All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Watch as Ross Richmond demonstrates for his class, Hot Glass Sculpting, which will focus on unique techniques and approaches to solid and blown sculpting, emphasizing a freedom to explore process and the potential of the material. Ross Richmond started working with glass in 1991 at the Cleveland
Watch John Kobuki demonstrate for his Studio course, Flower Marbles, in which the students will explore the compression technique used to make flowers and and other deeply encased designs in borosilicate glass. John Kobuki has been working with glass since 1995. He is known for making marbles with
Growing up, German artist Anna Mlasowsky wanted to be an archeologist. Instead, she focused her curiosity on studying the traditions and habits of glassmaking. "The way we evaluate a material and use its properties is defined by preconceived opinions and boundaries set by traditions,"
Melinda Willis is a glass artist who works out of the Canberra Glassworks studio in Australia. Her recent work has resulted in a series that examines the materiality of architectural glass through its transparency, reflectivity and optic qualities. Says Willis, "Glass is a material that I
GlassFest Flameoff 2011 Recap: World-renowned glass artist Paul Stankard and World Glass store owner Josh Powers (Corning, NY), reflect on their journey to create the 2011 GlassFest FlameOff. The FlameOff showcases several artists from around the world that demonstrate their talents using a torch
Become a Junior Curator at The Corning Museum of Glass http://www.cmog.org/get-involved/teen-programs/junior-curators Students in 8th grade through 12th grade are invited to join our after-school program. Learn what happens behind the scenes at the world's best glass museum and curate an
The Corning Museum of Glass partners with the Musée des Arts Décoratifs to present GlassLab, the Museum's design program, in Paris, in the Tuileries Garden, October 22-27. Watch as designer Arik Levy works with GlassLab glassmakers to create two experiments in glass. The first is a fusion of
Beads can be wound, drawn, molded, or blown. There are many variations of these techniques. Explore glass beadmaking in Life on a String: 35 Centuries of the of the Glass Bead, May 18, 2013 through Jan 5, 2014 at The Corning Museum of Glass. Symbolizing power, enabling ornamentation, and
Hear from artist Michael Glancy, whose abstract vessels explore nature, science, and metaphysics. Glancy's pieces begin as cell-like patterns and arcane notations jotted down on paper. The objects slowly acquire form and texture, shaped and revealed by cutting, sandblasting, and the
Watch Davide Fuin as he demonstrates for his class, Advanced Venetian Glassblowing, in which he will share his vast knowledge and considerable Venetian-style glassblowing skills.
2300°: Girlfriends featured visiting Rochester, NY glass artist and RIT professor Robin Cass, and a team of her students. Watch as she works with her team to create a form that highlights glass as a material. Cass studied at the Rhode Island School of Design, became inspired by glass, and got
Become a Junior Scientist at The Corning Museum of Glass. Explore the role of a scientist through hands-on investigation. Students in Grades 7 through 9 are invited to join museum educators, local scientists, and glassworking experts to discover glass properties and processes and to conduct
2300°: Hot Blues featured visiting glass artist Sam Drumgoole who currently lives and works in Columbus, OH. Hailing from Rochester, NY, Sam has worked with Dale Chihuly in Seattle and studied at Pilchuck and Alfred University before opening his own studio. For 2300°, Sam worked with Museum
Enjoy a free lecture by Richard Marquis, glassblower and collector of beat-up, vintage objects. Marquis has had an extraordinary influence on the development of contemporary studio glass, in America and around the world. His work is humorous, ironic, smart, and beautifully—some might say
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Finger Lakes Finest (January 17, 2013), including music by The Blind Spots,
The glass is growing! Watch the reconfiguration of Dale Chihuly's Fern Green Tower in the Admissions Lobby of The Corning Museum of Glass. In March 2013, two members of Chihuly's team worked with the Museum's preparators to clean and recompose the artwork. Using new and larger metal
William Gudenrath is a glassblower, scholar, lecturer, and teacher. He is an authority on historical hot glassworking techniques from ancient Egypt through through the Renaissance, and has presented lectures and demonstrations throughout the world. As resident adviser for The Studio, Bill ensures
Watch Suellen Fowler demonstrate for her class, Flamework Glass Sculpting: Solid and Blown Forms, which will cover a variety of techniques for creating sculptures in colored borosilicate glass. Through the class, Fowler will demonstrate cane decoration and patterns, the use of commercial and hand
Richard Marquis, glassblower and collector of beat-up, vintage objects, has had an extraordinary influence on the development of contemporary studio glass in America and around the world. His work is humorous, ironic, smart, and beautifully—some might say obsessively—made. As an artist, Marquis is
Jordana Korsen has been working with hot glass for more than 20 years, focusing on functional work with a sculptural touch. As a glassblower, she creates clean forms with a sense of humor. Korsen has been running the glass program at Franklin Pierce University since 1995. Her architectural
At 2300°: Finger Lakes Finest in January, glassblower Eric Meek and flameworker Eric Goldschmidt, collaborated to make an amphora with flameworked figures and grapes. See what they had to say about the experience.
Daniel Clayman creates large-scale, cast-glass minimalist sculptures that evoke familiar objects and capture space and volume, transforming intangible light and shadow into the tangible. In this DVD, Clayman takes viewers through the process of kiln casting with glass, including creating the
Watch Heather Trimlett demonstrate for her Beadmaking with an Introduction to Glass Buttons class at The Studio. Students of this class will learn to work smarter and more efficiently in order to gain the maximum return on torch time. The class will take the mystery out of clear casing, stringer
Watch Mark Matthews demonstrate for his Graphic and Color Systems in Glass class at The Studio. This class will use colored rods, powders, frits, and techniques such as color overlaying and cane making, students will create combinations of graphic patterns and will experiment with color schemes.
Watch Alex Brand demonstrate for his Color Working Techniques course at The Studio. This course will present various color working techniques and teach students to infuse their glassmaking with color. The class will focus on various types of incalmo work; the hot joining of two or more separate
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Salsa (December 20, 2012), including music by El Rumbon, glassmaking by Pablo
Corning Museum of Glass. Martin, John H., 1922-2007. Edwards, Charleen K., 1927- Fischer, David J. 0872900630 28535 Corning, N.Y.: The Museum, c1977. 60, xi p.: ill.; 28 cm. GB1227.S7 Chapter V and VI by David J. Fischer. Bibliography: p. xi. Appendix I, II, and III scanned February 2012 and
Gruber, Jacques, 1871-1936. 28599 Paris,: C.Moreau, [c1926] 2 β., 42 plates (some col.); 34 cm. NK5349 In portfolio. C. 2 and c. 1 plates 1, 3, 9-10, 19, 29, 31, 34 digitized by Boston Photo Imaging April 2013. Plate 26 sent to photography for inclusion in JOGS article in April 2014 (photography no
Oppenheim, A. Leo, 1904-1974. Cuneiform texts. Brill, Robert H. Chemical interpretation of the texts. Barag, Dan. Mesopotamian core formed glass vessels. Saldern, Axel von, 1923-2012. Other Mespotamian glass vessels. 27367 Corning, N.Y.: The Corning Museum of Glass, 1970. viii, 242 p., 20 β. of
37030 Art et décoration (OCoLC)ocm8259523 Art décoratif Paris. v.: ill. (some col.); 30 cm. 1er semestre- Oct. 1898/Mars 1899- Ceased in 1914. Subtitle varies: from... to Dec. 1906: revue mensuelle d'art contemporain.--19..revue de la vie artistique, ancienne et moderne.--19..revue de l'