All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
During their long careers, Leopold and Rudolf Blaschka made many thousands of models of small animals and plants. They sold these all over the world, including to Harvard University. Can you guess which objects in this case are not made of glass?
This video shows the technique of making a medieval goblet, an object in the exhibition Medieval Glass for Popes, Princes, and Peasants, on view at The Corning Museum of Glass from May 15, 2010 to January 2, 2011.
Glass furniture like this table was very popular in India. European glassmakers maintained showrooms that were filled with chandeliers, tables, and chairs for sale to kings and princes.
Designer Paul Haigh talks about his experience with GlassLab at Design/Miami 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
This video shows the technique of making a cage foot, an object in the exhibition Medieval Glass for Popes, Princes, and Peasants, on view at The Corning Museum of Glass from May 15, 2010 to January 2, 2011.
Atelier Oi prototypes glass design ideas at GlassLab at the Vitra Design Museum during Art Basel 2010.
Listen as curator David Whitehouse describes an ewer signed by Ennion. The discovery that vessels could be formed and decorated by inflating a gob of glass in a mold permitted large numbers of virtually identical objects to be produced quickly and inexpensively. The first-century Roman writer Pliny
Dan Dailey talks about how the materials and process influence his artistry. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.
Michal Fronek from Olgoj Chorchoj glass studio in the Czech Republic works at GlassLab at the Vitra Design Museum in June 2010 during Art Basel.
Deisgner Arik Levy discusses his project at GlassLab at the Vitra Design Museum in June 2011. GlassLab is a design program of The Corning Museum of Glass that introduces designers to the material of glass, offering rare access for designers to experiment with and explore the properties of the
Jane Shadel Spillman, curator of American Glass, discusses Louis Comfort Tiffany's blown glass showcased in "Tiffany Treasures: Favrile Glass from Special Collections"- on view at The Corning Museum of Glass November 1, 2009- October 31, 2010.
The Library was established as part of the Museum in 1951. Today, it houses the world's largest and finest collection of resources on the art and history of glass. Much of the collection consists of unique items, such as the archives and original design drawings for stained glass. This video
A spectacular and large Tiffany stained glass memorial window has been installed in the Museum’s modern glass gallery. It is the first time that this window has been on view at the Museum since its donation in 1996. Titled The Righteous Shall Receive a Crown of Glory, the window was designed by
"If necessity is the mother of invention, then for the glass fiber industry, adversity is the father." -William Boeschenstein, Owens-Corning Fiberglas, 1995 The world’s largest bottle plant stood empty. Prohibition and the Depression had crushed the demand for bottles. American bottle
Otto Schott, the pioneering German glass chemist, made a glass that could reliably do something that didn’t seem possible: endure sudden, uneven temperature shifts without shattering. The key, Schott discovered in 1882, was to have a critical amount of the element boron in the glass recipe. Schott
(No, It Doesn't Flow—read on for details) Early one spring morning in 1946, Clarence Hoke was holding forth in his chemistry class at West Side High School in Newark, New Jersey. "Glass is actually a liquid." the North Carolina native told us in his soft Southern tones. "You can
Tim Dubitsky at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
Harvey Littleton is internationally acclaimed and recognized for his tireless work in %%founding%% and promoting the American Studio Glass movement. The movement was “born” in 1962, during two seminal glassblowing workshops at The Toledo Museum of Art. The workshops were led by Littleton, a
Although most people think of glass as a man-made material, it is found in many forms in the natural world. A range of glasses are found in—and formed by—nature. Volcanoes spew molten rock, lightning strikes desert and beach sands, meteorites pound the earth, and sea sponges and microscopic
Today lampworkers %%melt%% borosilicate glass in brilliant colors using modern torches that burn oxygen and propane. But how did glassworkers %%melt%% glass at the flame 300 years ago? As a glass librarian and a glass artist, I'm fascinated by the ingenuity and inventiveness of lampworkers in
Beth She'arim was a cemetery located in Galilee. It was one of the most sacred places in the ancient Jewish world. Just adjacent to its catacombs is a natural cave that had long ago been made into a large cistern for storing water. It apparently fell into disuse at the end of the 4th century
An understanding of the history of glass would not be complete without acknowledging the importance of glass beads both as a products of early manufacture in the medium and as artistic representations of diverse cultures and societies. Glass beads have been found at the earliest glass manufacturing
The lack of any advanced metallurgy among the Aztecs and Mayas has long been a mystery to students of pre-Colombian civilizations. Why, historians ask, were the great Mexican empires stuck in the %%Stone%% Age? The Spanish crushed the Aztec empire with amazing ease, and the Americans'
Boym, Constantin. Boym, Laurene. Rochelle, Chris. Jack, Aaron. 131655 Oil spill Design drawing for oil spill platter prototype 2012. 1 computer file. Design drawing features two platters, one drawn above other. Platter on upper portion of drawing is view from side angle; black oil spill surrounds
Women have played an important role in glassmaking history. The following is a brief overview of the ways in which women have worked with glass before 1950, as documented in articles, books, and original materials from the Rakow Research Library of The Corning Museum of Glass. Beadmakers and
Pictured below are the basic tools used by glassblowers working "at the furnace" (as opposed to those working "at the lamp"- "flameworking" or "lampworking"). They are pretty much unchanged since the first century AD. Incredibly, a Roman-period worker could
Sheet glass made by blowing a parison, cutting it open, and rotating it rapidly, with repeated reheating, until the centrifugal force has caused it to become a flat disk. After annealing, the disk is cut into panes of the required shape and size. Bull’s-eye panes come from the centers of the disks
An object, such as a paperweight, that is covered with a layer of colorless glass. The Houghton Salamander
(Italian) A small quantity of glass that joins the stem and the foot of goblets and similar forms. Dragon-Stem Goblet
A decorative pattern of long, mitered grooves, cut horizontally in straight lines so that the top edges of each groove touch the edges of the adjoining grooves. Prismatic cutting is usually found on the necks of pitchers and decanters.