All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
First printed edition published by Johannes de Spira, Venice, 1469 A chief idea in ancient thought and in Renaissance Humanism was the centrality of the individual in the world. Accordingly, the natural world was considered to be less a manifestation of a divine creator and more a stage for the
The Saggi di naturali esperienze / fatte nell’Accademia del cimento sotto la protezione del serenissimo principe Leopoldo di Toscana e descritte del segretario di essa Accademia is a landmark publication in the history of experimental science. It describes experiments conducted by members of the
The encyclopedia titled De Proprietatibus Rerum (On the properties of things) was one of the most influential and widely published pedagogical works of the late medieval period. Originally written in Latin in the mid-13th century, it contained 19 books in a single volume that was meant to encompass
As the Italian Renaissance entered its last century and Galileo Galilei was using his telescope to advance the science of astronomy, a Florentine priest named Antonio Neri was writing a guide for glassmakers that would inform their craft for the next 200 years. Titled L’Arte vetraria (The art of
The scientific resources housed in the Rakow Library chronicle the mutual history of glass and science. They reveal how glass was both a subject and a tool of scientific study. They also highlight the different channels of scientific communication, beginning with the Medieval manuscript of the
The International Studio, v. 26 (1905), pp. 68-69, ill. AI92295 Illustration and brief description of a stained glass window, designed by Charles Dawson and executed by Alex. Gascoyne. Digitized by Boston Photo in April 2013. CitationDB 0C6BEADE-91DB-475A-A652-D22918283C32.pdf Dawson, Charles Art
The International Studio, v. 26 (1905), p. 260, ill. AI92300 Brief mention and illustration of cartoons for stained glass, designed by Nicole D'Ascenzo. Digitized by Boston Photo in April 2013. CitationDB 6F5729B3-78E2-410F-8374-E1CD08FEE363.pdf D'Ascenzo, Nicole Glass painting and
The International Studio, v. 26 (1905), pp. XIV-XIX, ill. AI92294 Use of stained glass windows in architecture, with focus on Tiffany Studios. Digitized by Boston Photo in April 2013. Includes CMoG object: 76.4.22, p. XV. CitationDB 6A0DD219-927D-4D04-9463-D70253331759.pdf Tiffany Studios Glass
Although many people have either heard about or visited the Harvard collection of glass flowers, few are familiar with their creators, the father and son model makers, Leopold (1822-1895) and Rudolf (1857-1939) Blaschka. Fewer still know about the Blaschkas’ models of soft-bodied undersea creatures
Cristalleries du Val-Saint-Lambert, Seraing, Belgium. 133354 [Seraing]: Cristalleries du Val-Saint Lambert, 1896.  p. 31 cm. Val-Saint-Lambert, Cristalleries du Cover title. Trade catalog. Believed that "B" is for Belgian prices, and "E" is for prices abroad. Purchase;
Cristalleries du Val-Saint-Lambert, Seraing, Belgium. 133360 [Seraing]: Cristalleries du Val-Saint-Lambert, [1898-1900]  plates: ill.; 35 cm. Val-Saint-Lambert, Cristalleries du Trade catalog. Handwritten price lists on back of each plate. Chandeliers for electric and gas lighting. Purchase;
Cristalleries du Val-Saint-Lambert, Seraing, Belgium. 133352 [Seraing]: Cristalleries du Val-Saint Lambert, [ca. 1895?]  loose leaves (ie.,  p.): ill.; 32 cm. Val-Saint-Lambert, Cristalleries du Caption title. Trade catalog. Suggested date provided by previous owner, Raymond Chambon. Closely
Cristalleries du Val-Saint-Lambert, Seraing, Belgium. 133355 [Seraing]: Cristalleries du Val-Saint Lambert, 1896.  p.; 31 cm. Val-Saint-Lambert, Cristalleries du Cover title. Trade catalog. 50 different lamp chimneys illustrated; one with sand blast design; one with needle-etched design, others
Cristalleries du Val-Saint-Lambert, Seraing, Belgium. 133359 [Seraing]: Cristalleries du Val-Saint-Lambert, [1898-1900] 24 figs. on  leaves: ill.; 18-27 x 21-24 cm. Val-Saint-Lambert, Cristalleries du Trade catalog. Unique collection of blueprint plates. Figures 1-7, 11-20 are pasted on Val
Cristalleries du Val-Saint-Lambert [Seraing, Belgium]. 133327 [Seraing: Cristalleries du Val-Saint Lambert, 1 janvier 1840 (Bruxelles: J.B. Blasseau) 21 leaves; 27 cm. Val-Saint-Lambert, Cristalleries du Trade catalog. Purchase; Chambon; 1983; 1000129448 Digitized by Boston Photo Imaging April 2013
Tropical and temperate plants continuously bloom in their Victorian cherry wood vitrines as visitors to the Harvard Museum of Natural History marvel at their favorite flowers and the most noxious weeds. These nearly 4,300 botanical models represent roughly 840 species and 170 plant families in an
One of the most interesting figures in the history of glass lived four hundred years ago in Florence, Italy. He was an alchemist, a glassmaker and a Catholic priest. His name was Antonio Neri and he worked for a prince from the Medici royal family. 1 Neri is famously known as the author of the
Watch Jordana Korsen demonstrate for her class, Next Steps in Glassblowing. This class will focus on the common problems that arise for students when they ha...
Katharine Lamb Tait was born on June 3, 1895 in Alpine, New Jersey. Katharine’s father who was architect and designer, Charles Rollinson Lamb, was also president of Lamb Studios and the Stained Glass Association of America. 7 Her mother, Ella Condie Lamb was an artist. 1 In 1912, Tait graduated
At December's 2300°: Salsa, guest artist Pablo Soto created vibrant blue glass vessels in front of a lively crowd. We caught up with him after the show to se...
Watch Raven Skyriver demonstrate for his Under Construction class at The Studio. This sculpting class will teach students how to construct the objects that t...
Andrew Erdos' work is pop, sarcastic, and humorous, with a hint of social commentary. He says, "I like taking objects that we are comfortable with—like a hum...
Joanna Manousis holds an M.F.A. in Sculpture from Alfred University, NY, and a B.F.A. in Glass from The University of Wolverhampton, England. She has worked,...
Artist John Miller creates his super-sized "Blue-Plate Specials" in glass at the Hot Glass Show during 2300°: Americana. Watch as he turns some American clas...
This article reviews the current state of our knowledge of early Islamic gold sandwich glass and publishes five examples in the Museum's collection. In 1964, the Corning Museum acquired a gold sandwich glass cup [64.1.32] (Fig. 1) that was identified as “2nd–4th century A.D., Parthian or
Among the glass in the Department of Greek and Roman Antiquities at The British Museum is a fragment of a late Roman dichroic cage cup. Although the fragment has been mentioned on several occasions, 1 it has never been described in detail. The find-place is unknown. Description The fragment (Fig. 1
In 1959, The Corning Museum of Glass received a large group of objects as a gift from Frederick Carder, the retired director of the Steuben Glass Works. Most of these had been made at Steuben in Corning, New York, but some were English. Most of the English pieces came from Stevens & Williams of
In 1975, The Corning Museum of Glass acquired a fragment with enameled ornament that was attributed to the late Hellenistic or early Roman period. 1 It was purchased in the marketplace, and the Museum has no record of its history. The purpose of this note is to suggest that it may have been
Among the objects from the collection of Ray Winfield Smith that are in The Corning Museum of Glass, one relief-cut fragment has provoked widely divergent views about its identity. 1 The object (Fig. 1), which Smith acquired in Cairo, may be described as follows: Fragment with eagle [55.1.148].
The subject of this note is a fragment of cameo glass [59.1.509] (Figs. 1 and 2), now in The Corning Museum of Glass, that was formerly in the collection of Ray Winfield Smith. 1 It was shown in the 1957 exhibition Glass from the Ancient World as part of a group of early Islamic cameo glass,