All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Listen as curator Dedo von Kerssenbrock-Krosigk describes this mechanical glass theater, which depicts the Wedding at Cana. Figurines in Venetian and Turkish costumes are seated in the loggia of a Rococo palace. The heads and limbs of each figure are lampworked in glass, and they can be moved by
Listen as glass artist William Gudenrath describes the technique used to create the Corning Ewer, one of the finest pieces of cut glass in the entire Museum! The eggshell-thin colorless glass was covered with a green overlay. After cooling, the green was partly carved away to create the decoration.
Harry Allen at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
Listen as curator Dedo von Kerssenbrock-Krosigk describes this goblet made of gold ruby glass. Gold ruby glass is one of the most difficult colors to achieve in glass because it consists of gold that has been added to the solution of the glass, where it dissolves into small particles, so-called
These three baskets were made to contain wedding gifts and are an example of an early form of recycling, as they were returned to their owners to be used again and again at other weddings.
This video shows the technique of making a 14th/15th century bottle, an object in the exhibition Medieval Glass for Popes, Princes, and Peasants, on view at The Corning Museum of Glass from May 15, 2010 to January 2, 2011.
The Museum's displays of European glass tell the story of glass from the Renaissance in the 15th century to 1900. The Venetians were the master glassworkers of the Renaissance. Later, different parts of Europe produced their own distinctive styles.
Enjoy a lecture by Klaus Moje, an artist whose work is based on traditional glass mosaic techniques that he has reinvented through kiln-forming. Throughout his successful career, he has pushed himself and glass beyond traditional technical skills into the realm of abstract art. Born in Germany,
Yves Behar talks about his experience working with GlassLab at Design/Miami 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
Listen as curator David Whitehouse describes the technique of core forming, which was introduced around the middle of the 16th century BC, and was used to fashion some of the first glass vessels. Core forming involves the application of glass to a removable core supported by a rod. There is no
The discovery of glassblowing was the second most important event in the history of glassmaking after the discovery of glass itself. Because of the ease and speed of manufacture, blown glass vessels began to be used in daily life.
Designer Sigga Heimis describes working at GlassLab at the Vitra Design Museum in June 2011 during Art Basel. GlassLab is a program from The Corning Museum of Glass that introduces designers to the material of glass.
Students from Miami Design and Architecture Senior High talk about their experience with GlassLab at Design/Miami 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their
This video shows the technique of making a stangenglas, an object in the exhibition Medieval Glass for Popes, Princes, and Peasants, on view at The Corning Museum of Glass from May 15, 2010 to January 2, 2011.
We're now setting off on a unique voyage through the history of glass and glass making that started over 3500 years ago. In the case to your left, called The Origins of Glassmaking, you'll discover treasures from the first 1500 years of glassmaking in the ancient world. The second large
Listen as curator Jane Shadel Spillman describes this electric cut glass lamp. Six lamps in this style are known, and all of them are cut in the same pattern. The manufacturer has not been positively identified. One of these lamps was purchased in Chicago in the late 1930s or early 1940s, and
Artist Eric Hilton shares his passion for working with crystal. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.
Listen as curator David Whitehouse describes the Morgan cup. The rarest and most elaborate luxury vessels of the early Roman Empire are cameo glasses. These objects were inspired by relief-cut gems of banded semiprecious stones, such as onyx. Glassmakers cased (covered) objects of one color with
Designer Tomas Libertiny works on GlassLab at the Vitra Design Museum during Art Basel 2010- prototyping glass teardrops for an installation concept.
Beth Lipman, artist-in-residence at The Studio, discusses her work.
Toots Zynsky's distinctive filet de verre (glass thread) vessels enjoy a widespread popularity and deserved acclaim for their often extraordinary and always unique explorations in color. Defying categorization, her pieces inhabit a region all their own, interweaving the traditions of painting,
Listen as curator Dedo von Kerssenbrock-Krosigk describes this George Ravenscroft piece. In March 1674, the English glassmaker George Ravenscroft applied for a patent to make colorless lead glass. Unfortunately, this glass was prone to crizzling, a chemical instability that results in an attack by
Mt. Washington and its successor, the Pairpoint Corporation, was one of America's longest-running luxury glass companies (1837-1957), one that rivaled its better known contemporaries, Tiffany and Steuben. It constantly reinvented and re-invigorated its business through creativity in texture,
Tom Patti is a widely respected artist who has devoted much of his career to researching different formulations of glasses and hot-forming techniques and to exploring industrial and architectural glass as a sculptural medium. Over the last 35 years, he has used glass to build and define spaces that
Listen as former curator David Whitehouse describes the Beth She'arim slab. As in earlier times, Roman glassmaking and glassworking often took place in separate locations. Glassmakers melted raw materials to produce glass. Glassworkers formed the glass into finished objects. Finally, glass
Artist Therman Statom talks about his glassmaking demonstration at the Museum's February 2300 Degrees event and about his work in general. Statom has works in the Corning Museum of Glass permanent collection, and he also created an sculptural installation for the nearby Corning Incorporated
Listen as glass artist William Gudenrath describes flameworking (or lampworking), the technique used by the Blaschka's to create the objects in this case at the Museum. The display tells the story of two remarkable lampworkers, Leopold Blaschka and his son Rudolf, who created in glass
Designer and architect Paul Haigh works with GlassLab, the mobile glass design program from The Corning Museum of Glass at the Vitra Design Museum during the Art Basel fair 2010. GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and
Listen as curator David Whitehouse describes the glass portrait of King Amenhotep II. Ancient glass sculpture is very rare. This is one of the earliest known glass portraits. It probably shows the head of Amenhotep II, who was ruler of Egypt about 60 years before Tutankhamen. The craft of
Listen as former curator David Whitehouse describes glass fakes and forgeries. A fake is a genuine object that has been altered or "improved," usually to enhance its value. A forgery is a copy or imitation of an object, made to deceive people (usually prospective owners) into believing