and sculptures and five vitreographs (prints made from
With the assistance of a scholarship awarded to her by the Association of Israel's Decorative Arts (AIDA), Lisbeth Biger an instructor at the Bezalel Academy of Arts and Design in Jerusalem, made the trip to Corning from Israel this summer to study pâte de verre with Shin-ichi and Kimiake
This window, decorated with hollyhocks, trumpet vines and wisteria, came from a mansion overlooking the Hudson River.
This is a 5 minute trailer of GlassLab, a film by Deidi von Schaewen, 2012. View the complete 40 minute video at Making Ideas: Experiments in Design at GlassLab at The Corning Museum of Glass through January 6, 2013. www.cmog.org GlassLab offers designers unprecedented access to molten glass. In
Mathieu Grodet is a French-born artist living and working in Canada. He creates thin and elegant glass objects in classic Venetian style, engraved with imagery that addresses modern-day ideas and issues. In his March 2012 Residency at The Studio, Grodet will use the Museum's Rakow Library to
A film by Meredith and Austin Bragg featuring interviews with the creators of the Corning Museum's GlassLab Design Program. This film is on view in the exhibition Making Ideas: Experiments in Design at GlassLab, learn more at www.cmog.org
Keke Cribbs and Ross Richmond Demo at the Glass Art Society Conference in Seattle, June 1-5, 2011.
The Studio, which opened in 1996, is an internationally renowned teaching facility that offers classes in a variety of glassmaking techniques to students of all ages and skill levels. Artists and students come from all over the world to teach, to learn, and to create their own work in glass. The
Studio glass pioneer Fritz Dreisbach offers a survey of the first decades of American studio glass. Dreisbach was a founding member of the Glass Art Society, 2002 recipient of the Society's Lifetime Achievement Award, and is an unofficial historian of the American Studio Glass movement. He was
Mielle Riggie works with both the strength and fragility of glass to illustrate the dynamics of human emotion or conditions. In her residency at The Studio, Riggie is creating cast-glass sculpture amplifying elements in nature, such as leaves or roots, and recombining disparate parts in ways that
Outreach is an important part of the Museum's mission. Each year, the Museum's mobile hot shop travels to art fairs and other museums, providing live glassblowing demonstrations. An all-electric hot shop also sits on the top deck of three Celebrity Cruises ships, where Museum glassmakers
Watch as Kristina Logan demonstrates beadmaking during her Beadmaking: Expanding Your Skills class at The Studio. Logan's week-long course focuses on a broad spectrum of techniques: surface decorations, dots galore, clear casing, working large beads, and troubleshooting common mistakes and
Listen as curator, Tina Oldknow, describes "Marquiscarpa" by American artist Richard Marquis. Unsatisfied with the limited techniques practiced and taught in American studio glass in the 1960s, studio glass pioneer Richard Marquis went to the Venini glassworks on Murano in 1969. There, he
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This Honky Tonk Holiday event (Nov. 17, 2011), included music by Eileen Jewell, glassmaking by DH McNabb, and more.
The glass slipper was made in Corning, New York to be worn in a movie about Cinderella. The movie was never made, so the slipper was never worn. Gift of Corning Glass Works.
Watch Paul Stankard & Lucio Bubacco demonstrate for their Studio course, Fiore e Angeli (Flowers and Angels), in which they share their signature flameworking styles and techniques in a celebration of flowers and angels.
Beat Karrer explains the three designs from his GlassLab session at the Vitra Design Museum in June, 2011. His designs for an angular carafe, opaque hourglass, and transparent drop lighting object use concepts of industrial design applied to pieces in glass. The Zurich-based designer develops new
"My initial relationship to the arts would probably be observation. Watching things change, watching things grow." Amie Laird McNeel came to The Studio of The Corning Museum of Glass as part of the joint Artists-in-Residence partnership with the John Michael Kohler Arts Center. A
"Our goal was to overcome defeatism before it ever had a chance to set in, and to provide encouragement for the stricken people of the community," declared Dr. Robert H. Brill, director of the Museum during the post-flood restoration period. The Flood of '72: Community, Collections,
Cascade Wall was designed by George Thompson and made in Corning by Steuben Glass for its New York City showroom. When it was installed in the showroom in 1959, it had a reflecting pool at the bottom. Gift of Steuben Glass, Inc.
GlassLab is a program from The Corning Museum of Glass that introduces designers to glass as a means to immediately prototype designs in front of a live audience. During Art Basel in June, 2011, GlassLab presented at the Vitra Design Museum. Designer Barbara Etter describes her experience with
Listen as curator Jane Shadel Spillman describes glass of HW Stiegel, produced by the American Flint Glass Manufactory of Henry William Stiegel. Stiegel opened a glasshouse in Manheim, PA, in 1764. He was originally a manufacturer of window and bottle glass, but his main interest was fine lead
"Masters of Studio Glass: Joel Philip Myers and Steven I. Weinberg" was the first in a series of focus exhibitions celebrating the diverse work of contemporary studio glass artists. It examined the careers of two well-respected artists who work in glassblowing and glass casting. While