In 1973, a sponge diver reported the discovery of an underwater shipwreck at Serçe Limani on the south coast of Turkey, opposite Rhodes. The wreck was investigated by Professor George Bass, of the Institute of Nautical Archaeology, between 1977 and 1979. His investigation revealed that part of the

The Morgan Cup (52.1.93) is a Roman cameo glass of the first century A.D. It may have been found in the ancient city of Heraclea Pontica, modern Eregli, Turkey. The cup was once in the collection of J. Pierpont Morgan (hence its name). It came to the Museum in 1952 as the gift of Arthur A. Houghton

Mt. Washington and its successor, the Pairpoint Corporation, was one of America’s longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture,

East Influences West In Western Europe, the influence of East and South Asian products imported by the English, Dutch, and French East India Companies in the 18th and 19th centuries had a significant impact on style and art. European artists, fascinated by Oriental designs, architecture, and

Dante Marioni burst onto the international glass scene at age 19 with a signature style that has been described as the purest of classical forms executed in glass by an American glassblower. His amphoras, vases, and ewers are derived from Greek and Etruscan prototypes, yet they are imaginatively

For the American astronomer George Ellery Hale, bigger was always better. In 1897, at the age of 29, he had become director of Chicago’s new Yerkes Observatory, whose 40-inch refracting telescope remains the largest instrument of its kind in the world.  The lenses of refractors collected and

Czech glass, also called Bohemian glass, has been produced since the Middle Ages. Bohemia was a kingdom in the Holy Roman Empire, and from 1867 to 1918, a province of the Habsburg Austro-Hungarian Empire. With the dissolution of Austro-Hungary in 1918, Bohemia was incorporated into the independent

An Interview with Tina Oldknow, Curator of Modern Glass This interview was conducted in December 2001 in preparation for the opening of the 2002 summer exhibition at The Corning Museum of Glass: Glass Behind the Iron Curtain: Czech Design, 1948-1978. The Corning Museum of Glass is known for the

In 1950, Jaroslava Brychtová joined the design studio of the glassworks at Železný Brod, directing the architectural glass department. Working with her father, the sculptor Jaroslav Brychta, she began to experiment with casting, molding, and melting glass during the 1940s. In 1954, Stanislav

In Renaissance Europe, the compulsion to copy Venetian glassmaking styles and techniques was no simple fashion fad. The glass was clearly superior in almost every way. The glass was called “cristallo” because it was clear and colorless, a quality the Venetians achieved as early as 1440 by making it