This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Listen as curator Tina Oldknow, describes "Endeavor" by Italian artist Lino Tagliapietra, one of the greatest living glass artists. These 18 boats evoke the gondolas of his native Venice. Each boat was blown and then cold worked to create the different surface textures.
The first successful glassmaker in America was Caspar Wistar who began a factory in New Jersey. Before his factory, all glass was imported from England and Europe. This bottle is one of three that are known to come from his factory.
Whimsies are what modern collectors call pieces that were made by individual glassmakers for fun or for show. Glassmakers would make these after their regular work shifts.
Listen as curator Tina Oldknow, describes "Cargo Seed" by Swedish artist Bertil Vallien. Vallien created a series of boats that remind us of journeys. He filled the boats with objects that reference the past and time.
The single light bulb is a replica of the first light bulb blown in Corning, NY, for inventor Thomas Alva Edison. The large object is a light bulb tester. Before purchasing light bulbs in a store, you would use the tester to see if your light bulb worked. This piece is featured in the Museum's
Some of this furniture was designed to be used, while other pieces are purely decorative. Ghost Chair, on the left, is sturdy enough for use; Likewise, Danny Lane's Etruscan Chair on the far right was also designed for sitting.
This screen, made in London, England, is decorated with birds, frogs, and fish—even a spider and a butterfly. Sixteen birds are shown; 13 are easy to spot, but three are more difficult. How many can you find? Clara S. Peck Endowment.
Cascade Wall was designed by George Thompson and made in Corning by Steuben Glass for its New York City showroom. When it was installed in the showroom in 1959, it had a reflecting pool at the bottom. Gift of Steuben Glass, Inc.
Artist Jay Musler took a hemisphere of industrially produced Pyrex, cut the rim in the form of an urban skyline (think of the skyscrapers of Manhattan), sandblasted it, and airbrushed it with oil paint. This piece is featured in the Museum's app, specifically in the kid-friendly version.
This image of a man sitting in an airplane and gazing out of the window evokes feelings of sadness and loss. Who or what did he leave behind? What does the future hold at his destination?