All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
This video shows the technique of making a stangenglas, an object in the exhibition Medieval Glass for Popes, Princes, and Peasants, on view at The Corning Museum of Glass from May 15, 2010 to January 2, 2011.
We're now setting off on a unique voyage through the history of glass and glass making that started over 3500 years ago. In the case to your left, called The Origins of Glassmaking, you'll discover treasures from the first 1500 years of glassmaking in the ancient world. The second large
Listen as curator Jane Shadel Spillman describes this electric cut glass lamp. Six lamps in this style are known, and all of them are cut in the same pattern. The manufacturer has not been positively identified. One of these lamps was purchased in Chicago in the late 1930s or early 1940s, and
Artist Eric Hilton shares his passion for working with crystal. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.
Listen as curator David Whitehouse describes the Morgan cup. The rarest and most elaborate luxury vessels of the early Roman Empire are cameo glasses. These objects were inspired by relief-cut gems of banded semiprecious stones, such as onyx. Glassmakers cased (covered) objects of one color with
Designer Tomas Libertiny works on GlassLab at the Vitra Design Museum during Art Basel 2010- prototyping glass teardrops for an installation concept.
Beth Lipman, artist-in-residence at The Studio, discusses her work.
Toots Zynsky's distinctive filet de verre (glass thread) vessels enjoy a widespread popularity and deserved acclaim for their often extraordinary and always unique explorations in color. Defying categorization, her pieces inhabit a region all their own, interweaving the traditions of painting,
Listen as curator Dedo von Kerssenbrock-Krosigk describes this George Ravenscroft piece. In March 1674, the English glassmaker George Ravenscroft applied for a patent to make colorless lead glass. Unfortunately, this glass was prone to crizzling, a chemical instability that results in an attack by
Mt. Washington and its successor, the Pairpoint Corporation, was one of America's longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture,
Tom Patti is a widely respected artist who has devoted much of his career to researching different formulations of glasses and hot-forming techniques and to exploring industrial and architectural glass as a sculptural medium. Over the last 35 years, he has used glass to build and define spaces that
Listen as former curator David Whitehouse describes the Beth She'arim slab. As in earlier times, Roman glassmaking and glassworking often took place in separate locations. Glassmakers melted raw materials to produce glass. Glassworkers formed the glass into finished objects. Finally, glass
Artist Therman Statom talks about his glassmaking demonstration at the Museum's February 2300 Degrees event and about his work in general. Statom has works in the Corning Museum of Glass permanent collection, and he also created an sculptural installation for the nearby Corning Incorporated
Designer and architect Paul Haigh works with GlassLab, the mobile glass design program from The Corning Museum of Glass at the Vitra Design Museum during the Art Basel fair 2010. GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and
Listen as curator David Whitehouse describes the glass portrait of King Amenhotep II. Ancient glass sculpture is very rare. This is one of the earliest known glass portraits. It probably shows the head of Amenhotep II, who was ruler of Egypt about 60 years before Tutankhamen. The craft of
Listen as former curator David Whitehouse describes glass fakes and forgeries. A fake is a genuine object that has been altered or "improved," usually to enhance its value. A forgery is a copy or imitation of an object, made to deceive people (usually prospective owners) into believing
April 2010 Artist-in-Residence Eliza Au is using the lost wax casting method to create a delicate glass prayer rug, meant to reflect the fragility of religion and belief. Much of her work is influenced by Gothic wrought-iron fences or Islamic tile and textile patterns.
Designer James Irvine describes working at GlassLab at the Vitra Design Museum in June 2011 during Art Basel. GlassLab is a program from The Corning Museum of Glass that introduces designers to the material of glass.
Jiří Harcuba is a widely respected artist and educator whose specialty is portraiture in engraved glass. Whether the subjects of his portraits are friends, renowned artists, or historical personalities, Harcuba treats them all in a similar fashion, using spare sculptural cuts and subtle optical
Discover how enameled glass was made during the renaissance with the experts at the Corning Museum of Glass. This video was featured in the exhibit "Reflecting Antiquity" at The Corning Museum of Glass, February 15- May 27, 2008.
Learn about ancient iridized glass and a method for creating iridized glass surfaces. This video was featured in the exhibit "Reflecting Antiquity" at The Corning Museum of Glass, February 15- May 27, 2008. Note: the method portrayed uses stannous chloride fumes, which can be highly toxic
Cage cups were made by Roman glasscutters in the fourth century AD. The entire vessel was cut from a thick-walled glass hemisphere. The metal attachments show that the object was a hanging lamp. Imagine the shadows the "cage" would have cast as the lamplight flickered.
Kristina Logan is internationally recognized for her precisely patterned and delicate glass beads, which she combines with metalwork to create both jewelry and functional objects. A committed educator, Logan travels extensively, teaching workshops and lecturing on contemporary glass beads and
Designer Rene Kung describes working at GlassLab at the Vitra Design Museum in June 2011 during Art Basel. GlassLab is a program from The Corning Museum of Glass that introduces designers to the material of glass.
Listen as curator Dedo von Kerssenbrock-Krosigk describes this Venetian ewer, made with milk glass canes and decorated with applied lion-mask prunts (small ornaments that are like medallions stuck to the outside of a vessel). Differently patterned milk glass canes were and are used to make glass
Masamichi Udagawa at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
Listen as curator David Whitehouse describes a glass bottle with handles. Although glass vessels were never as cheap as earthenware, they had several advantages. They were easy to clean, they did not impart an odor to their contents, and they allowed one to see the contents even when the vessel was
Introduced in 1979, low emissivity (low-e) glass uses an ultra thin metallic coating on or in the glass to reflect the sun's rays. Commercial and residential buildings use low-e glass windows to help save energy. The powerful infrared light in sunlight heats up objects such as floors and
Nacho Carbonell works on GlassLab at the Vitra Design Museum during Art Basel 2010.
Listen as glass artist William Gudenrath describes the technique of making a core-formed vessel. Ancient glassmakers discovered a technique called core forming. A core was formed from dung and clay, then dried. The core was covered with glass. After cooling, the core was scraped out. The bottles