Bowl

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The Art & Architecture Thesaurus (AAT) (r) is a structured vocabulary for generic concepts related to art and architecture. It was developed by The Getty Research Institute to help research institutions become consistent in the terminology they use.Learn More

Object Name: 
Bowl
Accession Number: 
51.2.184
Dimensions: 
Overall H: 3.75 cm; Rim W: 23.75 cm, D: 30 cm
Location: 
Not on Display
Date: 
about 1790-1810
Primary Description: 
Colorless, presumably lead glass, of gray tinge; blown and cut. Oval form, straight sides spreading to wide flat rim with round-scalloped and beveled edge; cut flat diamonds and triangles on rim, bisected panels on sides, sunburst or star on base.
Department: 
Provenance: 
Steuben Glass, Inc., Former Collection
Davis, Cecil, Former Collection
In Sparkling Company: Glass and Social Life in Britain during the 1700s
Venue(s)
Corning Museum of Glass 2021-05 through 2022-01-02
In 2020, the Corning Museum of Glass (CMoG) will present In Sparkling Company: Glass and Social Life in Britain during the 1700s; an exhibition exploring the role of glass, light and reflectivity in eighteenth-century social life. In the 1700s, Britain was a vibrant and commercial nation. Its growing cities were hubs of sociability, scientific advancement, trade, and finance. From glittering costume and elaborately presented confectionery, to polished mirrors and dazzling chandeliers, glass helped define the social rituals and cultural values of the period. While new innovations in glass delighted the wealthy, the material also bore witness to the ambitions of colonization and the horrors of the African slave trade. Glass beads were traded for human lives and elegant glass dishes, baskets and bowls held sweet delicacies made with sugar produced by enslaved labor. Underpinning Britain’s prosperity were aggressive foreign trade policies, colonization and a far-reaching economy of enslavement, the profits of which funded the pleasures and innovations of the fashionable world. Beginning in the intimate setting of a private dressing room, with a magnificent silver gilt dressing service made for the Duchess of Portland in about 1700, learn about how the elite prepared themselves for a night of revelry and entertainment. See the dazzling clothes and accessories worn by the ‘polished’ individual and understand the rules that governed how they behaved. Enter a specially commissioned virtual reality reconstruction of the remarkable and innovative glass-paneled drawing room designed for the Duke and Duchess of Northumberland in 1775, an interior that hasn’t been seen for nearly 200 years. Become immersed in the glittering nightlife of British elite and feel the tension between the exuberance of the fashionable world and the human cost of such sparkling company. Through a lens of glass, see what it meant to be ‘modern’ in the 1700s, and what it cost.
William Bingham - America, A Good Investment
Venue(s)
Roberson Center for the Arts and Sciences 1975-02-07 through 1975-06-01
 
Title Unknown (Rich's)
Venue(s)
Rich's Inc. 1948-10 through 1948-10