All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
These blinds led to the arrival of glassmaking in Corning. Elias Hungerford, who patented the blinds in 1866, looked for a glass factory that would make them. He persuaded the owner of the Brooklyn Flint Glass Works to move to Corning, where both land and labor were less expensive. The original
Gayla Lee was first entranced by glass at the age of eight when she encountered a glassblower at a Renaissance festival. Her fascination with the material eventually led her to an apprenticeship in a Baltimore glass studio at the age of 20. Lee took Davide Salvadore's class, Creating and Using
Listen as curator Tina Oldknow describes this vase created by Tapio Wirkkala, one of Finland's best-known designers. He trained as a sculptor in Helsinki and he approached the decorative arts as a sculptor, but he also appreciated fine handcraft. He worked with a variety of materials,
Learn more about "Still Life with Plum" by American artists Flora Mace and Joey Kirkpatrick.
Listen as curator Tina Oldknow, describes "Black Cube" by Czech artist Marian Karel. Marian Karel uses light, glass, and geometric forms to make illusionistic sculptures that challenge the viewer's perceptions of space. Black Cube is so dark and reflective that it is almost invisible
Listen as curator Tina Oldknow describes Dragonfly Coupe, created by French glass artist Emile Gallé. The love of nature, characteristic of the art nouveau style, is reflected in this remarkable coupe. A poet, designer, and a businessman, Gallé was well-versed in art, literature, botany, and
Listen as curator Jane Shadel Spillman describes Fruit Basket produced by Boston and Sandwich Glass Company. The process of pressing glass was perfected fairly quickly. By the 1840s, it was possible to press large objects without surface defects. This fruit basket illustrates the development of the
Listen as curator Jane Shadel Spillman describes Flask with Mold produced by Stebbins and Stebbins. The manufacture and decoration of hand-blown tableware was a slow and costly process. Glassmakers soon sought ways to speed production and to decorate their wares more inexpensively. One way to do
Watch Jiří Harcuba demonstrate for his Studio course, Glass Carving, Engraving, and Cold Construction, which will focus on how to engrave glass blocks and vessels with stone, diamond, silicon carbide, and copper wheels. Students will learn various cutting methods and investigate the optical effects
Listen as curator Jane Shadel Spillman describes Blue Aurene Vase, designed by Frederick Carder. Aurene glass was one of the earliest color effects created by Frederick Carder for Steuben Glass Works. It was first made as an iridescent gold-colored glass, but by 1904 Carder had developed blue
Listen as curator Tina Oldknow describes Cityscape, created by artist Jay Musler. He chose a spherical container blown of industrial Pyrex glass, which he cut in half. He then cut the rim of the hemisphere into a jagged edge, sandblasted it, and airbrushed it with oil paint. The sculpture's
Along with stained glass, Cory Dunnington makes fused and cast glass art. Color inspires much of Cory's work, and Heike Brachlow's kilnworking class, Shaping Color: From Raw Materials to Finished Sculpture at The Studio, gave her the unique opportunity to create the colors she wanted to
In 1968, a one room working glass factory with a mud-brick furnace was discovered in Western Afghanistan. This factory is owned by cousins, Saifullah and Sai...
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Fire and Wine (Jan. 19, 2012), including music by The Weber Brothers,
Listen as curator Tina Oldknow, describes "Endeavor" by Italian artist Lino Tagliapietra. A sense of weightlessness characterizes this instillation of 18 boatlike forms. Inspired by the sight of the many gondolas that gather at the entrance of the Venetian lagoon on the feast day of the
Listen as Joe Maio and William Warmus talk about the clean up efforts after the flood. The Flood of '72: Community, Collections, and Conservation chronicles the determination of Museum staff and the community to rebuild, and sheds light on the unique conservation techniques that were used to
Designer Tim Dubitsky describes working at GlassLab during a design session at The Corning Museum of Glass, August 14- 15, 2012.
Seattle artist Jen Elek's Hot Glass Roadshow demo at the Glass Art Society Conference in Seattle, June 1-5, 2011.
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Mardi Gras Snow Day (Feb. 16, 2012), including music by Curley Taylor &
Designer Alex Hochstrasser describes working at GlassLab at the Vitra Design Museum in June 2011 during Art Basel. GlassLab is a program from The Corning Museum of Glass that introduces designers to the material of glass.
Watch Max Erlacher demonstrate for his Studio course, Engraving and Cold Working Techniques, in which this master engraver shares his knowledge of copper, stone, and diamond engraving, and cold working techniques. Max Erlacher has more than 40 years of experience with copper, stone, diamond
Listen as curator Tina Oldknow describes Snake Vase created by glass artist Rene Lalique. This vase in the form of a coiled snake, one of René Lalique's iconic designs, expresses the energy and elegance of the Art Deco style. Lalique's first and very successful career was as a jeweler. In
Listen as curator Tina Oldknow, describes the object "West Sky" by artist Alessandro Diaz de Santillana. De Santillana uses color and form to interpret the four elements of the exterior world—air, earth, fire, and water—and the five senses of the interior world—sight, sound, smell, taste,
Guido Gerlitz's Hot Glass Roadshow demo at the Glass Art Society Conference in Seattle, June 1-5, 2011.
Listen as curator, Tina Oldknow, describes "Chartreuse Pair" by American artist Dante Marioni.
This image of a man sitting in an airplane and gazing out of the window evokes feelings of sadness and loss. Who or what did he leave behind? What does the future hold at his destination?
Listen as curator, Tina Oldknow, describes the object "Family Matter" by American artist Jill Reynolds.
Listen as curator, Tina Oldknow describes "Libertà" by American artist Toots Zynsky. In Toots Zynsky's vessels, color reflects and defines emotion, mood, and experience. Her color choices are subjective, instinctual, and grounded in the natural world. Zynsky began to develop her
See the glass top spin an oil and vinegar salad dressing. This video is on view in the exhibition Making Ideas: Experiments in Design at GlassLab, learn more: www.cmog.org
Listen as curator Tina Oldknow, describes the object "Untitled (White)" by American artist Josiah McElhany. Josiah McElheny is an accomplished glassblower who creates installations inspired by art or glass history, often using a specific historical or literary anecdote as a point of