2-Quart Casserole with Au Gratin Cover

Object Name: 
2-Quart Casserole with Au Gratin Cover

Notice of Upcoming Content and Access Change

The Museum is working on the future of our online collections access. A new version will be available later in 2023. During this transition period, the current version of the Collections Browser may have reduced functionality and data may be not be updated. We apologize for any inconvenience this may cause. For any questions or concerns, please contact us.

What is AAT?

The Art & Architecture Thesaurus (AAT) (r) is a structured vocabulary for generic concepts related to art and architecture. It was developed by The Getty Research Institute to help research institutions become consistent in the terminology they use.Learn More

Object Name: 
2-Quart Casserole with Au Gratin Cover
Accession Number: 
82.4.79 B
Dimensions: 
Overall H: 14 cm, Diam (max): 24.8 cm
Location: 
Not on Display
Date: 
1977
Credit Line: 
Gift of Vignelli Associates
Web Description: 
This classic modern kitchenware was probably produced for Heller by the Jeannette Glass Company in Jeannette, Pennsylvania.
Provenance: 
Vignelli Associates, Source
1977
to
1982-12-08
Color: 
Technique: 
Material: 
Inscription: 
HELLER OVEN / MICROWAVE BAKEWARE DESIGN BY L&M VIGNELLI MADE IN USA 16
signature
on base embossed in circle
Primary Description: 
2-Quart Casserole with Au Gratin Cover. Colorless glass; pressed.
Venue(s)
Rakow Library, Corning Museum of Glass
New Glass Now | Context provides a glimpse of the history behind our current exhibition, New Glass Now by exploring the Museum’s Glass 1959 and New Glass: A Worldwide Survey (1979) exhibitions and the 40-year run of the contemporary glass journal New Glass Review. While contemporary glass has changed dramatically over the past 60 years, the purpose and method behind the New Glass exhibitions and New Glass Review have remained faithful to the formula developed in 1959 by Thomas S. Buechner, the Museum’s founding director. Since its inception, New Glass has used a democratic curatorial model made up of an open, international call for submissions, responses from artists around the world, and the selections of a panel of diverse thought leaders in art, craft, and design. The first two exhibitions in the series, Glass 1959 and New Glass: A Worldwide Survey (1979) brought unprecedented critical and popular attention to the material, its makers, and designers. As the first exhibition to showcase international contemporary glass, Glass 1959 created the field and laid the foundation for the blossoming of the Studio Glass movement. Twenty years later, New Glass: A Worldwide Survey revolutionized it, spurring individual and institutional collecting across the globe, garnering new scholarly attention, and promoting continued artistic innovation. New Glass Now | Context celebrates the partnership between the Museum, glass artists, expert selectors in the fields of art, craft, and design, and the public that animates the field of contemporary glass. The exhibition pairs archival photographs and glass objects displayed in the 1959 and 1979 exhibitions to show how The Corning Museum of Glass introduced the world to glass as an artist’s medium and made contemporary glass visible. Museum visitors also have the opportunity to step into the shoes of the selectors and choose their favorites from an abundance of glass objects and images of glass objects. This behind-the-scenes look at curating the New Glass exhibitions and publishing New Glass Review reveals the diversity of contemporary glass and the choices selectors have made in defining the field.
Venue(s)
Corning Museum of Glass 2012-05-19 through 2013-01-06
“Making Ideas: Experiments in Design at GlassLab” showcases the Museum’s signature design program, GlassLab, in which designers are invited to work with hot glass. The exhibition features over 150 design prototypes by more than 45 international designers. Over the last decade, the field of design has shifted from a focus on industry and architecture to a practice increasingly informed by contemporary art and craft. Glass, in particular, is being used in newly expressive ways as a result of increased access to the molten material through programs such as GlassLab. Working with the Museum’s artist-glassblowers outside the context of factory production, designers are able to explore concepts and to learn about the properties of glass in ways that were not previously possible. Presented in 2012 on the occasion of the 50th anniversary of American studio glass, this exhibition celebrates the spirit of freedom and experimentation with material and process that characterized the early years of the Studio Glass movement. At The Corning Museum of Glass, exhibitions honoring the history of studio glass in the United States and in Europe highlight individual artists. They are “Founders of American Studio Glass: Harvey K. Littleton” (on the West Bridge), “Founders of American Studio Glass: Dominick Labino (in the Rakow Research Library), and “Masters of Studio Glass: Erwin Eisch (in the Focus Gallery).
 
New Glass: A Worldwide Survey
Venue(s)
Corning Museum of Glass 1979 through 1979
Fine Arts Museums of San Francisco
The Renwick Gallery
Toledo Museum of Art
New Glass: A Worldwide Survey (1979) illustrated, p. 234, #254; BIB# 20603