All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Listen as curator, Tina Oldknow, describes "Marquiscarpa" by American artist Richard Marquis. Unsatisfied with the limited techniques practiced and taught in American studio glass in the 1960s, studio glass pioneer Richard Marquis went to the Venini glassworks on Murano in 1969. There, he
The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This Honky Tonk Holiday event (Nov. 17, 2011), included music by Eileen Jewell, glassmaking by DH McNabb, and more.
The glass slipper was made in Corning, New York to be worn in a movie about Cinderella. The movie was never made, so the slipper was never worn. Gift of Corning Glass Works.
Beat Karrer explains the three designs from his GlassLab session at the Vitra Design Museum in June, 2011. His designs for an angular carafe, opaque hourglass, and transparent drop lighting object use concepts of industrial design applied to pieces in glass. The Zurich-based designer develops new
"Our goal was to overcome defeatism before it ever had a chance to set in, and to provide encouragement for the stricken people of the community," declared Dr. Robert H. Brill, director of the Museum during the post-flood restoration period. The Flood of '72: Community, Collections,
Cascade Wall was designed by George Thompson and made in Corning by Steuben Glass for its New York City showroom. When it was installed in the showroom in 1959, it had a reflecting pool at the bottom. Gift of Steuben Glass, Inc.
GlassLab is a program from The Corning Museum of Glass that introduces designers to glass as a means to immediately prototype designs in front of a live audience. During Art Basel in June, 2011, GlassLab presented at the Vitra Design Museum. Designer Barbara Etter describes her experience with
Listen as curator Jane Shadel Spillman describes glass of HW Stiegel, produced by the American Flint Glass Manufactory of Henry William Stiegel. Stiegel opened a glasshouse in Manheim, PA, in 1764. He was originally a manufacturer of window and bottle glass, but his main interest was fine lead
"Masters of Studio Glass: Joel Philip Myers and Steven I. Weinberg" was the first in a series of focus exhibitions celebrating the diverse work of contemporary studio glass artists. It examined the careers of two well-respected artists who work in glassblowing and glass casting. While
Listen as curator Tina Oldknow describes Chess Set, created by Italian glass artist Gianni Toso. In this whimsical, yet functional, chess set, a Jewish rabbi and a Roman Catholic bishop (the two kings) join a group of holy men and women holding Judeo-Christian symbols of faith, including crosses,
Listen as curator Dedo von Kerssenbrock-Krosigk describes this tazza with Medici Arms. This tazza is enameled with the coat of arms of the Medici family combined with crossed keys and a papal tiara, suggesting that they were made for a member of the church, most probably either Pope Leo X or Pope
Chad Phillips at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
People have decorated with glass beads for hundreds of years. This crown was made in Nigeria in the mid-20th century.
The first mosaic artist to be awarded a Rakow Commission, Gardner creates large-scale sculptures and installations with shimmering glass tiles that transform space. With their reduced forms and subtle decoration, Gardner describes her sculptures as quiet and simple. Most work in mosaic is
Joel Philip Myers shares his excitement about how the Studio Glass Movement has evolved over the last 40 years. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.
This cup is named for JP Morgan, the famous banker who once owned it. It is the only known ancient Roman cameo glass vessel that has survived intact. The scene shows worshippers at a shrine.
Liquid Fusion: Glass Design Workshop is an annual workshop CMOG conducts with the Vitra Museum at Domain de Boisbuchet, in Lessac, France. Film by Deidi von Schaewen, editing by Giona Messina.
A Collaboration of The Corning Museum of Glass + Vitra Design Museum. GLASSLAB brings the ancient processes and skills of glassmaking together with creative and innovative minds in the design world. Contemporary designers, working with Corning Museum of Glass glassmakers in a unique mobile hot
The Czech artist Jiří Harcuba shows how he engraves with diamond, stone, and copper wheels, creating innovative portraiture on glass with the highest level of craftsmanship. He talks about his life, his work, and his interest in philosophy and psychological studies of major figures. He also
Artists Libensky and Brychtova work together to create another dimension in glass art. Voices of Contemporary Glass: The Heineman Collection at The Corning Museum of Glass, May 16, 2009-- January 2, 2011.
Listen as glass artist William Gudenrath describes the technique used to make the Morgan cup. The rarest and most elaborate luxury vessels of the early Roman Empire are cameo glasses. These objects were inspired by relief-cut gems of banded semiprecious stones, such as onyx. Glassmakers cased
East Meets West: Cross-Cultural Influences in Glassmaking in the 18th & 19th Centuries at The Corning Museum of Glass November 18, 2010- October 30, 2011, explores the cultural exchanges of glassmaking between the East and West and documents stylistic developments in Western Europe and East
This DVD focuses on glass artists from Japan who use the pate de verre technique to form intimate glass sculptures that express a love of nature. Kimiake Higuchi demonstrates the making of a cabbage leaf, while her husband, Shin-ichi, produces a mosaic piece. Although they have no formal training
Listen as curator David Whitehouse describes this micromosaic panel in a carved gilt wood frame. The panel shows a view of St. Peter's Square in Rome at the time of a Sunday benediction by Pope Leo XIII. The Pope can be seen in the background standing on the balcony blessing a large gathering
This is a full-scale model of half an Egyptian glass furnace. The original is more than 3500 years old.
Designer Steven Ladd talks about his experience working with GlassLab at Design/Miami 2008. A program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.
Ancient glassmakers discovered a technique called core forming. A core was formed from dung and clay, then dried. The core was covered with glass. After cooling, the core was scraped out. The bottles were used for perfume and cosmetics.
www.glassart.org Hope to see you in Corning, NY-- "America's Crystal City" for the 2009 Annual Glass Art Society Conference.
Listen as curator David Whitehouse describes these glass eyeballs made by the Blaschkas. When the curators of natural history museums displayed the mounted skins of elephants, lions, tigers and gorillas, they substituted the animals' real eyes with glass eyes made by Leopold and Rudolf
Sebastian Errazuriz at GlassLab at the Cooper-Hewitt, National Design Museum, May 17-June 3, 2008. A design program of The Corning Museum of Glass, GlassLab brings designers together with glassmakers to offer them rare access to experimenting with hot glass and prototyping their design concepts.