All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Corning Museum of Glass, May 15, 2007 Hello, I’m Tina Oldknow, the Corning Museum’s Curator of Modern Glass. I welcome you to the second of our series of conversations with artists who have made a significant impact on contemporary glass in America and abroad. TINA: Lino, thank you so much for
Corning Museum of Glass, April 21, 2008 Hello, I’m Tina Oldknow, the museum’s curator of modern glass. I welcome you to our series of conversations with artists who have made a significant impact on contemporary glass in America and abroad. Today, I will be speaking with two artists, Kait Rhoads
Corning Museum of Glass, February 28, 2008 TINA OLDKNOW: I am really pleased to say that Karen LaMonte is here with us tonight. I know a lot of you love her beautiful sculpture, which is the Evening Dress with Shawl, in the Sculpture Gallery, and you’re going to love her even more after you hear
Visitors to The Corning Museum of Glass may see everything from an edgy, disturbing sculpture by Sylvia Levenson to an Islamic perfume bottle from the Middle Ages. At times, it can seem as if the vast array of objects has only silica in common. There are objects that provoke debate and objects
Corning Museum of Glass, April 17, 2007 That particular day the doors swung wide open. There was an incredible roar of the furnaces coming out, and everyone in the glass department was sort of drawing glass through the air and swirling it around, and I looked at it and went, “This looks really
Corning Museum of Glass, March 5, 2009 Tina Oldknow: Hi, I’m Tina Oldknow, curator of modern glass at The Corning Museum of Glass. I’m standing in front of a case of historic African and Venetian beads from the Museum’s collection. On March 5, 2009, artist Kristina Logan presented a lecture about
Corning Museum of Glass, November 1, 2007 Tina Oldknow: Hi. I’m Tina Oldknow, curator of modern glass at The Corning Museum of Glass. On November 2, 2007, we opened Masters of %%Studio Glass%%: Joel Philip Myers and Steven I. Weinberg, the first in a series of exhibitions highlighting the works of
Corning Museum of Glass, July 25, 2007 Welcome. You’re listening to a “Meet the Artist” podcast from the Corning Museum of Glass, Corning NY, the world’s largest museum devoted to the history and art of glass. This “Meet the Artist” podcast series features interviews with living artists who work in
A type of decoration in the stems of 18th-century and later drinking glasses made by twisting columns of air.
The process of reheating a blown glass object at the glory hole during manufacture, to permit further inflation, manipulation with tools, or fire polishing.
Frederick Carder was born in England on September 18, 1863. Fred, as people called him, was fascinated with his family’s pottery factory. At the age of 14, he insisted on quitting school so he could work there. His father was very unhappy about this, so he made Fred work from six in the morning
The prophet Muhammad proclaimed the new religion of Islam in 622. Following his death ten years later, Arab armies conquered much of what is now Egypt, the Near East, and Iran. Here the Moslems found flourishing glass industries, which continued to produce large quantities of objects for daily use.
Anyone who has gazed into the clear depths of a paperweight knows how intoxicating solid glass can be. Glass in vessel form can be decorative, beautiful, even breathtaking, but one cannot escape the utilitarian. After all, it can hold our Cheerios. On the other hand, you would be lying to yourself
Robert Willson (1912–2000) was a sculptor, “half Texan and half Choctaw Indian,” as he liked to describe himself. A maverick in art and in life, he worked outside the mainstream. His work explores themes inspired by ancient mythologies, pre-Columbian and other native American art, and the American
What is your first association with the term “bohemian”? Does it evoke a fine beer-brewing tradition, or connote unpronounceable town names? Germans have a saying: “lauter böhmische Dörfer” (nothing but Bohemian villages), referring to something completely incomprehensible, because of the odd
The permanent collection of The Corning Museum of Glass holds sixteen glass panels affixed to light boxes, which were crafted in a mid-20th-century technique that has recently seen a surge in public interest. The panels, made in the 1950s and 1960s, came to the museum in 1993, and are called
The Beginning of the Studio Movement During the 1950s, studio ceramics and other craft media in the U.S. began to gain in popularity and importance, and American artists interested in glass looked for new paths outside industry. The catalyst for the development of studio glass in the United States
They make glass. By day and night, the fires burn on … and bid the sand let in the light. -Carl Sandburg, In Reckless Ecstasy, 1904. To see the unseeable: the quest is unending. But lenses and prisms are only as good as their glass. Optical-quality glass must be flawless. Even tiny flecks,
The result of using a tool or tools. Jug with Nipt-diamond-waies
In April 2005, The Corning Museum of Glass commissioned the artist Josh Simpson to create the world's first 100-pound glass paperweight, which will be part of Simpson's series of solid glass spheres he calls "planets" or " Megaplanets." It will be the 1,000th %
In glassworking, the process of coloring the surface of glass by the application of silver sulfide or silver chloride, which is then fired at a relatively low temperature. The silver imparts a yellow, brownish yellow, or ruby-colored stain, which can be painted, engraved, or etched. Drinking Horn
A trail of glass drawn out to form a ring or conical foot on which the vessel stands. Tall Beaker (Stangenglas)
A type of glass with air traps and specks of aventurine, patented in the 1890s by James Couper, Christopher Dresser, and George Walton. Clutha
Mold-blown decoration that has two sets of ribs. This is made by blowing the gather in a vertically ribbed dip mold, extracting and twisting it to produce a swirled effect, and then redipping it in the same or another dip mold to create a second set of ribs. Flask
A common, naturally colored, greenish or brownish glass. The color is characteristic of glass that includes traces of iron found in the silica used as the major ingredient. Such glass is inexpensive to produce, and it is used for such items as bottles, when good quality is not essential. Sometimes,
Glassware made in America between about 1815 and 1835 that was blown in a fullsize mold that (despite the popular name) consisted of between two and five pieces. Footed Bowl
The technique of decorating hot glass by dropping onto the surface blobs of molten glass, usually of a different color or colors. Beaker or Lamp
A type of Art Glass developed by Joseph Locke (1846-1936) at the New England Glass Company and patented in 1885. Made of colorless glass, it was mold-blown repeatedly, partly etched and stained amber or rose, and decorated with blue and amber garlands of flowers and fruits. Pomona
The part of a lamp where the flame is produced. Early Fluid Burning Lamp
Two varieties of glass, opaque black and opaque red, developed by the Bohemian glassmaker Jirí von Buquoy (1781-1851) and patented in 1817 and 1819 respectively. Hyalith Beaker