All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
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Paul Stankard's Demo at 2011 GlassFest in Corning, NY.
Watch John Kobuki demonstrate for his Studio course, Flower Marbles, in which the students will explore the compression technique used to make flowers and and other deeply encased designs in borosilicate glass. John Kobuki has been working with glass since 1995. He is known for making marbles with
GlassFest Flameoff 2011 Recap: World-renowned glass artist Paul Stankard and World Glass store owner Josh Powers (Corning, NY), reflect on their journey to create the 2011 GlassFest FlameOff. The FlameOff showcases several artists from around the world that demonstrate their talents using a torch
Beads can be wound, drawn, molded, or blown. There are many variations of these techniques. Explore glass beadmaking in Life on a String: 35 Centuries of the of the Glass Bead, May 18, 2013 through Jan 5, 2014 at The Corning Museum of Glass. Symbolizing power, enabling ornamentation, and
Hear from artist Michael Glancy, whose abstract vessels explore nature, science, and metaphysics. Glancy's pieces begin as cell-like patterns and arcane notations jotted down on paper. The objects slowly acquire form and texture, shaped and revealed by cutting, sandblasting, and the
2300°: Hot Blues featured visiting glass artist Sam Drumgoole who currently lives and works in Columbus, OH. Hailing from Rochester, NY, Sam has worked with Dale Chihuly in Seattle and studied at Pilchuck and Alfred University before opening his own studio. For 2300°, Sam worked with Museum
Enjoy a free lecture by Richard Marquis, glassblower and collector of beat-up, vintage objects. Marquis has had an extraordinary influence on the development of contemporary studio glass, in America and around the world. His work is humorous, ironic, smart, and beautifully—some might say
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Finger Lakes Finest (January 17, 2013), including music by The Blind Spots,
The glass is growing! Watch the reconfiguration of Dale Chihuly's Fern Green Tower in the Admissions Lobby of The Corning Museum of Glass. In March 2013, two members of Chihuly's team worked with the Museum's preparators to clean and recompose the artwork. Using new and larger metal
William Gudenrath is a glassblower, scholar, lecturer, and teacher. He is an authority on historical hot glassworking techniques from ancient Egypt through through the Renaissance, and has presented lectures and demonstrations throughout the world. As resident adviser for The Studio, Bill ensures
Watch Suellen Fowler demonstrate for her class, Flamework Glass Sculpting: Solid and Blown Forms, which will cover a variety of techniques for creating sculptures in colored borosilicate glass. Through the class, Fowler will demonstrate cane decoration and patterns, the use of commercial and hand
Richard Marquis, glassblower and collector of beat-up, vintage objects, has had an extraordinary influence on the development of contemporary studio glass in America and around the world. His work is humorous, ironic, smart, and beautifully—some might say obsessively—made. As an artist, Marquis is
Jordana Korsen has been working with hot glass for more than 20 years, focusing on functional work with a sculptural touch. As a glassblower, she creates clean forms with a sense of humor. Korsen has been running the glass program at Franklin Pierce University since 1995. Her architectural
At 2300°: Finger Lakes Finest in January, glassblower Eric Meek and flameworker Eric Goldschmidt, collaborated to make an amphora with flameworked figures and grapes. See what they had to say about the experience.
Daniel Clayman creates large-scale, cast-glass minimalist sculptures that evoke familiar objects and capture space and volume, transforming intangible light and shadow into the tangible. In this DVD, Clayman takes viewers through the process of kiln casting with glass, including creating the
Watch Heather Trimlett demonstrate for her Beadmaking with an Introduction to Glass Buttons class at The Studio. Students of this class will learn to work smarter and more efficiently in order to gain the maximum return on torch time. The class will take the mystery out of clear casing, stringer
Watch Mark Matthews demonstrate for his Graphic and Color Systems in Glass class at The Studio. This class will use colored rods, powders, frits, and techniques such as color overlaying and cane making, students will create combinations of graphic patterns and will experiment with color schemes.
Watch Alex Brand demonstrate for his Color Working Techniques course at The Studio. This course will present various color working techniques and teach students to infuse their glassmaking with color. The class will focus on various types of incalmo work; the hot joining of two or more separate
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Salsa (December 20, 2012), including music by El Rumbon, glassmaking by Pablo
Breves Lalique Galleries, London, England. René Lalique et cie. 132556 Lalique lighting Lalique lights London: Breves Lalique Galleries, [ca. 1930s] (London & Banbury: Henry Stone & Son, Ltd.) 20 p.: ill. (some col.); 25 cm. Breves Lalique Galleries "Light catalogue index" (with
In A.D. 301, Emperor Diocletian attempted to halt a rapid rise in prices by issuing his Edictum de pretiis (Edict on prices), which established maximum prices and wages throughout the Roman Empire. Copies of the edict were inscribed in Latin or Greek on marble panels and posted in prominent places.
The Verses of Martial, which were composed between A.D. 83 and 102, mostly in Rome, contain 12 explicit references to objects made of glass (for which Martial uses the noun vitrium or the adjective vitreus), together with two references to "Vatinian cups" (calices Vatinii), which appear
Beginning in the 13th century, the philosophies, scientific discoveries, and artistic achievements of East Asia gradually became known in Europe. The Chinese began large-scale international trade during the Southern Song dynasty (1127–1279), exchanging goods with Western merchant travelers. 1 The
Before his death, Maks Roosma, Professor in the Department of Glass, State Art Institute, Tallinn, Estonia, sent a brief article summarizing the results of his research into the history of the most important early glasshouse in Estonia. Professor Roosma had conducted an archaeological excavation on
Denis Diderot and Jean Le Rond d’Alembert published their much acclaimed Encyclopédie in Paris from 1751 to 1765. To illustrate their entries, they commissioned several hundred engraved images depicting artistic crafts and common trades in preindustrial France. Since pictorial representations of
This paper describes and discusses a late Roman cage cup that appeared on the market in 1986 and was acquired by The Corning Museum of Glass in 1987. 1 The hemispherical glass cup has metal fittings which indicate that, at the time of burial, it was meant to be suspended. This raises the
In last year's Journal of Glass Studies [Vol. 42], Mark T. Wypyski and the present authors described a fragmentary vessel decorated with silver stain, and concluded that it is Byzantine and of about the 10th century. 1 We compared the fragment with the celebrated bowl with painted ornament in
This note discusses the function of a group of Roman glass models of boats. Six boats are known. They were found at Pompeii (two examples, including Fig. 1), 1 Palombara in Sabina, 2 Aquileia 3 and Santa Elena di Melma near Treviso in ltaly, 4 and St. Aldegund near Koblenz in Germany. 5 All of the
The basic components of early glasses were soda, lime, and silica. In the Mediterranean region and Western Asia, these three components were usually introduced in the form of two ingredients: either natron (soda) and sand containing shell fragments (silica and lime), or ash derived from halophytic