This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
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Listen as curator Tina Oldknow, describes "Endeavor" by Italian artist Lino Tagliapietra. A sense of weightlessness characterizes this instillation of 18 boatlike forms. Inspired by the sight of the many gondolas that gather at the entrance of the Venetian lagoon on the feast day of the
Listen as curator Dedo von Kerssenbrock-Krosigk describes this Venetian ewer, made with milk glass canes and decorated with applied lion-mask prunts (small ornaments that are like medallions stuck to the outside of a vessel). Differently patterned milk glass canes were and are used to make glass
Listen as curator Tina Oldknow describes Table Set created by glass artist Josef Hoffmann. Hoffmann studied architecture at the Academy of Fine Arts in Vienna with Otto Wagner, whose theories of functional, modern buildings greatly influenced his work. He established his architectural practice in
Listen as curator Jane Shadel Spillman describes Flask with Mold produced by Stebbins and Stebbins. The manufacture and decoration of hand-blown tableware was a slow and costly process. Glassmakers soon sought ways to speed production and to decorate their wares more inexpensively. One way to do
Listen as curator Tina Oldknow describes Chess Set, created by Italian glass artist Gianni Toso. In this whimsical, yet functional, chess set, a Jewish rabbi and a Roman Catholic bishop (the two kings) join a group of holy men and women holding Judeo-Christian symbols of faith, including crosses,
Listen as curator David Whitehouse describes this object, a typical example of a puzzling group of glasses known as Hedwig beakers. They are unlike any other medieval objects of glass or rock crystal from the Islamic world, Byzantium, or western Christendom. These colorless or nearly colorless
Listen as former curator David Whitehouse describes the Corning Ewer, an outstanding example of Islamic relief-cut cameo glass. A layer of transparent light green glass was applied to a layer of colorless glass. Most of the outer layer was then cut away, leaving the decoration in relief. Although
Listen as glass artist William Gudenrath describes the technique used to make the Corning Ewer, an outstanding example of Islamic relief-cut cameo glass. A layer of transparent light green glass was applied to a layer of colorless glass. Most of the outer layer was then cut away, leaving the
Listen as former curator David Whitehouse describes glass fakes and forgeries. A fake is a genuine object that has been altered or "improved," usually to enhance its value. A forgery is a copy or imitation of an object, made to deceive people (usually prospective owners) into believing
Listen as curator David Whitehouse describes this replica of The Portland Vase, an ancient Roman cameo glass object that was taken to England from Italy in 1783. The fame of the Portland Vase and of Josiah Wedgwood's replicas, played a major role in the establishment of cameo glassmaking in






