All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Cristalleries du Val-Saint-Lambert, Seraing, Belgium. 133355 [Seraing]: Cristalleries du Val-Saint Lambert, 1896.  p.; 31 cm. Val-Saint-Lambert, Cristalleries du Cover title. Trade catalog. 50 different lamp chimneys illustrated; one with sand blast design; one with needle-etched design, others
Cristalleries du Val-Saint-Lambert, Seraing, Belgium. 133359 [Seraing]: Cristalleries du Val-Saint-Lambert, [1898-1900] 24 figs. on  leaves: ill.; 18-27 x 21-24 cm. Val-Saint-Lambert, Cristalleries du Trade catalog. Unique collection of blueprint plates. Figures 1-7, 11-20 are pasted on Val
Cristalleries du Val-Saint-Lambert [Seraing, Belgium]. 133327 [Seraing: Cristalleries du Val-Saint Lambert, 1 janvier 1840 (Bruxelles: J.B. Blasseau) 21 leaves; 27 cm. Val-Saint-Lambert, Cristalleries du Trade catalog. Purchase; Chambon; 1983; 1000129448 Digitized by Boston Photo Imaging April 2013
Tropical and temperate plants continuously bloom in their Victorian cherry wood vitrines as visitors to the Harvard Museum of Natural History marvel at their favorite flowers and the most noxious weeds. These nearly 4,300 botanical models represent roughly 840 species and 170 plant families in an
One of the most interesting figures in the history of glass lived four hundred years ago in Florence, Italy. He was an alchemist, a glassmaker and a Catholic priest. His name was Antonio Neri and he worked for a prince from the Medici royal family. 1 Neri is famously known as the author of the
Watch Jordana Korsen demonstrate for her class, Next Steps in Glassblowing. This class will focus on the common problems that arise for students when they ha...
Katharine Lamb Tait was born on June 3, 1895 in Alpine, New Jersey. Katharine’s father who was architect and designer, Charles Rollinson Lamb, was also president of Lamb Studios and the Stained Glass Association of America. 7 Her mother, Ella Condie Lamb was an artist. 1 In 1912, Tait graduated
At December's 2300°: Salsa, guest artist Pablo Soto created vibrant blue glass vessels in front of a lively crowd. We caught up with him after the show to se...
Watch Raven Skyriver demonstrate for his Under Construction class at The Studio. This sculpting class will teach students how to construct the objects that t...
Andrew Erdos' work is pop, sarcastic, and humorous, with a hint of social commentary. He says, "I like taking objects that we are comfortable with—like a hum...
Joanna Manousis holds an M.F.A. in Sculpture from Alfred University, NY, and a B.F.A. in Glass from The University of Wolverhampton, England. She has worked,...
Artist John Miller creates his super-sized "Blue-Plate Specials" in glass at the Hot Glass Show during 2300°: Americana. Watch as he turns some American clas...
This article reviews the current state of our knowledge of early Islamic gold sandwich glass and publishes five examples in the Museum's collection. In 1964, the Corning Museum acquired a gold sandwich glass cup [64.1.32] (Fig. 1) that was identified as “2nd–4th century A.D., Parthian or
Among the glass in the Department of Greek and Roman Antiquities at The British Museum is a fragment of a late Roman dichroic cage cup. Although the fragment has been mentioned on several occasions, 1 it has never been described in detail. The find-place is unknown. Description The fragment (Fig. 1
In 1959, The Corning Museum of Glass received a large group of objects as a gift from Frederick Carder, the retired director of the Steuben Glass Works. Most of these had been made at Steuben in Corning, New York, but some were English. Most of the English pieces came from Stevens & Williams of
In 1975, The Corning Museum of Glass acquired a fragment with enameled ornament that was attributed to the late Hellenistic or early Roman period. 1 It was purchased in the marketplace, and the Museum has no record of its history. The purpose of this note is to suggest that it may have been
Among the objects from the collection of Ray Winfield Smith that are in The Corning Museum of Glass, one relief-cut fragment has provoked widely divergent views about its identity. 1 The object (Fig. 1), which Smith acquired in Cairo, may be described as follows: Fragment with eagle [55.1.148].
The subject of this note is a fragment of cameo glass [59.1.509] (Figs. 1 and 2), now in The Corning Museum of Glass, that was formerly in the collection of Ray Winfield Smith. 1 It was shown in the 1957 exhibition Glass from the Ancient World as part of a group of early Islamic cameo glass,
In 1927, Gustavus Eisen published a group of "gold glasses" that he attributed to the period between the late third and sixth centuries A.D. 1 These objects, however, have long been recognized as forgeries. Examples were offered to the British Museum in 1909, but they failed to impress O.
The "Vase des Saisons" is the name given by Jean de Foville to a cameo glass bottle in the Cabinet des Medailles et Antiques of the Bibliothèque Nationale, Paris. (Figs. A, B, C "Alabastron en verre camée" (Camée.623)). The object may be described as follows: H. (as restored) 16
Dichroic (two-colored) glass is so called because it appears to be one color in reflected light and another color when light shines through it. Only a handful of Roman dichroic glass objects are known to exist. The most famous of these is the Lycurgus Cup, which is opaque green in reflected light
The Corning Ewer (Figs. 1-5) is the finest known example of Islamic cameo glass. Shown in London in the 1976 exhibition "The Arts of Islam” 1 the ewer was acquired by The Corning Museum of Glass in 1985. 2 This article describes the object and compares it with other Islamic cameo glasses, with
In his monumental study of documents from the Cairo Genizah, the late S.D. Goitein drew attention to a letter requesting, among other items, "a wickerwork basket with red glasses from Beirut, and if they cannot be had, white glasses." 1 The letter, which is written in Arabic but with
The artwork of Andrew Erdos, the Museum’s 2013 Rakow Commission artist, is pop, sarcastic, and humorous, with a hint of social commentary. His over-the-top installations create a situation of sensory overload, which he sees as a reflection of everyday life in urban culture, especially the culture
The beaker (Figs. 1 and 2), in the collection of The Corning Museum of Glass, may be described as follows: Cone beaker [85.1.4] Anglo-Saxon Probably seventh century H. 17.6 cm, D. (rim) 8.5 cm. Transparent yellowish-amber glass with many bubbles. Rim outsplayed, turned inward and downward; body
Marta Ramírez is a glass artist and industrial designer who teaches at the Los Andes University in Bogotá, Colombia. Her work is clearly inspired by water, a...
The 2012 Rakow Commission honors the Danish artist Steffen Dam, a consummate glass craftsman, who will give an illustrated talk on his work. Although inspire...
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. T...
Ransmeier, Leon. 132918 9 ways to use a pitcher 2012. 1 computer file. Design drawings include both design images and photographs showcasing variations of handle placement with cardboard models. Ransmeier maintains that the handles are the fundamental communication of the human hand with the object
Perry, Mike, 1981- Meek, Eric. Rochelle, Chris. 132917 Color blob vessel 2012. 1 computer file. Design drawing features four numbered varieties of prototypes including infinity symbol, optical illusion shapes, and two different of color "bloooobs" in 3-D. Mike Perry collaborated with