A monochrome segment of glass cut from a trail.

The technique of forming objects from rods and tubes of glass that, when heated in a flame, become soft and can be manipulated into the desired shape. Formerly, the source of the flame was an oil or paraffin lamp used in conjunction with foot-powered bellows; today, gas-fueled torches are used.

(from Latin) A jar with two handles.

A pocket of gas trapped in glass during manufacture. The term is used both for bubbles introduced intentionally (known as air traps or beads) and for unwanted bubbles created during the melting process. Very small bubbles are known as seeds.

A form used for shaping and/ or decorating molten glass. Some molds (e.g., dip molds) impart a pattern to the parison, which is then withdrawn, and blown and tooled to the desired shape and size; other molds (sometimes known as full-size molds) are used to give the object its final form, with or without decoration. Dip molds consist of a single part and are usually shaped like beakers. Full-size molds usually have two or more parts and can be opened to extract the object. Nowadays, most molds are made of metal, but stone, wood, plaster, and earthenware molds were used in the past and are still occasionally employed today.

The technique of forming an object by inflating a gather or gob of molten glass on the end of a blowpipe. Traditionally and in modern furnace working, the gaffer blows through the tube, slightly inflating the gob, which is then manipulated into the required form by swinging it, rolling it on a marver, or shaping it with tools or in a mold. It is then inflated to the desired size. In flameworking, one end of the glass tube is heated and closed immediately, after which the worker blows into the other end and manipulates the hot glass.

These terms are used inconsistently, especially in the context of contemporary glass. When used as a noun, murrina usually refers to a multicolored element embedded in an object, whereas murrine most often refers to slices of a complex cane.