All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Listen in as Karol Wight, the Museum's new executive director, provides a short lecture to Members.
Outreach is an important part of the Museum's mission. Each year, the Museum's mobile hot shop travels to art fairs and other museums, providing live glassblowing demonstrations. An all-electric hot shop also sits on the top deck of three Celebrity Cruises ships, where Museum glassmakers
Introduction to the Hot Glass Roadshow at the Glass Art Society Conference in Seattle, June 1-5, 2011.
Steve Gibbs, the Museum's Hot Glass Programs manager, and the creative mastermind behind the Museum's popular 2300° events, demonstrated his own glassworking artistry at the December 2010 event. Here he talks about 2300° and about the work he created during the event.
At 2300°: Finger Lakes Finest in January 2013, glassblower Eric Meek and flameworker Eric Goldschmidt collaborated to make an amphora with flameworked figures and grapes. See what they had to say about the experience.
This video tells the story of the making of the trophy for The Watkins Glen International 2013 Cheez-It™ 355 at The Glen and the 2012 NASCAR Sprint Cup Series race. Corning Museum glassmaker Eric Meek drew upon glassmaking traditions and fine craftsmanship to realize the modern, elegant form, which
A dragon-stem goblet has many parts, including a bowl, a foot, and a dragon. Dip molding is used to create the dragon, and the parts are attached with glue bits. This goblet has pincered bits, a merese, an avolio, wings, and eyes. See 360˚ photography and learn more about this object in The
Watch Davide Salvadore demonstrate for his Studio course, Creating and Using Murrine, the Muranese technique called tociar piere —the roll-up technique. It consists of putting a composition of canes, murrine, tesserae, etc., on an iron plate, fusing them together in the glory hole, then rolling the
Davide Salvadore speaks of his profound love and respect for glass, and his family. He demonstrates working with murrine. Master Class VIII: Working with Murrine with Davide Salvadore (30 minute DVD presented by The Studio of The Corning Museum of Glass).
At The Studio, Davide Salvadore instructed on how to apply murrine to blown glass vessels and a Muranese technique called tociar piere. Salvadore comes from a tradition of glassworkers in Murano, and enjoys sharing his knowledge and passion for glass. Davide Salvadore led a week-long workshop in
Watch Davide Salvadore demonstrate for his furnace working class, Creating and Using Murrine, a Muranese technique called tociar piere—the roll-up technique.
Watch Raven Skyriver demonstrate for his Under Construction class at The Studio. In this sculpting class, students learned how to construct the objects that they have been visualizing but haven't yet tackled. Students explored complex color application using the powder booth, emploedy the use
Watch as Raven Skyriver demonstrated making a sculpted sea lion for his class, Deconstruct-Reconstruct, at The Studio of The Corning Museum of Glass
At the December 2012 2300°: Salsa, guest artist Pablo Soto created vibrant blue glass vessels in front of a lively crowd. We caught up with him after the show to see what he's been working on lately.
Watch as Pablo Soto demonstrated for his class, Design Within Reach, how to to break out of the neo-classical shape universe.
Watch Ethan Stern demonstrate for his Studio course, Form and Surface: An Anatomy Lesson, glassblowing through a sculptural lens, focusing on form, scale, layering, and color application techniques.
Watch as Ethan Stern demonstrated for his class, Form and Surface: An Anatomy Lesson, glassblowing through a sculptural lens, focusing on form, scale, layering, and color application techniques.
Denise Stillwaggon Leone studied art at the School of the Museum of Fine Arts, Boston. She designs and fabricates architectural art glass commissions for site-specific installations, and has participated in numerous private and public art competitions. Her work can be found in public spaces of
Watch Loren Stump demonstrate for his Studio course, Flameworking Using Ultimate Details, advanced murrine techniques including color blending, design analysis, shaded components, and assembling and pulling cane to produce Franchini-style shaded faces. Students examined methods for creating human
Watch Loren Stump demonstrate for his Studio course, Advanced Floral Murrine, how to use to use a variety of complex murrine components to achieve high detail in miniature floral design. January 11, 2012, at The Studio of The Corning Museum of Glass.
Jiri Harcuba, a renowned artist and educator, is known for his simple, yet elegant, portraits in glass. He treats all his subjects in a similar fashion, using spare sculptural cuts and subtle optical effects to create their individual profiles. His student and emerging artist, April Surgent, takes
Glass Maestro, Gianni Toso shares what inspires and influences his work, specifically about his piece "Chess Set."
Watch as Victor Trabucco demonstrated for his class, Paperweight Techniques and Inclusions, how to create flowers and fruit with soft glass, using overlay rods and colored enamels to make three-dimensional designs that are encased in clear glass.
Watch Heather Trimlett demonstrate for her Beadmaking with an Introduction to Glass Buttons class at The Studio. Students of this class learned to work smarter and more efficiently in order to gain the maximum return on torch time. The class took the mystery out of clear casing, stringer work,
Matt Tyner demonstrated making and pulling a vacuum-encased stick stack tube, also called a vac stack, for his class, Application for Modern Glass Blowers. This class focused on the process of encasing several types of borosilicate glass color using various techniques from single layer color
Norwood Viviano uses digital 3D modeling and printing technology in combination with the casting process to create his sculptural works. During his March 2012 Residency at The Studio, Viviano created urban and industrial landscapes out of kiln-cast glass as an extension of his previous
Watch as Christopher Watts demonstrates for his class, A Poacher's Tour of Europe, an overview of the variety of techniques that are used in different areas of the world.
"One of my big motivations for teaching is to share the information that I have and learn from other people working in the medium of cast glass. I think it’s a very exciting medium for contemporary art and I’d love to see more work done in this area" says Richard Whiteley. Whiteley became
Watch David Willis demonstrate for his flameworking class, Make What You Like, to help students fabricate in glass anything they can conceive.
Watch Boyd Sugiki and Lisa Zerkowitz demonstrate for their Studio course, A Step-by-Step Approach, in which focus was on refining skills of basic forms such as the tumbler, cylinder, bowl, and bottle. Moving logically from one shape to the next helped students build a solid foundation for the