All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
This DVD focuses on glass artists from Japan who use the pate de verre technique to form intimate glass sculptures that express a love of nature. Kimiake Higuchi demonstrates the making of a cabbage leaf, while her husband, Shin-ichi, produces a mosaic piece. Although they have no formal training
Listen as curator David Whitehouse describes this micromosaic panel in a carved gilt wood frame. The panel shows a view of St. Peter's Square in Rome at the time of a Sunday benediction by Pope Leo XIII. The Pope can be seen in the background standing on the balcony blessing a large gathering
This is a full-scale model of half an Egyptian glass furnace. The original is more than 3500 years old.
Jiri Harcuba, a renowned artist and educator, is known for his simple, yet elegant, portraits in glass. He treats all his subjects in a similar fashion, using spare sculptural cuts and subtle optical effects to create their individual profiles. His student and emerging artist, April Surgent, takes
Designer Steven Ladd talks about his experience working with GlassLab at Design/Miami 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
Ancient glassmakers discovered a technique called core forming. A core was formed from dung and clay, then dried. The core was covered with glass. After cooling, the core was scraped out. The bottles were used for perfume and cosmetics.
www.glassart.org Hope to see you in Corning, NY-- "America's Crystal City" for the 2009 Annual Glass Art Society Conference.
Listen as curator David Whitehouse describes these glass eyeballs made by the Blaschkas. When the curators of natural history museums displayed the mounted skins of elephants, lions, tigers and gorillas, they substituted the animals' real eyes with glass eyes made by Leopold and Rudolf
Sebastian Errazuriz at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A design program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
Francisco Costa at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
William and Steven Ladd at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
Designer Wendell Castle prototypes a design for martini glasses and pitcher set on GlassLab at the Vitra Design Museum during Art Basel 2010.
Watch as glass artist Martin Janecky demonstrates blown sculpting as he creates one of his signature pieces.
This video shows the technique of making a kuttrolf, an object in the exhibition Medieval Glass for Popes, Princes, and Peasants, on view at The Corning Museum of Glass from May 15, 2010 to January 2, 2011.
Learn about Gold Glass from Ancient Rome, and also, how to make gold glass today. This video was featured in the exhibit "Reflecting Antiquity" at The Corning Museum of Glass, February 15- May 27, 2008.
Listen as curator Dedo von Kerssenbrock-Krosigk describes this cut glass table. Glass furniture was popular during the last half of the 18th century. In the 19th century, some furniture was made almost entirely of large pieces of glass. The Imperial Glassworks in St. Petersburg, Russia, created
Listen as curator Dedo von Kerssenbrock-Krosigk describes the Portrait Medallion of Louis XIV, which is made of colorless glass that was cast and later cold-painted and mirrored. It is symbolic of the presentation and gift giving of the Sun King, and together with tapestries, silver and furniture,
Designer Tomoko Azumi describes describes working at GlassLab at the Vitra Design Museum in June 2011 during Art Basel. GlassLab is a program from The Corning Museum of Glass that introduces designers to the material of glass.
William Gudenrath, resident advisor of The Studio, provides instruction in the basics of Venetian glassblowing and creates his own Venetian-inspired glass pieces. The portrait of the artist focuses on his passion for glassblowing, teaching and music. Master Class Series, Vol. II: Introduction to
Dante Marioni's sophisticated and boldly colored contemporary vessels are inspired by ancient Greek and Etruscan forms that reflect the rich history of classical Mediterranean pottery and bronzes. The son of studio glass pioneer Paul Marioni, Dante learned traditional Venetian glassblowing
Listen as curator Dedo von Kerssenbrock-Krosigk describes the glass table and boat by the Cristalleries de Baccarat. At the 1900 World's Fair in Paris, the Parisian department store Le Grand Dépôt displayed a sculpture in the form of a boat. It was designed by Charles Vital Cornu (1851--1927),
Tom Patti explains his unique approach to working with glass. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.
Glass Maestro, Gianni Toso shares what inspires and influences his work, specifically about his piece "Chess Set."
Listen as curator David Whitehouse describes this display, telling the story of two remarkable lampworkers, Leopold Blaschka and his son Rudolf, who created in glass thousands of models of invertebrates, animals without backbones, as well as flowers and plants. The father began the business of
Sigi Moeslinger at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
The first successful glassmaker in America was Caspar Wistar who began a factory in New Jersey. Before his factory, all glass was imported from England and Europe. This bottle is one of three that are known to come from his factory.
Les Hommes noirs was designed by the celebrated designer and glass manufacturer Emile Gallé in collaboration with the painter and sculptor Victor Prouvé. In a letter to Prouvé, Gallé wrote that, with Les Hommes noirs, he aimed to expose "fanaticism, hatred, lies, prejudice, and hypocrisy."
Listen as curator David Whitehouse describes this object, a typical example of a puzzling group of glasses known as Hedwig beakers. They are unlike any other medieval objects of glass or rock crystal from the Islamic world, Byzantium, or western Christendom. These colorless or nearly colorless
Listen as curator Dedo von Kerssenbrock-Krosigk describes this mechanical glass theater, which depicts the Wedding at Cana. Figurines in Venetian and Turkish costumes are seated in the loggia of a Rococo palace. The heads and limbs of each figure are lampworked in glass, and they can be moved by
Listen as glass artist William Gudenrath describes the technique used to create the Corning Ewer, one of the finest pieces of cut glass in the entire Museum! The eggshell-thin colorless glass was covered with a green overlay. After cooling, the green was partly carved away to create the decoration.