All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Beat Karrer explains the three designs from his GlassLab session at the Vitra Design Museum in June, 2011. His designs for an angular carafe, opaque hourglass, and transparent drop lighting object use concepts of industrial design applied to pieces in glass. The Zurich-based designer develops new
"My initial relationship to the arts would probably be observation. Watching things change, watching things grow." Amie Laird McNeel came to The Studio of The Corning Museum of Glass as part of the joint Artists-in-Residence partnership with the John Michael Kohler Arts Center. A
"Our goal was to overcome defeatism before it ever had a chance to set in, and to provide encouragement for the stricken people of the community," declared Dr. Robert H. Brill, director of the Museum during the post-flood restoration period. The Flood of '72: Community, Collections,
Cascade Wall was designed by George Thompson and made in Corning by Steuben Glass for its New York City showroom. When it was installed in the showroom in 1959, it had a reflecting pool at the bottom. Gift of Steuben Glass, Inc.
GlassLab is a program from The Corning Museum of Glass that introduces designers to glass as a means to immediately prototype designs in front of a live audience. During Art Basel in June, 2011, GlassLab presented at the Vitra Design Museum. Designer Barbara Etter describes her experience with
Listen as curator Jane Shadel Spillman describes glass of HW Stiegel, produced by the American Flint Glass Manufactory of Henry William Stiegel. Stiegel opened a glasshouse in Manheim, PA, in 1764. He was originally a manufacturer of window and bottle glass, but his main interest was fine lead
"Masters of Studio Glass: Joel Philip Myers and Steven I. Weinberg" was the first in a series of focus exhibitions celebrating the diverse work of contemporary studio glass artists. It examined the careers of two well-respected artists who work in glassblowing and glass casting. While
Designer Michele Oka Doner describes working at GlassLab during a design session at The Corning Museum of Glass, July 31- August 1, 2012.
Listen as curator Tina Oldknow describes Chess Set, created by Italian glass artist Gianni Toso. In this whimsical, yet functional, chess set, a Jewish rabbi and a Roman Catholic bishop (the two kings) join a group of holy men and women holding Judeo-Christian symbols of faith, including crosses,
Listen as curator, David Whitehouse describes the stages of making a paperweight.
Designer Jason Miller describes working at GlassLab during a design session at The Corning Museum of Glass, June 5- 6, 2012.
Listen as curator Dedo von Kerssenbrock-Krosigk describes this tazza with Medici Arms. This tazza is enameled with the coat of arms of the Medici family combined with crossed keys and a papal tiara, suggesting that they were made for a member of the church, most probably either Pope Leo X or Pope
Chad Phillips at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
People have decorated with glass beads for hundreds of years. This crown was made in Nigeria in the mid-20th century.
The first mosaic artist to be awarded a Rakow Commission, Gardner creates large-scale sculptures and installations with shimmering glass tiles that transform space. With their reduced forms and subtle decoration, Gardner describes her sculptures as quiet and simple. Most work in mosaic is
Joel Philip Myers shares his excitement about how the Studio Glass Movement has evolved over the last 40 years. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.
This cup is named for JP Morgan, the famous banker who once owned it. It is the only known ancient Roman cameo glass vessel that has survived intact. The scene shows worshippers at a shrine.
Liquid Fusion: Glass Design Workshop is an annual workshop CMOG conducts with the Vitra Museum at Domain de Boisbuchet, in Lessac, France. Film by Deidi von Schaewen, editing by Giona Messina.
Try glassblowing at The Corning Museum of Glass (any age if accompanied by an adult).
A Collaboration of The Corning Museum of Glass + Vitra Design Museum. GLASSLAB brings the ancient processes and skills of glassmaking together with creative and innovative minds in the design world. Contemporary designers, working with Corning Museum of Glass glassmakers in a unique mobile hot
The Czech artist Jiří Harcuba shows how he engraves with diamond, stone, and copper wheels, creating innovative portraiture on glass with the highest level of craftsmanship. He talks about his life, his work, and his interest in philosophy and psychological studies of major figures. He also
Artists Libensky and Brychtova work together to create another dimension in glass art. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.
Listen as glass artist William Gudenrath describes the technique used to make the Morgan cup. The rarest and most elaborate luxury vessels of the early Roman Empire are cameo glasses. These objects were inspired by relief-cut gems of banded semiprecious stones, such as onyx. Glassmakers cased
This Meet the Artist lecture by Beth Lipman was recorded on June 11, 2007. Lipman creates hand-sculpted still lifes in glass, which most often take the form of sumptuous foods and/or fragile tablewares arranged on a base, in a frame, and later, on tables and other furnishings. Her works explore
East Meets West: Cross-Cultural Influences in Glassmaking in the 18th & 19th Centuries at The Corning Museum of Glass November 18, 2010- October 30, 2011, explores the cultural exchanges of glassmaking between the East and West and documents stylistic developments in Western Europe and East
Viewers follow the celebrated glassmaker Lino Tagliapietra as he makes canes(delicately patterned rods of glass) and uses them to decorate one of his intricate blown vessels at The Studio. Along the way, he notes the importance of the gather in cane-pulling, offers some observations on the state of
This DVD focuses on glass artists from Japan who use the pate de verre technique to form intimate glass sculptures that express a love of nature. Kimiake Higuchi demonstrates the making of a cabbage leaf, while her husband, Shin-ichi, produces a mosaic piece. Although they have no formal training
Listen as curator David Whitehouse describes this micromosaic panel in a carved gilt wood frame. The panel shows a view of St. Peter's Square in Rome at the time of a Sunday benediction by Pope Leo XIII. The Pope can be seen in the background standing on the balcony blessing a large gathering
This is a full-scale model of half an Egyptian glass furnace. The original is more than 3500 years old.
Jiri Harcuba, a renowned artist and educator, is known for his simple, yet elegant, portraits in glass. He treats all his subjects in a similar fashion, using spare sculptural cuts and subtle optical effects to create their individual profiles. His student and emerging artist, April Surgent, takes