All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
This display of glass produced in America in the 18th and 19th centuries includes useful objects made in the 1700s, fancy art glass of the late 19th century, and glass for windows, lighting devices, and storage jars.
Learn about flameworking with Corning Museum of Glass experts. Flameworking is the technique of taking glass rods or tubes and heating them in a concentrated flame until they become soft.
Listen as curator Jane Shadel Spillman describes the Richard Wistar bottle. The first successful glass factory in the Colonies was established by Caspar Wistar near Alloway, New Jersey, in 1739. Its principal products were window glass and bottles, which were in great demand. More than 15000
The pieces in Gianni Toso's Chess Set, made in about 1981, are in the form of Jewish and Roman Catholic worshippers. The kings are a rabbi and a bishop. The tiny details of the figures were made by softening glass in a flame and molding it into the desired shapes.
Listen as curator, Tina Oldknow, describes "Evening Dress with Shawl" by American artist Karen LaMonte. Karen LaMonte's hauntingly beautiful female figures evoke the fragmented bodies of classical antiquity and the pristine statues of 19th-century American neoclassicism. By using
Listen as glass artist William Gudenrath describes the techniques used by glass artist Maurice Marinot to create Bottle. Marinot studied painting at the Ecole des Beaux-Arts in Paris, and he exhibited regularly at the Salon d'Automne and the Salon des Indépendants in Paris from 1905 to 1913.
This screen, made in London, England, is decorated with birds, frogs, and fish—even a spider and a butterfly. Sixteen birds are shown; 13 are easy to spot, but three are more difficult. How many can you find? Clara S. Peck Endowment.
In the cutting room, a steam-powered shaft drove belts that turned the metal or stone cutting wheels. A glasscutter holds the object against the rotating wheel, which is fed with an abrasive slurry.
Listen as John Fox, director of the Corning Glass Center in 1972, recalls an attempted rescue of a Venetian dragon-stem goblet, which at the time was believed to be a rare 16th century piece. The effort was unsuccessful. It was impossible to get into the case without damaging the goblet, and Fox
Listen as glass artist William Gudenrath, describes the techniques used to create "Endeavor" by Italian artist Lino Tagliapietra. A sense of weightlessness characterizes this installation of 18 boat-like forms. Inspired by the sight of the many gondolas that gather at the entrance to the
Listen as curator Tina Oldknow, describes "Endeavor" by Italian artist Lino Tagliapietra, one of the greatest living glass artists. These 18 boats evoke the gondolas of his native Venice. Each boat was blown and then cold worked to create the different surface textures.
Mark Zirpel's Hot Glass Roadshow demo at the Glass Art Society Conference in Seattle, June 1-5, 2011.
Listen as curator Tina Oldknow describes Archangel Uriel, created by artist Edris Eckhardt. During the 1950s, the studio crafts gained in popularity and importance in the United States. New techniques were developed by individual designer-craftsmen, who explored new uses for glass, ceramics, wood,
This clip is from an interview with Harry Phillips, former gaffer for Steuben, interviewed May 2011. Harry Phillips started his career in glass at Corning Glass Works while still in high school. After leaving high school he went to Steuben where he continued for 46 years, working his way up to
Listen as curator Tina Oldknow describes Bottle created by glass artist Maurice Marinot. Marinot studied painting at the Ecole des Beaux-Arts in Paris, and he exhibited regularly at the Salon d'Automne and the Salon des Indépendants in Paris from 1905 to 1913. Although Marinot was developing
In 1959, the Museum curated the landmark exhibition Glass 1959, which was one of the first significant surveys of modern glass. Since then, The Corning Museum of Glass has been committed to introducing new art and design in glass by providing resources, training, and support for artists working...
Traditional glass engravers use copper wheels mounted on a lathe. The wheels come in many shapes and sizes. An abrasive slurry drips onto the wheel as the engraver works on the design.
Watch Martin Janecky demonstrate for his class, Blowing and Sculpting Inside the Bubble, which will focus on unique techniques and approaches to solid and blown sculpting, emphasizing the freedom to explore process, as well as the potential of the material.
Emile Gallé was an artist of genius, a poet, and a horticulturalist. He designed remarkable glass, ceramics, and furniture. The huge dragonfly that adorns this chalice-like coupe reflects Gallé's profound love of nature. Gift in part of Benedict Silverman, in memory of Gerry Lou Silverman.
Listen as curator, Tina Oldknow, describes "Marquiscarpa" by American artist Richard Marquis. Using techniques that originated in Italy, American artist Richard Marquis pays homage to the great Italian designer Carlo Scarpa.
Watch Jim Byrnes demonstrate for his Studio course, Beginning Flameworking, that will focus on the means more than the end. Students will be guided through s...
Listen as glass artist William Gudenrath, describes the techniques used to create "Meteor, Flower, Bird" by Czech artists Stanislav Libenský and Jaroslava Brychtová. Stanislav Libenský and Jaroslava Brychtová convey three messages with this sculpture. Meteor, on the left, represents
Designers Steven and William Ladd describe working at GlassLab during a two-day design session at The Corning Museum of Glass, August 28- 29, 2012.
Anne Gant is one of the few glass artists to work on paper. Watch as she uses hot glass to make prints and drawings in a fascinating combination of glassblowing and printing or drawing with glass. First, two glassmakers sculpt hot glass into shapes and lines. While the glass is still scorching hot
Some of this furniture was designed to be used, while other pieces are purely decorative. Ghost Chair, on the left, is sturdy enough for use; Likewise, Danny Lane's Etruscan Chair on the far right was also designed for sitting.
GlassLab is a program from The Corning Museum of Glass that introduces designers to glass as a means to immediately prototype designs in front of a live audience. During Art Basel in June, 2011, GlassLab presented at the Vitra Design Museum. Designer Paul Cocksedge designed an interactive glass
Listen as curator David Whitehouse describes a Roman cage cup. Cage cups are the most exclusive luxury glasses made in the later Roman Empire. They date from about AD 250 to the mid-fourth century. Cutting and grinding a single thick-walled blank was a laborious and risky process. If just one mesh
These blinds led to the arrival of glassmaking in Corning. Elias Hungerford, who patented the blinds in 1866, looked for a glass factory that would make them. He persuaded the owner of the Brooklyn Flint Glass Works to move to Corning, where both land and labor were less expensive. The original
Gayla Lee was first entranced by glass at the age of eight when she encountered a glassblower at a Renaissance festival. Her fascination with the material eventually led her to an apprenticeship in a Baltimore glass studio at the age of 20. Lee took Davide Salvadore's class, Creating and Using
Listen as curator Tina Oldknow describes this vase created by Tapio Wirkkala, one of Finland's best-known designers. He trained as a sculptor in Helsinki and he approached the decorative arts as a sculptor, but he also appreciated fine handcraft. He worked with a variety of materials,