All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
This clip is from an interview with Jerry Kersting, retired engineer for Corning, Inc., interviewed May 2010. Jerry Kersting was born in Jersey City, N.J., in 1939. He attended Rutgers University where he obtained a degree in civil engineering for the Facilities Group. In 1960, after spending a
Watch as Jordana Korsen demonstrates for her class, Work Hot and Take Chances, which focused on everything from glasses and goblets to bowls and bottles. Music credit: Philipp Weigl- Subdivision of the Masses
When you try to fill this glass with liquid, some of the tubes and bulbs remain empty. If you try to drink from the glass, the air in the tubes makes the liquid gush out when you least expect it.
Listen as curator, David Whitehouse describes the stages of making a paperweight.
This video shows the technique of making a Nuremburg goblet, an object in the exhibition Beyond Venice: Glass in Venetian Style 1500--1750, which was on view at The Corning Museum of Glass from May 20, 2004, to January 2, 2005.
Watch artists Ralph Mossman and Mary Mullaney of Heron Glass demonstrate at The Studio during the Annual Seminar on Glass. This demonstration shows the various stages of creating a Chevron bead, from the hot, blown glass component, through the lapidary steps required to finish.
This 6-minute version of a Chevron bead demonstration, narrated by William Gudenrath, shows the various stages of creating a Chevron bead, from the hot, blown glass component, through the lapidary steps required to finish.
Listen as former curator David Whitehouse describes the Corning Ewer, an outstanding example of Islamic relief-cut cameo glass. A layer of transparent light green glass was applied to a layer of colorless glass. Most of the outer layer was then cut away, leaving the decoration in relief. Although
April 2010 Artist-in-Residence Eliza Au used the lost wax casting method to create a delicate glass prayer rug, meant to reflect the fragility of religion and belief. Much of her work is influenced by Gothic wrought-iron fences or Islamic tile and textile patterns.
"My initial relationship to the arts would probably be observation. Watching things change, watching things grow." Amie Laird McNeel came to The Studio of The Corning Museum of Glass as part of the joint Artists-in-Residence partnership with the John Michael Kohler Arts Center. A
"I want the viewer to expereince the process of blurring boundaries between cultures by looking at my work." Min Jeong Song studies ornamental styles across time periods and geography, and her work explores how certain attributes of glass can be used to create ambivalent objects: objects
"In my work, very often, it is good to take a second look." A Berlin-based artist, Veronika Beckh has exhibited extensively in the United States and Europe. Her work invites viewers to disconnect from the noise and chaos of everyday life and to find light, tranquility, and contemplation.
Mathieu Grodet is a French-born artist living and working in Canada. He creates thin and elegant glass objects in classic Venetian style, engraved with imagery that addresses modern-day ideas and issues. In his March 2012 Residency at The Studio, Grodet used the Museum's Rakow Library to
Mielle Riggie works with both the strength and fragility of glass to illustrate the dynamics of human emotion or conditions. During her residency at The Studio, Riggie created cast-glass sculpture amplifying elements in nature, such as leaves and roots, and recombined disparate parts in ways that
April 2010 Artist-in-Residence Marie Retpen was hot working large pieces that would eventually become part of a large installation. She finds inspiration for her surreal works from the novels Alice in Wonderland and Alice Through the Looking Glass, and the movie The Terminator.
In her May 2012 Residency at The Studio, Marta Ramírez interpreted the works of Shinichi Maruyama, a Japanese artist and photographer who has developed an artistic body of work called Water Sculptures.
In her May 2012 Residency at The Studio, Ingalena Klenell worked on a project called Travelers. The project is based on the history of cultural exchange in trade relations between Venice and Egypt, inspired by a collection of glass shards found in Egypt that date from 1100 A.D. to 1400 A.D.
In her October 2012 Residency at The Studio, Joanna Manousis worked on a new body of work that alludes to both nature and to man-made artifice. She created a series of blown molded forms in clear glass that have thin layers of pâte de verre strategically inlaid into the blown surfaces.
During her March 2013 Residency at The Studio, Melinda Willisn explored layering and imagery. Through casting, slumping, laminating, and cold working techniques, combined with the use of ceramic decals and mirrored elements, Willis constructed complex assembled glass pieces.
Enjoy a free lecture by Richard Marquis, glassblower and collector of beat-up, vintage objects. Marquis has had an extraordinary influence on the development of contemporary studio glass, in America and around the world. His work is humorous, ironic, smart, and beautifully—some might say
Astronaut Cady Coleman spent six months on the international Space Station in 2011. Hear her talk about her career and the exciting world of space. Make connections with curriculum-- social studies, humanities, science, music, and more. (Recommended for grades 5 and up.)
Astronaut Cady Coleman spent six months on the international Space Station in 2011. Hear her talk about her career and the exciting world of space. Make connections with curriculum-- social studies, humanities, science, music, and more. (Recommended for grades K-4.)
Hear from artist Michael Glancy, whose abstract vessels explore nature, science, and metaphysics. Glancy's pieces begin as cell-like patterns and arcane notations jotted down on paper. The objects slowly acquire form and texture, shaped and revealed by cutting, sandblasting, and the
Studio glass pioneer Fritz Dreisbach offers a survey of the first decades of American studio glass. Dreisbach was a founding member of the Glass Art Society, 2002 recipient of the Society's Lifetime Achievement Award, and is an unofficial historian of the American Studio Glass movement. He was
2300°: GlassFest Bead Extravaganza featured artist Kate Fowle Meleney, who demonstrated beadmaking in celebration of the opening of the 2013 exhibition, Life on a String: 35 Centuries of the Glass Bead.
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Salsa (December 20, 2012), including music by El Rumbon, glassmaking by Pablo
Watch as Davide Salvadore demonstrated for his class, Creating and Using Murrine. In this demo, he used an incalmo technique from Archimede Seguso.
Watch as Giles Bettison demonstrated for his class, Looking at Patterns and Murrine, how to build patterns using sheet glass to make murrine cane that can be used in vessels, panels and other objects.
Watch as glass artist Martin Janecky demonstrates blown sculpting as he creates one of his signature pieces.
Hear a lecture by the 2013 Rakow Commission artist Andrew Erdos. The artwork of Erdos is pop, sarcastic, and humorous, with a hint of social commentary. His over-the-top installations create a situation of sensory overload, which he sees as a reflection of everyday life in urban culture, especially