All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Watch William Gudenrath demonstrate for his Refining and Solidifying Your Techniques class at The Studio. Gudenrath's class focuses on advanced Venetian techniques: well-formed and thinly blown vessel bodies, excellent necks, delicate mereses, and blown feet and stems. William Gudenrath,
Listen as curator Tina Oldknow, describes the object Woven Heaven, Tangled Earth by artist Susan Plum. For Susan Plum, glass is a metaphor for light. She works with it as a way, she says, to "concretize the invisible." Plum prefers borosilicate glass for its high silica content and its
Rudi Gritsch, the Austrian kiln forming artist and instructor takes viewers through many of his processes involving the kiln. We follow Mr. Gritsch as he takes his work from the initial phases of design through the detailed setups, firings, and finishing processes, to completed works of art. Master
Architect Frank Lloyd Wright designed this window for the "Playhouse," a kindergarten with a stage, at the Coonley Residence in Riverside, Illinois. The design, with its flag and colorful balloons, was inspired by parades. Clara S. Peck Endowment Purchase.
Listen as curator Jane Shadel Spillman describes the Lily-pad Pitcher, produced by Lancaster Glass Works. The glass that was used to make this pitcher was also employed in the manufacture of windows because the brilliant, deep aquamarine color would not have been noticeable in thinly blown sheets
The Corning Museum of Glass has always been a cultural, educational, and economic center for the surrounding region. Groups, such as the Orchestra of the Southern Finger Lakes, rent the Museum's auditorium and other public spaces for performances and other activities. Almost all of the Museum&
This clip is from an interview with Max Erlacher, former master engraver for Steuben, interviewed May 2010. Max Erlacher was born in Innsbruck, Austria. As a young man he attended a glass technical school to learn the craft of glass engraving. Upon the completion of training, he worked in Vienna
Listen as curator Tina Oldknow describes Cheerful Bottle, created by Italian glass artist Dino Martens. Trained as a painter, Dino Martens was the artistic director of the Aureliano Toso glassworks on the island of Murano for many years. There, he produced a variety of designs characterized by
Artist Josh Simpson and his wife, Cady Coleman, a renowned astronaut, provide a joint lecture. Simpson creates wondrously detailed imaginary "planets" and "worlds" in glass. Coleman spent six months on the International Space Station in 2011. They will discuss their unique
Listen as curator, Tina Oldknow, describes the object "Family Matter" by American artist Jill Reynolds.
Listen as curator Tina Oldknow, describes "Black Cube" by Czech artist Marian Karel. The sculpture Black Cube is not really a cube. Each side slightly bulges as though there is some sort of energy pushing the walls outward.
Listen in as Karol Wight, the Museum's new executive director, provides a short lecture to Members.
Plum envisions a world that is inclusive, culturally diverse, and aesthetically vital, and she has cultivated an artistic language that makes connections between the mythic world and the real. In her installations, she seeks to create a space in which to experience unity and connectedness despite
Astronaut Cady Coleman spent six months on the international Space Station in 2011. Hear her talk about her career and the exciting world of space. Make connections with curriculum-- social studies, humanities, science, music, and more. (Recommended for grades 5 and up.)
Astronaut Cady Coleman spent six months on the international Space Station in 2011. Hear her talk about her career and the exciting world of space. Make connections with curriculum-- social studies, humanities, science, music, and more. (Recommended for grades K-4.)
Rodman draws inspiration from the shapes that he used to see under a microscope in his Hot Glass Roadshow Demo at the Glass Art Society Conference in Seattle, June 1-5, 2011.
Listen as curator Tina Oldknow describes Innerland, designed by glass artist Eric Hilton and executed at Steuben Glass, Inc. This piece is a multi-part sculpture that expresses designer Eric Hilton's concept of the unity of life and of the "inner being, or inner land, which is shared by
Traditional glass engravers use copper wheels mounted on a lathe. The wheels come in many shapes and sizes. An abrasive slurry drips onto the wheel as the engraver works on the design.
Watch Boyd Sugiki & Lisa Zerkowitz demonstrate for their Studio course, A Step-by-Step Approach, in which focus is on refining skills of basic forms such as the tumbler, cylinder, bowl, and bottle. Moving logically from one shape to the next will help students build a solid foundation for the
Hear from Scott Kardel, the public affairs coordinator for the Palomar Observatory, a world-class center for astronomical research that is owned and operated by the California Institute of Technology. There are five telescopes used at Palomar, including the 200-inch Hale Telescope (the "Big
Listen as glass artist William Gudenrath, describes the techniques used to create "Untitled (White)" by American artist Josiah McElhany. American artist Josiah McElheny reproduced well-known modern designs in opaque white glass. He pays homage to classic 20th-century design.
Kristina Logan is internationally recognized for her precisely patterned, delicate glass beads, which she combines with metalwork to create jewelry and functional objects. In the Master Class video, Logan demonstrates her process of beadmaking at the torch, finishing the glass by cold-working, and
The History Channel awarded The Corning Museum of Glass a Save Our History grant to partner with Corning Community College and the High School Learning Center for "Stories from the Crystal City," a history project to preserve the memories of Corning-area glass factory workers. The program
Learn more about "Shirts, Cherries, and Snowflakes, of Course" by American artist Ginny Ruffner.
Designer Moritz Waldemeyer describes working at GlassLab at the Vitra Design Museum in June 2011 during Art Basel. GlassLab is a program from The Corning Museum of Glass that introduces designers to the material of glass.
Learn about the ways that glass artists have used artistic expression in the Museum's Modern Glass Gallery.
Tobias Wong at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
Listen as glass artist William Gudenrath, describes the techniques used to create "Untitled (White)" by artist Josiah McElhany. Josiah McElheny is an accomplished glassblower who creates installations inspired by art or glass history, often using a specific historical or literary anecdote
Listen as curator Tina Oldknow, describes "Red Pyramid" by Czech artists Stanislav Libenský and Jaroslava Brychtová. Stanislav Libenský and Jaroslava Brychtová, a husband and wife team, collaborated for more than 40 years. These artists pioneered the technique of mold melting, where
Listen as curator Jane Shadel Spillman describes Cut and Gilded Vase produced by William Leighton. This cut and gilded vase, blown from four layers of glass (colorless, red, green, and opaque white), is very Bohemian in appearance. However, it was made at the New England Glass Company. William