All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Listen as curator Tina Oldknow, describes "Meteor, Flower, Bird" by Czech artists Stanislav Libenský and Jaroslava Brychtová, who convey three messages with this sculpture. Meteor, on the left, represents Corning as an international center for the study of glass. The flower, in the middle
Listen as glass artist William Gudenrath describes the technique of making a core-formed vessel. The technique of core forming, which was introduced around the middle of the 16th century BC, was used to fashion some of the first glass vessels. Core forming involves the application of glass to a
Listen as glass artist William Gudenrath describes how this glass cup was made.
Listen as glass artist William Gudenrath describes the technique of making a glass bottle with handles. Although glass vessels were never as cheap as earthenware, they had several advantages. They were easy to clean, they did not impart an odor to their contents, and they allowed one to see the
This is one of the finest pieces of cut glass in the entire museum! The eggshell-thin colorless glass was covered with a green overlay. After cooling, the green was partly carved away to create the decoration.
Listen as glass artist William Gudenrath describes the techniques used to make this glass object. This Tazza is enameled with the coat of arms of the Medici family combined with crossed keys and a papal tiara, suggesting that they were made for a member of the church, most probably either Pope Leo
Cage cups were made by Roman glasscutters in the fourth century AD. The entire vessel was cut from a thick-walled glass hemisphere. The metal attachments show that the object was a hanging lamp. Imagine the shadows the "cage" would have cast as the lamplight flickered.
Listen as former curator David Whitehouse describes the Corning Ewer, an outstanding example of Islamic relief-cut cameo glass. A layer of transparent light green glass was applied to a layer of colorless glass. Most of the outer layer was then cut away, leaving the decoration in relief. Although
This was an ancient Roman form of packaging. It was filled with perfume, then the tail was sealed by heating it in a flame. To extract the perfume, the user broke off the tip of the tail. This piece is featured in the Museum's app, specifically in the kid-friendly version. Download the app
Listen as glass artist William Gudenrath describes the technique used to make this mechanical glass theater. This miniature theater shows the Wedding at Cana. Look closely and you can see that it is made of shells, rock crystal, fabric, and pieces of glass. Some of the figures are attached to
Listen as glass artist William Gudenrath describes the technique used to make this Ravenscroft goblet. In March 1674, the English glassmaker George Ravenscroft applied for a patent to make colorless lead glass. Unfortunately, this glass was prone to crizzling, a chemical instability that results in
Listen as glass artist William Gudenrath describes the technique used to make the Verzelini goblet. Venetian glassmakers were hired in England during the 16th century. One of them was Giacomo Verzelini. In 1571, he was brought to London by Jean Carré, a French native and owner of the Crutched
During their long careers, Leopold and Rudolf Blaschka made many thousands of models of small animals and plants. They sold these all over the world, including to Harvard University.
Listen as glass artist William Gudenrath describes the technique used to make this cameo glass vase. This unusually large piece of cameo glass is filled with action! The scene of warriors fighting is taken from a medieval Chinese story.
Davide Salvadore speaks of his profound love and respect for glass, and his family. He demonstrates working with Murrine. Master Class VIII: Working with Murrine with Davide Salvadore (30 minute DVD presented by The Studio of The Corning Museum of Glass)
Katherine Gray talks about her work, her demonstration at the March 2010 2300 Degrees, and her new installation in the Museum's Contemporary Glass Gallery.
Joe Miller from M-Space explains how creativity and performance are judged at the annual competition, now in its 8th year.
Shin Azumi discusses his project at GlassLab at the Vitra Design Museum in June 2011. GlassLab is a design program of The Corning Museum of Glass that introduces designers to the material of glass, offering rare access for designers to experiment with and explore the properties of the material.
On June 23, 1972, Corning suffered a major natural disaster. Tropical Storm Agnes inflicted three days of incessant rain on western New York and Pennsylvania. Corning's normally peaceful Chemung River became a torrent. The river overflowed its dikes, and downtown Corning was inundated. At the
Introduction to the Hot Glass Roadshow at the Glass Art Society Conference in Seattle, June 1-5, 2011.
On May 19, 2011, The Corning Museum of Glass celebrated its 60th birthday- and treated its first visitor in style. Here's a brief overview of that day.
Listen as curator David Whitehouse describes an ancient Egyptian furnace. This is a full-scale model of a furnace that was used for making glass at Tell el-Amarna, Egypt, nearly 3500 years ago. The model shows half of the furnace. The lower part was constructed in a pit, with only the dome above
Listen as curator Jane Shadel Spillman describes the Morgan Vase. The Victorian sense of "good taste" emphasized ornate works. Some glassmakers met this demand by creating dramatic color effects. Several American factories produced Peachblow glass, which had a surface that shaded from
Corning Museum of Glass, November 30, 2007 When you look at great artists, you see content in their work. I mean, you see something unique, you see something coming across that’s challenging. Challenging your intellect; challenging your thought process, which is what art is all about, in my opinion
Welcome. You are listening to a podcast by The Corning Museum of Glass focused on the Museum’s 2007 special exhibition, Botanical Wonders: The Story of the Harvard Glass Flowers. The exhibition, which is on view through November 25, 2007, tells the story of the creation of the extraordinary glass
The Botanical Wonders exhibition celebrates the singular triumph of glassmakers Leopold Blaschka (1822-1895) and his son Rudolf (1857-1939) and offers close-ups of the people and the craft process behind the Glass Flowers. David Whitehouse narrates. "Botanical Wonders: The Story of the Harvard
Dr. Samuel R. Scholes established the first glass science program in the United States at New York State College of Ceramics, Alfred University, in 1932. He continued to be a leader in the field of glass science and technology at Alfred for over 40 years. In the essay below, he demonstrates his
Corning Museum of Glass, June 24, 2010 Tina Oldknow: Thank you all very much for coming out tonight. I think many of you will remember the snowstorm that you braved to hear Dante Marioni speak last February. Tonight is a thunderstorm that heralds the “Meet The Artist” lecture, which will be
"It was only a few months ago that plans were drawn for a house to be built of compressed opalescent glass bricks to be erected at Beechhurst; L.I. The house will be built, as regards material, very similar to some small one and two story office buildings which have been erected in Des Moines,